diff -u -p -r --new-file xv-3.10a-jumbo20050501/debian/changelog xv-3.10a-jumbo20050501-1/debian/changelog --- xv-3.10a-jumbo20050501/debian/changelog 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/debian/changelog 2005-05-03 15:28:17.000000000 -0700 @@ -0,0 +1,216 @@ +xv (3.10a-jumbo20050501-1) unstable; urgency=low + + * New imported from original source + * Apply jumbo fix patch : xv-3.10a-jumbo-fix-patch-20050410.txt + * Apply jumbo enh patch : xv-3.10a-jumbo-enh-patch-20050501.txt + * Add HTML manual from previous Debian package + * Fix Makefile and debian//rules for proper compile + + -- Jean II <> Tue, 03 May 2005 14:55:31 -0700 + +xv (3.10a-26) unstable; urgency=low + + * New imported from original source + * Replying grab patch -- fix grab + * Applying vis patch -- FB problem on sun + * Applying mp-tiff patch -- Multipage tiff + * Reapplying longname patch -- names > 32 + * Applying xpm patch -- xpm missing break + * Applying deepcolor patch -- colordisplayproblem + * Reapplying gif patch -- gif reading problem + * Applying exceed_grab patch -- another grab fix + * Applying tiff1200 patch -- tiff now 72dpi + * Reapplying gssafer patch -- cann gs with -dSAFER + * Reapplying JPEG patch -- Use newer jpeglib + * Reapplying TIFF patch -- Use newer tifflib + * Applying pdf patch -- show pdf + * Applying windowid patch -- usable in netscape window + * Applying bmp32 patch -- read 32bit bmp + * Reapplying png patch -- read png + * Applying some patches done by Philippe Troin + * Add watch file + + -- Klaus Ethgen Wed, 25 Feb 2004 16:22:53 +0100 + +xv (3.10a-25) frozen unstable; urgency=medium + + * Applied patch for invoking gs with -dSAFER option to defeat potential + trojanned postscript files. + + -- Philippe Troin Fri, 12 May 2000 14:13:19 -0700 + +xv (3.10a-24) unstable; urgency=low + + * Changed the Section in the doc-base files to conform to usage (used to + be Apps/Viewer, now Apps/Viewers). + + -- Philippe Troin Sun, 17 Oct 1999 00:31:39 -0700 + +xv (3.10a-23) unstable; urgency=low + + * Fixed a bug in PNG handling for new libpng 1.0.3. + + -- Philippe Troin Tue, 5 Oct 1999 01:07:21 -0700 + +xv (3.10a-22) unstable; urgency=low + + * FHS compliance. + * New standards 3.0.1. + * Lintianized. + * Added a patch to GIF reader to correct rare bug with image depth. + + -- Philippe Troin Sun, 3 Oct 1999 23:37:44 -0700 + +xv (3.10a-21) unstable; urgency=low + + * Added patch for better TIFF LZW compression (fixes bug #31356). + * Added doc-base support (fixes bug #31154). + + -- Philippe Troin Sun, 1 Aug 1999 20:35:12 -0700 + +xv (3.10a-20slink1) stable; urgency=medium + + * Applied patch for invoking gs with -dSAFER option to defeat potential + trojanned postscript files. + + -- Philippe Troin Fri, 12 May 2000 16:02:24 -0500 + +xv (3.10a-20) frozen unstable; urgency=low + + * Recompiled with new libtiff to avoid having to different libjpeg + loaded in the memory. + * Removed prerm. + + -- Philippe Troin Sun, 8 Nov 1998 12:42:06 -0800 + +xv (3.10a-19) unstable; urgency=low + + * Postinst and postrm scripts exit correcly even if update-mime fails + (which can happen if update-mime 2.0 is unpacked but not configured + yet). Fixes bugs #26990, #27012. + + -- Philippe Troin Thu, 24 Sep 1998 00:58:05 -0700 + +xv (3.10a-18) unstable; urgency=low + + * Now uses mime 2.0 (fixes bug #25946, #26533, #11226, #12338). + * xv-doc now just recommends xv and no more html-viewer. + + -- Philippe Troin Sun, 20 Sep 1998 16:33:44 -0700 + +xv (3.10a-17) unstable; urgency=low + + * Postinst now uses /usr/X11R6/bin/xv (fixes bug #20406). + * Fixed trivial changes in PNG prototypes. + * Added HTML documentation. + * Added grab patch. + + -- Philippe Troin Mon, 10 Aug 1998 21:55:31 -0700 + +xv (3.10a-16) unstable; urgency=low + + * Recompiled with libc6 2.0.6-2 (fixes minor problems with random number + generator). + * Adapted to standards-version 2.3.0.1. + * Removed shlibs.local now that libjpegg and libtiffg are fixed. + + -- Philippe Troin Sun, 18 Jan 1998 20:38:49 -0800 + +xv (3.10a-15) unstable; urgency=low + + * Libc6'ized (includes patching, forwarded to upstream author) (fixes + bug #11755). + * Fixed neagtive geometries bug #12439 (awful kludge, forwarded to + upstream author). + * Made install-mime quieter. + * Fixed shlibs.local for broken libtiff3g and libjpegg6a. + + -- Philippe Troin Sat, 27 Sep 1997 02:23:45 -0700 + +xv (3.10a-14) non-free; urgency=low + + * Added the PNG patch (fixes bug #9174). + + -- Philippe Troin Fri, 13 Jun 1997 00:29:36 -0700 + +xv (3.10a-13) frozen-non-free non-free; urgency=low + + * Fixed a problem with negative numbers and xvgif.c which caused xv to + dump core on empty GIF files. Patch forwarded to upstream + author. Fixes bug #8521. + * Added a menu entry in /usr/lib/menu. + * Will add PNG patch in next release (this one goes into frozen, I don't + want to add new code). (If bugs stop flowing). + + -- Philippe Troin Fri, 4 Apr 1997 19:18:26 -0800 + +xv (3.10a-12) frozen-non-free non-free; urgency=low + + * Fixed a buffer overflow which caused core dumps with long filenames in + the Visaul Shnauzer. Sent patch to upstream author + (xvtech@trilon.com). Fixes bug #8015. + * Added a Conflicts: xvdoc to the control file so that xvdoc gets + removed when installing this new xv version (previously, only a + Replace:xvdoc was done). Fixes bug #8404. + * Will add PNG patch in next release (this one goes into frozen, I don't + want to add new code). + + -- Philippe Troin Sun, 30 Mar 1997 18:45:16 -0800 + +xv (3.10a-11) non-free; urgency=low + + * After some discussions with the mime-support maintainer, xv should + always remove the MIME types when desintalling (even upgrading) and + reask them when installing (even) upgrading. + This release brings us back to 3.10a-9 basically. + * Popped the libtiff version in the shlibs.local from 034 to 035. + * Added the libjpeg6a in shlibs.local as the provided shlib fails to add + the dependency. + + -- Philippe Troin Fri, 7 Mar 1997 15:40:08 -0800 + +xv (3.10a-10) non-free; urgency=low + + * Checked that we're not doing an upgrade before calling + install-mime. Upgrading now won't ask the MIME stuff... + + -- Philippe Troin Mon, 27 Jan 1997 13:52:19 -0800 + +xv (3.10a-9) non-free; urgency=low + + * Now that libjpeg6a and zlib1 provide shlibs, removed them from + shlibs.local (fixes bug #5766). + + -- Philippe Troin Tue, 7 Jan 1997 00:45:28 -0800 + +xv (3.10a-8) non-free; urgency=low + + * Xv now register corretly the image extensions to install-mime. + + -- Philippe Troin Tue, 12 Nov 1996 23:00:47 -0800 + +xv (3.10a-7) non-free; urgency=low + + * Fixed the postinst script so that install-mime can query the user (it + had stdin redirected previously, and install-mime wouldn't get + anything). + + -- Philippe Troin Mon, 4 Nov 1996 18:38:26 -0800 + +xv (3.10a-6) non-free; urgency=low + + * New maintainer. + * Repackaged to new debian standards. + * Added upstream patches for libtiff3 and libjpeg6, and purged the tiff + and jpeg directories from the .orig sources. + * Uploading the .orig as part of v3.10a-6 (because of new packaging). + * Now dynamically links to (and requires) libtiff3 and libjpeg6a (closes + bug #3837) + * Now registers with the mime package (closes bug #4900) + * Merged the xv-docs package with this one, and trimmed the docs. + + -- Philippe Troin Mon, 4 Nov 1996 01:39:23 -0800 + +Local variables: +mode: debian-changelog +End: diff -u -p -r --new-file xv-3.10a-jumbo20050501/debian/compat xv-3.10a-jumbo20050501-1/debian/compat --- xv-3.10a-jumbo20050501/debian/compat 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/debian/compat 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1 @@ +4 diff -u -p -r --new-file xv-3.10a-jumbo20050501/debian/control xv-3.10a-jumbo20050501-1/debian/control --- xv-3.10a-jumbo20050501/debian/control 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/debian/control 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,37 @@ +Source: xv +Section: non-free/graphics +Priority: optional +Maintainer: Klaus Ethgen +Build-Depends: debhelper (>= 4.0.0) +Standards-Version: 3.6.0 + +Package: xv +Architecture: any +Depends: ${shlibs:Depends}, ${misc:Depends} +Conflicts: xvdoc +Suggests: xv-doc +Description: An image viewer and manipulator for the X Window System. + The xv program displays images in the GIF, JPEG, TIFF, PBM, PGM, PPM, + X11 bitmap, Utah Raster Toolkit RLE, PDS/VICAR, Sun Rasterfile, BMP, + PCX, PNG, IRIS RGB, XPM, Targa, XWD, possibly PostScript, and PM formats + on workstations and terminals running the X11 Window System. + . + The creators of the GIF format require the following + acknowledgement: + . + The Graphics Interchange Format(c) is the Copyright property of + CompuServe Incorporated. GIF(sm) is a Service Mark property of + CompuServe Incorporated. + +Package: xv-doc +Architecture: all +Suggests: xv +Replaces: xvdoc +Conflicts: xvdoc, xv (<< 3.10a-17) +Description: XV Documentation in Postscript and HTML formats. + The xv program displays images in the GIF, JPEG, TIFF, PBM, PGM, PPM, + X11 bitmap, Utah Raster Toolkit RLE, PDS/VICAR, Sun Rasterfile, BMP, + PCX, PNG, IRIS RGB, XPM, Targa, XWD, possibly PostScript, and PM formats + on workstations and terminals running the X11 Window System. + . + This package contains the xv documentation in postscript and HTML formats. diff -u -p -r --new-file xv-3.10a-jumbo20050501/debian/copyright xv-3.10a-jumbo20050501-1/debian/copyright --- xv-3.10a-jumbo20050501/debian/copyright 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/debian/copyright 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,180 @@ +This package was debianized by Klaus Ethgen . + +Upstream Author(s): John Bradley + +Copyright: + +XV Licensing Information +------------------------ +XV IS SHAREWARE FOR PERSONAL USE ONLY. + +You may use XV for your own amusement, and if you find it nifty, +useful, generally cool, or of some value to you, your registration fee +would be greatly appreciated. $25 is the standard registration fee, +though of course, larger amounts are quite welcome. Folks who donate +$40 or more can receive a printed, bound copy of the XV manual for no +extra charge. If you want one, just ask. BE SURE TO SPECIFY THE +VERSION OF XV THAT YOU ARE USING! + +COMMERCIAL, GOVERNMENT, AND INSTITUTIONAL USERS MUST REGISTER THEIR +COPIES OF XV. + +This does *not* mean that you are required to register XV just because +you play with it on the workstation in your office. This falls under +the heading of 'personal use'. If you are a sysadmin, you can put XV +up in a public directory for your users amusement. Again, 'personal +use', albeit plural. + +On the other hand, if you use XV in the course of doing your work, +whatever your 'work' may happen to be, you *must* register your +copy of XV. (Note: If you are a student, and you use XV to do +classwork or research, you should get your professor/teacher/advisor +to purchase an appropriate number of copies.) + +XV licenses are $25 each. You should purchase one license per +workstation, or one per XV user, whichever is the smaller number. XV +is *not* sold on a 'number of concurrent users' basis. If XV was some +$1000 program, yes, that would be a reasonable request, but at $25, +it's not. Also, given that XV is completely unlocked, there is no way +to enforce any 'number of concurrent users' limits, so it isn't sold +that way. + +Printed and bound copies of the 100-odd page XV manual are available +for $15 each. Note that manuals are *only* sold with, at minimum, an +equal number of licenses. (e.g. if you purchase 5 licenses, you can +also purchase *up to* 5 copies of the manual) + +The source code to the program can be had (as a compressed 'tar' file +split over a couple 3.5" MS-DOS formatted floppies) for $15, for those +who don't have ftp capabilities. + +Orders outside the US and Canada must add an additional $5 per manual +ordered to cover the additional shipping charges. + +Checks, money orders, and purchase orders are accepted. Credit cards +are not. All forms of payment must be payable in US Funds. Checks +must be payable through a US bank (or a US branch of a non-US bank). +Purchase orders for less than $50, while still accepted, are not +encouraged. + +All payments should be payable to 'John Bradley', and mailed to: + John Bradley + 1053 Floyd Terrace + Bryn Mawr, PA 19010 + USA + + +Site Licenses +------------- +If you are planning to purchase 10 or more licenses, site licenses are +available, at a substantial discount. Site licenses let you run XV on +any and all computing equipment at the site, for any purpose +whatsoever. The site license covers the current version of XV, and +any versions released within one year of the licensing date. You are +also allowed to duplicate and distribute an unlimited number of copies +of the XV manual, but only for use within the site. Covered versions +of the software may be run in perpetuity. + +Also, it should be noted that a 'site' can be defined as anything +you'd like. It can be a physical location (a room, building, +location, etc.), an organizational grouping (a workgroup, department, +division, etc.) or any other logical grouping ("the seventeen +technical writers scattered about our company", etc.). + +The site license cost will be based on your estimate of the number of +XV users or workstations at your site, whichever is the smaller +number. + +If you are interested in obtaining a site license, please contact the +author via electronic mail or FAX (see below for details). Send +information regarding your site (the name or definition of the 'site', +a physical address, a fax number, and an estimate of the number of +users or workstations), and we'll get a site license out to you for +your examination. + + +Copyright Notice +---------------- +Copyright 1989, 1994 by John Bradley + +Permission to copy and distribute XV in its entirety, for non-commercial +purposes, is hereby granted without fee, provided that this license +information and copyright notice appear unmodified in all copies. + +Note that distributing XV 'bundled' in with any product is considered +to be a 'commercial purpose'. + +Also note that any copies of XV that are distributed must be built +and/or configured to be in their 'unregistered copy' mode, so that it +is made obvious to the user that XV is shareware, and that they should +consider donating, or at least reading this License Info. + +The software may be modified for your own purposes, but modified +versions may not be distributed without prior consent of the author. + +This software is provided 'as-is', without any express or implied +warranty. In no event will the author be held liable for any damages +arising from the use of this software. + +If you would like to do something with XV that this copyright +prohibits (such as distributing it with a commercial product, +using portions of the source in some other program, etc.), please +contact the author (preferably via email). Arrangements can +probably be worked out. + +XV is shareware for PERSONAL USE only. You may use XV for your own +amusement, and if you find it nifty, useful, generally cool, or of +some value to you, your non-deductable donation would be greatly +appreciated. $25 is the suggested donation, though, of course, +larger donations are quite welcome. Folks who donate $25 or more +can receive a Real Nice bound copy of the XV manual for no extra +charge. + +Commercial, government, and institutional users must register their +copies of XV, for the price of $25 per workstation/X terminal or per +XV user, whichever is less. Note that it does NOT say 'simultaneous user', +but rather, the total number of people who use XV on any sort of +recurring basis. Site licenses are available (and recommended) for those +who wish to run XV on a large (>10) number of machines. +Contact the author for more details. + +The author may be contacted via: + + Email: bradley@cis.upenn.edu (preferred!) + + FAX: (610) 520-2042 + + US Mail: John Bradley + 1053 Floyd Terrace + Bryn Mawr, PA 19010 + +The author may not be contacted by (voice) phone. Please don't try. + +Electronic Mail regarding XV should be sent to one of these three addresses: + xv@devo.dccs.upenn.edu - general XV questions + xvbiz@devo.dccs.upenn.edu - all XV licensing questions + xvtech@devo.dccs.upenn.edu - bug reports, technical questions + +Please do *not* send electronic mail directly to the author, as he +gets more than enough as it is. + +------------------------------------------------------------------------------- +GIF acknowledgement +=============================================================================== +CompuServe Incorporated hereby grants a limited, non-exclusive, +royalty-free license for the use of the Graphics Interchange +Format(sm) in computer software; computer software utilizing GIF(sm) +must acknowledge ownership of the Graphics Interchange Format and its +Service Mark by CompuServe Incorporated, in User and Technical +Documentation. Computer software utilizing GIF, which is distributed +or may be distributed without User or Technical Documentation must +display to the screen or printer a message acknowledging ownership of +the Graphics Interchange Format and the Service Mark by CompuServe +Incorporated; in this case, the acknowledgement may be displayed in an +opening screen or leading banner, or a closing screen or trailing +banner. A message such as the following may be used: + +"The Graphics Interchange Format(c) is the Copyright property of +CompuServe Incorporated. GIF(sm) is a Service Mark property of +CompuServe Incorporated." +=============================================================================== diff -u -p -r --new-file xv-3.10a-jumbo20050501/debian/myupdate xv-3.10a-jumbo20050501-1/debian/myupdate --- xv-3.10a-jumbo20050501/debian/myupdate 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/debian/myupdate 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,15 @@ +#! /bin/sh +# called with '--upstream-version' +set -e +package=`dpkg-parsechangelog | sed -n 's/^Source: //p'` +opwd=`pwd` +cd .. +cvs-upgrade -xdebian -W. $package $2 +cd $opwd +cvs -Q update -d -jsource-dist:yesterday -jsource-dist:today +cat <. Now it is not +anymore in debian because the license. So I take over it to hold it apt-getable +and usable with the newest distributions. + + -- Klaus Ethgen , Wed, 25 Feb 2004 11:49:51 +0100 diff -u -p -r --new-file xv-3.10a-jumbo20050501/debian/rules xv-3.10a-jumbo20050501-1/debian/rules --- xv-3.10a-jumbo20050501/debian/rules 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/debian/rules 2005-05-03 15:28:17.000000000 -0700 @@ -0,0 +1,79 @@ +#!/usr/bin/make -f +# -*- makefile -*- +# Sample debian/rules that uses debhelper. +# GNU copyright 1997 to 1999 by Joey Hess. + +# Uncomment this to turn on verbose mode. +#export DH_VERBOSE=1 + + + +# Go faster. - Jean II +CCOPTS = -Wall -O3 -Wall -DUSE_GETCWD + +#CCOPTS = -Wall -g -DUSE_GETCWD +# +#ifneq (,$(findstring noopt,$(DEB_BUILD_OPTIONS))) +# CCOPTS += -O0 +#else +# CCOPTS += -O2 +#endif +ifeq (,$(findstring nostrip,$(DEB_BUILD_OPTIONS))) + INSTALL_PROGRAM += -s +endif + +configure: configure-stamp +configure-stamp: + dh_testdir + touch configure-stamp + +build: build-stamp + +build-stamp: configure-stamp + dh_testdir + $(MAKE) CCOPTS="$(CCOPTS)" + touch build-stamp + +clean: + dh_testdir + dh_testroot + rm -f build-stamp configure-stamp + -$(MAKE) -i clean + dh_clean + +install: build + dh_testdir + dh_testroot + dh_clean -k + dh_installdirs + + # Add here commands to install the package into debian/xv. + $(MAKE) install DESTDIR=$(CURDIR)/debian/xv DOCDIR=$(CURDIR)/debian/xv-doc + + +# Build architecture-independent files here. +binary-indep: build install +# We have nothing to do by default. + +# Build architecture-dependent files here. +binary-arch: build install + dh_testdir + dh_testroot + dh_installchangelogs CHANGELOG + dh_installdocs +# dh_install + dh_installmenu + dh_installmime + dh_installman + dh_link + dh_strip + dh_compress + dh_fixperms + dh_installdeb + dh_shlibdeps + dh_gencontrol + dh_md5sums + dh_builddeb + +binary: binary-indep binary-arch +.PHONY: build clean binary-indep binary-arch binary install configure diff -u -p -r --new-file xv-3.10a-jumbo20050501/debian/watch xv-3.10a-jumbo20050501-1/debian/watch --- xv-3.10a-jumbo20050501/debian/watch 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/debian/watch 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,5 @@ +# +version=2 +http://www.trilon.com/xv/downloads.html \ +ftp://ftp\.cis\.upenn\.edu/pub/xv/xv-(\d\.\d.)\.tar\.gz +debian debian/myupdate diff -u -p -r --new-file xv-3.10a-jumbo20050501/debian/xv.dirs xv-3.10a-jumbo20050501-1/debian/xv.dirs --- xv-3.10a-jumbo20050501/debian/xv.dirs 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/debian/xv.dirs 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,3 @@ +usr/X11R6/bin +usr/share/doc/xv +usr/X11R6/man/man1 diff -u -p -r --new-file xv-3.10a-jumbo20050501/debian/xv-doc.dirs xv-3.10a-jumbo20050501-1/debian/xv-doc.dirs --- xv-3.10a-jumbo20050501/debian/xv-doc.dirs 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/debian/xv-doc.dirs 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1 @@ +usr/share/doc/xv-doc/html diff -u -p -r --new-file xv-3.10a-jumbo20050501/debian/xv-doc.doc-base xv-3.10a-jumbo20050501-1/debian/xv-doc.doc-base --- xv-3.10a-jumbo20050501/debian/xv-doc.doc-base 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/debian/xv-doc.doc-base 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,17 @@ +Document: xv-manual +Title: XV 3.10a manual +Author: John Bradley +Abstract: xv is an interactive image manipulation program for the X Window + System. It can operate on images in the GIF, JPEG, TIFF, PBM, PGM, + PPM, XPM, X11 bitmap, Sun Rasterfile, Targa, RLE, RGB, BMP, PCX, FITS, + and PM formats on all known types of X displays. It can generate + PostScript files, and if you have ghostscript (version 2.6 or above) + installed on your machine, it can also display them. +Section: Apps/Viewers + +Format: postscript +Files: /usr/share/doc/xv-doc/xvdocs.ps.gz + +Format: HTML +Index: /usr/share/doc/xv-doc/html/index.html +Files: /usr/share/doc/xv-doc/html/* diff -u -p -r --new-file xv-3.10a-jumbo20050501/debian/xv.docs xv-3.10a-jumbo20050501-1/debian/xv.docs --- xv-3.10a-jumbo20050501/debian/xv.docs 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/debian/xv.docs 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,2 @@ +BUGS +README diff -u -p -r --new-file xv-3.10a-jumbo20050501/debian/xv.menu xv-3.10a-jumbo20050501-1/debian/xv.menu --- xv-3.10a-jumbo20050501/debian/xv.menu 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/debian/xv.menu 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,2 @@ +?package(xv):needs=X11 section=Apps/Viewers\ + title="Xv" command="/usr/bin/xv" diff -u -p -r --new-file xv-3.10a-jumbo20050501/debian/xv.mime xv-3.10a-jumbo20050501-1/debian/xv.mime --- xv-3.10a-jumbo20050501/debian/xv.mime 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/debian/xv.mime 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,16 @@ +image/gif; xv %s; description="GIF Image"; test=test "$DISPLAY"; priority=3 +image/jpeg; xv %s; description="JPEG Image"; test=test "$DISPLAY"; priority=3 +image/tiff; xv %s; description="TIFF Image"; test=test "$DISPLAY"; priority=3 +image/postscript; xv %s; description="Postscript Image"; test=test "$DISPLAY"; priority=3 +image/x-portable-bitmap; xv %s; description="PBM Image"; test=test "$DISPLAY"; priority=3 +image/x-portable-graymap; xv %s; description="PGM Image"; test=test "$DISPLAY"; priority=3 +image/x-portable-pixmap; xv %s; description="PPM Image"; test=test "$DISPLAY"; priority=3 +image/x-xbitmap; xv %s; description="XBM Image"; test=test "$DISPLAY"; priority=3 +image/x-xpixmap; xv %s; description="XPM Image"; test=test "$DISPLAY"; priority=3 +image/bmp; xv %s; description="BMP Image"; test=test "$DISPLAY"; priority=3 +image/cmu-raster; xv %s; description="CMU-RasterFile Image"; test=test "$DISPLAY"; priority=3 +image/x-rgb; xv %s; description="RGB Image"; test=test "$DISPLAY"; priority=3 +image/targa; xv %s; description="TARGA Image"; test=test "$DISPLAY"; priority=3 +image/fits; xv %s; description="FITS Image"; test=test "$DISPLAY"; priority=3 +image/png; xv %s; description="PNG Image"; test=test "$DISPLAY"; priority=3 +image/pm; xv %s; description="PM Image"; test=test "$DISPLAY"; priority=3 diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/adding-algorithms.html xv-3.10a-jumbo20050501-1/docs/html/adding-algorithms.html --- xv-3.10a-jumbo20050501/docs/html/adding-algorithms.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/adding-algorithms.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,187 @@ + + + + + + + +XV: Adding Algorithms to xv + + + + +

+ + +

+ +

Adding Algorithms to xv

+ +

With the addition of the Algorithms menu in the xv +controls window, xv can now perform standard +image-processing algorithms. However, I'm not really into the +whole image-processing scene, so I've only implemented a +few algorithms.

+ +

Please! Feel free to add your own algorithms, it's easy, and +if you'd care to donate them, they may find their way into future +official releases of xv, and eternal fame and glory will +be yours, in the form of a credit in the "Hall of Fame" +listing..

+ +

Adding an Algorithm

+ +

For the purposes of this example, I'll be adding a new +algorithm called 'Noise' which will simply add (or subtract) a +small random amount from each pixel in the image. I can't see +that this would be a very useful algorithm (which is why it's not +already in xv ), but then again, what do I know about such +things...

+ +

Edit xv.h , and find the block that starts with:

+ +
+ 
#define ALG_NONE  0
+#define ALG_SEP1  1  /* separator */
+#define ALG_BLUR3 2
+
+ +

and add an additional definition at the end of the list (right +before ALG_MAX ) for your algorithm. Don't forget to +increment ALG_MAX to reflect the additional algorithm:

+ +
+ 
#define ALG_TINF  6
+#define ALG_OIL   7
+#define ALG_NOISE 8
+#define ALG_MAX   9
+
+ +

Edit xvctrl.c , and find where the array algMList[] +is initialized. Add a string for your new algorithm. The string's +position in the list must match the number that you assigned to +the ALG_* value in xv.h :

+ +
+ 
static char *algMList[] = { "Undo All",
+                            MBSEP,
+                            "Blur (3x3)",
+                            "Blur (7x7)",
+                            "Edge Detection",
+                            "Emboss",
+                            "Oil Painting",
+                            "Add Noise"};
+
+ +

Edit xvalg.c , and find the DoAlg() +function. This function is called with an ALG_* value +whenever something is selected from the Algorithms menu. +Add a case for the new ALG_NOISE value, and have it call +your top-level function, with no parameters:

+ +
+ 
  case ALG_TINF:  EdgeDetect(1);  break;
+  case ALG_OIL:   OilPaint();     break;
+  case ALG_NOISE: Noise();        break;
+}
+
+ +

Write your top-level function:

+ +
+ 
/************************/
+static void Noise()
+{
+  byte *pic24, *tmpPic;
+
+  /* turn on flapping fish cursor */
+  WaitCursor();
+
+  /* mention progress... */
+  SetISTR(ISTR_INFO, "Running Noise algorithm...");
+
+  /* generates a 24-bit version of  pic , if necessary.
+     also generates a w*h*3 buffer (tmpPic) to hold intermediate results */
+  if (start24bitAlg(&pic24, &tmpPic)) return;
+
+  /* do the noise algorithm */
+  doNoise(pic24, pWIDE,pHIGH, tmpPic);
+
+  /* if we're in PIC8 mode, convert pic24 back to PIC8. free pic24 & tmppic */ 
+  end24bitAlg(pic24, tmpPic);
+}
+
+ +

Now write the +function that does the work of your algorithm. It will be passed +a 24-bit RGB source image srcpic, its +dimensions w,h, and a destination 24-bit +image dstpic of the same size. If your +algorithm is normally meant to be run on greyscale images (as so +many image algorithms are), you should simply run it separately +for each of the Red, Green, and Blue +planes, and glue the results back together at the end of the +algorithm.

+ +
+ 
/************************/
+static void doNoise(srcpic, w, h, dstpic)
+  byte *srcpic, *dstpic;
+  int   w, h;
+{
+  byte *sp, *dp;
+  int   x,y,newr,newg,newb;
+
+  printUTime("start of doNoise");   /* print timing info */
+
+  for (y=0; y<h; y++) {
+    if ((y & 15) == 0) WaitCursor();
+
+    sp = srcpic + y*w*3;     /* position sp,dp at start of line #y */
+    dp = dstpic + y*w*3;
+    for (x=0; x<w; x++) {
+      newr = sp[0] + (random()&0x3f)-0x20;  /* add noise to red   component */
+      newg = sp[1] + (random()&0x3f)-0x20;  /* add noise to green component */
+      newb = sp[2] + (random()&0x3f)-0x20;  /* add noise to blue  component */
+      RANGE(newr, 0, 255);   /* clip values to range[0..255] inclusive */
+      RANGE(newg, 0, 255);   /* RANGE() is defined in xv.h */
+      RANGE(newb, 0, 255);
+      dp[0] = (byte) newr;   /* store new values in dstpic */
+      dp[1] = (byte) newg;
+      dp[2] = (byte) newb;
+
+      sp += 3;  dp += 3;     /* advance to next 3-byte pixel in images */
+    }
+  }
+  printUTime("end of doConvolv");
+}
+
+ +

Note that this +algorithm is written in about as non-optimal a way as possible, +for the sake of clarity.

+ +

Also note that if +you define TIMING_TEST +at the beginning of xvalg.c , it will turn on code that +will let you measure the CPU time your algorithm requires. Once +you have a working algorithm, you may find this useful if you +wish to try to optimize your algorithm for increased performance.

+ +

And that's all there is to it!

+ +
+ +

+ + + + + + + +

+ + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/adding-formats-1.html xv-3.10a-jumbo20050501-1/docs/html/adding-formats-1.html --- xv-3.10a-jumbo20050501/docs/html/adding-formats-1.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/adding-formats-1.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,392 @@ + + + + + + + +XV: Adding Other Image Formats to xv, part 1/2 + + + + +

+ + +

+ +

Adding Other Image Formats to xv

+ +

This appendix is split up into two sections, one for reading a +new file format, and the other for writing a new file format. +Note that you do not necessarily have to read and write a +new file format. For example, xv can read PCX files, but +it doesn't write them. Likewise, xv traditionally could +only write PostScript files, but couldn't read them. (And +technically, it still doesn't.)

+ +

For the purposes of this example, I'll be talking about the +PBM/PGM/PPM code specifically. (See the file xvpbm.c for +full details.)

+ +

Writing Code +for Reading a New File Format

+ +

Note: Despite the wide variety of displays and file formats xv +can deal with, internally it only manipulates 8-bit colormapped +images or 24-bit RGB images. If you're loading an 8-bit +colormapped image, such as a GIF image, no problem. If you're +loading an 8-or-fewer-bits format that doesn't have a colormap +(such as an 8-bit greyscale image, or a 1-bit B/W bitmap) your Load +() routine will have to generate an appropriate colormap.

+ +

Make a copy of xvpbm.c , calling it something +appropriate. For the rest of this appendix, mentally replace the +string 'xvpbm.c' with the name of your new file.

+ +

Edit the Makefile and/or the Imakefile so +that your new module will be compiled. In the Makefile , +add "xvpbm.o" to the "OBJS = ..." +macro definition. In the Imakefile , add "xvpbm.o" +to the end of the "OBJS1 = ..." macro +definition, and "xvpbm.c" to the end of the "SRCS1 += ..." macro definition.

+ +

Edit the new module.

+ +

You'll need to #include "xv.h" , of course.

+ +

The module should have one externally callable function that +does the work of loading up the file. The function is called with +two arguments, a filename to load, and a pointer to a PICINFO +structure, like so:

+ +
/*******************************************/
+int LoadPBM(fname, pinfo)
+char *fname;   PICINFO *pinfo;
+/*******************************************/
+ +

The file name will be the complete file name (absolute, not +relative to any directory). Note: if xv is reading from stdin, +don't worry about it. stdin is always automatically +copied to a temporary file. The same goes for pipes and +compressed files. Your Load() routine is guaranteed that +it will be reading from a real file that appears to be in your +file format, not a stream. This lets you use routines such as fseek() +, and such.

+ +

The pinfo argument is a pointer to a PICINFO +structure. This structure is used to hold the complete set of +information associated with the image that will be loaded. When +your Load() routine is called, the fields in this +structure will all be zeroed-out. It is your function's +responsibility to load up the structure appropriately, and +completely. The structure is defined as:

+ +
+ 
/* info structure filled in by the LoadXXX() image reading routines */
+ typedef struct {byte *pic;                  /* image data */
+                 int   w, h;                 /* size */
+                 int   type;                 /* PIC8 or PIC24 */
+                 byte  r[256],g[256],b[256]; /* colormap, if PIC8 */
+                 int   normw, normh;         /* normal size of image.
+                                                normally == w,h except when
+                                                doing quick load for icons*/
+                 int   frmType;              /* def. Format type to save in */
+                 int   colType;              /* def. Color type to save in */
+                 char  fullInfo[128];        /* Format: field in info box */
+                 char  shrtInfo[128];        /* short format info */
+                 char *comment;              /* comment text */
+                 int   numpages;             /* # of page files, if >1 */
+                 char  pagebname[64];        /* basename of page files */
+ } PICINFO;
+
+ +

The Load() function should return '1' on success, '0' +on failure.

+ +

All other information is communicated using the PICINFO +structure. The fields should be setup as follows:

+ +
+
byte *pic;
+
This is an array of bytes which holds the returned image. + The array is malloc() 'd by the Load() + routine. The array should be w*h bytes long (for + an 8-bit colormapped image) or w*h*3 bytes long + (for a 24-bit RGB image). For an 8-bit image, there is + one byte per pixel, which serves as an index into the + returned colormap (see below). For a 24-bit image, there + are three bytes per pixel, in red, green blue, order. In + either case, pixels start at the top-left corner, and + proceed in normal scan-line order. There is no padding of + any sort at the end of a scan line.
+
 
+
int w, h;
+
These variables specify the width and height (in pixels) + of the image that has been loaded.
+
 
+
int type;
+
This variable is used to tell the calling routine whether + the loaded image is an 8-bit image or a 24-bit image. It must + be set equal to PIC8 or PIC24 , + whichever one is appropriate. These constants are defined + in ' xv.h '.
+
 
+
byte r[256], g[256], b[256];
+
If the returned image is an 8-bit image, you must load up + these variables with the colormap for the image. A given + pixel value in pic maps to an RGB color through + these arrays. In each array, a value of 0 means 'off', + and a value of 255 means 'fully on'. Note: the arrays do + not have to be completely filled. Only RGB entries for + pixels that actually exist in pic need to be + set. For example, if pic is known to be a B/W + bitmap with pixel values of 0 and 1, you would only have + to set entries '0' and '1' of the r,g,b arrays.
+
 
+
On the other hand, if the returned image is a 24-bit + image, the r,g,b arrays are ignored, and you do + not have to do anything with them.
+
 
+
int normw, normh;
+
These specify the 'normal' size of the image. Normally, + they are equal to w and h, + respectively. The only exception is when doing a 'quick' + load for icon generation, in which case it may be + possible to read a 'reduced' version of the image, + sufficient for generating the tiny icon files. In such a + case, w and h would reflect the + (reduced) size of the image returned, and normw + and normh would reflect the 'normal' image size, + for use in the comments displayed in the xv visual + schnauzer. Currently only the LoadJFIF() + function in xvjpeg.c actually does this.
+
 
+
int frmType;
+
This lets you specify the Format type to + automatically select when you Save a file. As + such, this is only relevant if you intend to have xv + write your image format as well as read it. If you are + only writing an image loader, you should set this field + to ' -1 '. On the other hand, if you do + intend to write a Write() function for your + format, you should edit xv.h , find the F_* + format definitions, and add one for your format. See xvpcx.c + for an example of a load-only format, or xvpbm.c + for a load-and-save format.
+
 
+
int colType;
+
Used to determine which Colors setting should be + used by default when you save a file. Since xv + will use this setting no matter what format you're + using, you must fill this field in appropriately + regardless of whether or not you plan to have a Write() + function for your format. This field should be set to F_FULLCOLOR + for any type of color image, F_GREYSCALE for + greyscale images, and F_BWDITHER for + black-and-white 1-bit images. If in doubt, F_FULLCOLOR + is always a safe choice, though it'd be nice if your + module 'does the right thing'. (For instance if you read + colormapped images, you should check to see if the + colormap consists only of shades of grey, and set F_GREYSCALE + if it does.)
+
 
+
char fullInfo[128];
+
This string will be shown in the Format field of + the xv info window. It should be set to something + like this:

Color PPM, raw format (12345 bytes)

+
+
char shrtInfo[128];
+
A 'short' version of the info string. This gets displayed + in the info line at the bottom of the xv + controls and xv info windows when the image is + loaded. It should look like this:
+
 
+
512x400 PPM.
+
 
+
char *comment;
+
If your image file format supports some sort of comment + field, and you find one in the file, you should malloc() + a pointer to a null-terminated string and copy any and + all comments into this field. If there are multiple + comments in a file, you should concatenate them together + to form one long string. This string MUST be + null-terminated, as xv will expect to be able to + use strlen() on it, and possibly other 'string' + functions.
+
 
+
int numpages; char pagebname[64];
+
These two fields will only be used if your are writing a Load() + function for a format that may have multiple images per + file. If your format only ever has a single image per + file, you don't have to worry about (or do anything with) + these two fields.
+
 
+
On the other hand, if your format does do multiple + images per file, and the current file has more + than one image in it, then what your program should do is + split the multi-image file up into a temporary + collection of single-image files, which should probably + live in /tmp or something. Once you've done so, + you should return the number of files created in numpages + , and the 'base' filename of the page files in pagebname + . The files created should have a common 'base', with the + page number appended. (e.g., + "/tmp/xvpg12345a.1", + "/tmp/xvpg12345a.2", etc., where + "/tmp/xvpg12345a." is the base filename + (created by the mktemp() system function)) You + should also load the first file and return its image in + the normal way.
+
 
+
See the LoadPS() function in xvps.c for + a complete example of how this is done. Also, note that + if your format supports multiple image per file, you + should also pass in a ' quick ' parameter, which + will tell your function to only load the first 'page' of + the file. This is used by the visual schnauzer, + which needs to load images when it generates icon files. + To speed things up, the schnauzer tells the Load() + function to only load the first page, as that's all it + need to generate the icon file.
+
+ +

Error Handling

+ +

Non-fatal errors in your Load() routine should be +handled by calling the function SetISTR(ISTR_WARNING, +"%s: %s", bname, err), and returning a zero +value. Where bname is the 'simple' name of your file +(which can be obtained using BaseName() function in xvmisc.c +), and err should be an appropriate error string.

+ +

Non-fatal errors are considered to be errors that only affect +the success of loading this one image, and not the continued +success of running xv. For instance, "can't open +file", "premature EOF", "garbage in +file", etc. are all non-fatal errors. On the other hand, not +being able to allocate memory (unsuccessful returns from malloc() +) is considered a fatal error, as it means xv is +likely to run out of memory in the near future anyhow.

+ +

Fatal errors should be handled by calling FatalError(error_string) +. This function prints the string to stderr , and exits +the program with an error code.

+ +

Warnings (such as 'truncated file') that may need to be noted +can be handled by calling SetISTR() as shown above, but +continuing to return '1' from the Load() routine, +signifying success.

+ +

Also, if your load routine fails for any reason, it is +your responsibility to free() any pointers allocated +(such as the pic field and the comment field, and +return NULL in these fields). Otherwise, there'll be memory leaks +whenever an image load fails.

+ +

Hooking it up to xv +

+ +

Once you have written a Load() routine, you'll want +to hook it up to the xv source.

+ +

Edit xv.h and add a function prototype for any global +functions you've written (presumably just LoadPBM() in +this case). Follow the style used for the other Load*() +function declarations.

+ +

Find the RFT_* definitions and tack one on the end +for your format (e.g., RFT_PBM ). This is a list of +values that ' ReadFileType() ' can return. We'll be +working on that soon enough.

+ +

Edit xv.c :

+ +
    +
  1. Tell the ReadFileType() routine about your + format. Add an 'else-if' case that determines if the file + in question is in your format. Note that it must be + possible to uniquely identify your format by reading the + first 16 characters (or so) of the file. If your file + format doesn't have some sort of magic number, + you won't be able to conveniently hook it into xv, + though you can certainly come up with some sort of + kludge...
    2. +
  2. Tell the ReadPicFile() routine about your + format. Add another case for your format type, + and have it call your Load() routine with the + appropriate arguments.
    3. +
  3. Hook your file up into the visual schnauzer. Edit + the file xvbrowse.c
    4. +
+ +

The first thing you have to do is create a 'generic' icon for +your file format. Copy one of the existing ones (such as ' bits/br_pbm.xbm +') to get the size and the general 'look' correct.

+ +

#include this icon at the top of the file.

+ +

Add an appropriately-named BF_* definition to the end +of the list, and increase BF_MAX appropriately.

+ +

Have the icon pixmap created in the CreateBrowse() +function, by doing something like this:

+ +
+ 
bfIcons[BF_PBM] = MakePix1(br->win, br_pbm_bits,
+                           br_pbm_width, br_pbm_height);
+
+ +

Hook your format into the scanFile() function. Find +the following code:

+ +
+ 
switch (filetype) {
+case RFT_GIF:      bf->ftype = BF_GIF;      break;
+case RFT_PM:       bf->ftype = BF_PM;       break;
+
+ +

etc...

+ +

And add a case for your format. (To map RFT_* values +into their corresponding BF_* values.)

+ +

Hook your format into the genIcon() function. Find +the following code:

+ +
+ 
sprintf(str, "%dx%d ", pinfo.w, pinfo.h);
+switch (filetype) {
+  case RFT_GIF:      if (strstr(pinfo.shrtInfo, "GIF89"))
+                       strcat(str,"GIF89 file");
+                     else
+                       strcat(str,"GIF87 file");
+  break;
+  case RFT_PM:       strcat(str,"PM file");  break
+
+
+ +

And add a case for your format. This generates an appropriate +info string that gets put in the icon files maintained by the visual +schnauzer (and displayed whenever you click on an icon in the +schnauzer window).

+ +

That should do it. Consult the files xv.h, xv.c, +xvbrowse.c, and xvpbm.c for any further specifics.

+ +
+ +

+ + + + + + + +

+ + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/adding-formats-2.html xv-3.10a-jumbo20050501-1/docs/html/adding-formats-2.html --- xv-3.10a-jumbo20050501/docs/html/adding-formats-2.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/adding-formats-2.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,260 @@ + + + + + + + +XV: Adding Other Image Formats to xv, part 2/2 + + + + +

+ + +

+ +

Adding Code for +Writing a New File Format

+ +

Note: Despite the wide variety of displays and file formats xv +deals with, internally it only manipulates either 8-bit +colormapped images or 24-bit RGB images. Your Write() +routine must be prepared to take either sort of image, and +convert it (if necessary) to the image format that your file +format dictates.

+ +

If you haven't already done so (if/when you created the Load() +function):

+ +

Make a copy of xvpbm.c , calling it something +appropriate. For the rest of this appendix, mentally replace the +string ' xvpbm.c ' with the name of your new file.

+ +

Edit the Makefile and/or the Imakefile so +that your new module will be compiled. In the Makefile , +add " xvpbm.o " to the " OBJS = ... +" macro definition. In the Imakefile , add " xvpbm.o +" to the end of the " OBJS1 = ... " macro +definition, and " xvpbm.c" to the end of the "SRCS1 += ..." macro definition.

+ +

Edit the new module.

+ +

You'll need to #include "xv.h" , of course.

+ +

The module should have one externally callable function that +does the work of writing the file. The function is called with a +large number of arguments, described below. The function should +return '0' if everything succeeded, and '-1' on failure.

+ +
+ 
/*******************************************/
+int WritePBM(fp,pic,ptype,w,h,rmap,gmap,bmap,numcols,colorstyle,raw,comment)
+     FILE *fp;
+     byte *pic;
+     int   ptype, w,h;
+     byte *rmap, *gmap, *bmap;
+     int   numcols, colorstyle, raw;
+     char *comment;
+/*******************************************/
+
+ +
+
file *fp;
+
This is a pointer to an already- fopen() 'd + stream. Your function should neither open nor close this + stream, as that all gets handled elsewhere in xvdir.c + .
+
 
+
byte *pic;
+
This points to the image data that will be written. In + the case of a PIC8 image, pic will + point to a w*h long array of bytes, one byte per + pixel, starting at the top-left, and proceeding in normal + scan-line order. There is no padding of any sort at the + end of the lines.
+
 
+
In the case of a PIC24 image, pic will + point to a w*h*3 long array of bytes. There are + three bytes per pixel, in red, green, blue order. The + pixels start at the top-left, and proceed in normal scan + line order. There is no padding of any sort at the end of + the lines.
+
 
+
int ptype, w, h;
+
These variables describe the format of pic . ptype + can be set to either PIC8 or PIC24 . w + and h are the width and height of the image, in + pixels.
+
 
+
byte *rmap, *gmap, + *bmap;
+ int numcols;
+
These pointers point to the colormap associated with the + image. They are only relevant when ptype is PIC8, + meaning that pic is an 8-bit per pixel colormapped + image. These arrays will each be numcols entries + long, with a maximum length of 256. Do not attempt to + access entries >= numcols , as the colormaps + are not necessarily 256 entries long. You are + guaranteed that pixel values found in pic will + be within the range [0..numcols-1], so you don't have to + check each pixel value. Also, do not attempt to access + these arrays at all if ptype is PIC24, as these + pointers will probably be NULL in that case.
+
 
+
int colorstyle;
+
The Colors choice selected in the xv save + window. It can be either F_FULLCOLOR , F_GREYSCALE + , or F_BWDITHER . It will not be F_REDUCED + . If the user selects Reduced Color in the xv + save window, the appropriate image will be computed, + and you'll be given that image, and colorstyle + will be set to F_FULLCOLOR .
+
 
+
Likewise, if the user has selected B/W Dithered in + the xv save window, an appropriate black-and-white + image will have been generated before your Write() + routine is called, so you won't have to worry about that. + Such an image will be a PIC8 image, with a + 2-entry colormap. It is up to you to decide which of the + two colors should be written as black, and which + should be written as white. You should do this by + comparing the values of MONO(rmap[0],gmap[0],bmap[0]) + and MONO(rmap[1],gmap[1],bmap[1]). + Whichever value is smaller is the darker of the two, and + should be written as black.
+
 
+
int raw;
+
This is a value passed in specifically for the WritePBM() + function, as PBM has two closely-related subformats (raw, + and ascii) both of which are written by this one + function. Your function won't need this, nor should it be + passed in to your function.
+
 
+
char *comment;
+
This will point to a zero-terminated character string + which contains the comments that should be written into + the image file. Note that this string can be of any + length, and it may contain any number of lines (separated + by '\n' characters). If your image format + supports comments in the file, you should write this + information to the file. If it doesn't, you should just + ignore this variable. Also, this variable may be NULL, + (signifying 'no comments'), in which case it should not + be used.
+
+ +

You may pass more parameters, since you're going to be adding +the call to this function later on. For example, in my PBM code, +I pass one more parameter, 'raw' (whether to save the file as +'raw' or 'ascii') to handle two very similar formats. (Rather +than having to write WritePBMRaw() and WritePBMAscii() +functions.)

+ +

Write the function as you deem appropriate. See xvpbm.c +for an example of a Write() routine that writes +different formats for 1-bit per pixel images, 8-bit per pixel +images, and 24-bit per pixel images, based on ptype and colorstyle +.

+ +

Note: If your file format can only handle 8-bit images, and ptype +is set to PIC24 , you will have to call Conv24to8() +to convert the 24-bit image into an 8-bit colormapped image that +you can write to the file. See xvgifwr.c for an example +of how this is done.

+ +

That done, edit ' xv.h ' and add a function +declaration for your new function. Search for ' WritePBM() +' in the file for a sample declaration to copy.

+ +

Also find the block that begins with:

+ +
+ 
#define F_GIF       0
+#define F_JPEG      ( 0 + F_JPGINC)
+
+ +

and add a definition for your format. Note that it'll be +easiest to tack it on at the end.

+ +

These numbers must be contiguous, as they are used as +indices into the fmtMB menu in xvdir.c .

+ +

Edit 'xvdir.c'. This is the module that controls the xv +save window.

+ +

Add another format name, in the appropriate position, to the saveFormats[] +string array.

+ +

In the function DoSave() , find the following block:

+ +
+ 
switch (fmt) {
+  case F_GIF:
+    rv = WriteGIF(fp, thepic, ptype, w, h, rp, gp, bp, nc, col,
+picComments);
+  break;
+  case F_PM:
+    rv = WritePM (fp, thepic, ptype, w, h, rp, gp, bp, nc, col,
+picComments);
+  break;
+
+ +

and add a case for your function.

+ +

Finally, if your format has a common 3 or 4 letter filename +suffix (like, ".gif", ".jpg", etc.), you +should modify the changeSuffix() routine in xvdir.c +so that it recognizes your suffix, and puts your suffix on when +someone selects your format.

+ +

And It's just that easy!

+ +

Writing Complex Formats

+ +

Okay, maybe it's not that easy...

+ +

If your format requires some additional information to specify +how the file should be saved (such as the 'quality' setting in +JPEG, or position/size parameters in PostScript), then your task +is somewhat more difficult. You'll have to create some sort of +pop-up dialog box to get the additional information that you +want. You'll also have to change the way your Write() +function gets called (as it will now get called from your pop-up +dialog box). (Though, if you only feel like doing a quick hack, +you can probably just use the GetStrPopUp() function to +get a one-line character string from the user, and avoid the +complication of writing your own dialog box.)

+ +

This is not recommended for anyone who doesn't understand Xlib +programming. Frankly, it's not recommended for those who do, +either, but they at least stand some chance of success.

+ +

The more adventurous types who wish to pursue this should take +a look at the xvjpeg.c code, which implements an +extremely simple pop-up dialog. A considerably more complicated +dialog box is implemented in xvps.c. In addition to +writing a module like these for your format, you'll also have to +add the appropriate hooks to the DoSave() function (in xvdir.c) +and the HandleEvent() function (in xvevent.c ). +'grep PS *.c' will be helpful in finding places where +the xvps.c module is called.

+ +
+ +

+ + + + + + + +

+ + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/availability.html xv-3.10a-jumbo20050501-1/docs/html/availability.html --- xv-3.10a-jumbo20050501/docs/html/availability.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/availability.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,203 @@ + + + + + + + +XV: Availability + + + + +

+ + +

+ +

Thank you for acquiring a copy of xv, a pretty nifty X +program. I hope you enjoy using it, as I've enjoyed writing it.

+ +

The latest version of xv is available on the web at +http://www.trilon.com/xv and +via anonymous ftp at +ftp://ftp.trilon.com/pub/xv/. + +If you're not sure if you have the latest version, or you are +missing the source or documentation for xv, please pick up +the latest version of the xv distribution.

+ +

xv Licensing +Information

+ +

xv is shareware for personal use +only.

+ +

You may use xv for your own amusement, and if you find +it nifty, useful, generally cool, or of some value to you, your +registration fee would be greatly appreciated. $25 is the +standard registration fee, though of course, larger amounts are +quite welcome. Folks who donate $40 or more can receive a +printed, bound copy of the xv manual for no extra charge. +If you want one, just ask. Be sure to specify the version of +xv that you are using!

+ +

Commercial, government, and institutional users must +register their copies of xv.

+ +

This does not mean that you are required to register xv +just because you play with it on the workstation in your office. +That falls under the heading of 'personal use'. If you are a +systems administrator, you can put xv up in a public +directory for your users' amusement. Again, 'personal use', +albeit plural.

+ +

On the other hand, if you use xv in the course of doing +your work, whatever your 'work' may happen to be, you must +register your copy of xv . (Note: If you are a student, +and you use xv to do classwork or research, you should get +your professor/teacher/advisor to purchase an appropriate number +of copies.)

+ +

xv licenses are $25 each. You should purchase one +license per workstation, or one per xv user, whichever is +the smaller number. xv is not sold on a 'number of +concurrent users' basis. If xv was some $1000 program, +yes, that would be a reasonable request, but at $25, it's not. +Also, given that xv is completely unlocked, there is no +way to enforce any 'number of concurrent users' limits, so it +isn't sold that way.

+ +

Printed and bound copies of the 130-ish page xv manual +are available for $15 each. Note that manuals are only +sold with, at minimum, an equal number of licenses. (e.g. if you +purchase 5 licenses, you can also purchase up to 5 copies +of the manual)

+ +

The source code to the program can be had (as a compressed +'tar' file split over a couple 3.5" MS-DOS formatted +floppies) for $15, for those who don't have ftp capabilities.

+ +

Orders outside the US and Canada must add an additional $5 per +manual ordered to cover the additional shipping charges.

+ +

Checks, money orders, and purchase orders are accepted. Credit +cards are not. All forms of payment must be payable in US Funds. +Checks must be payable through a US bank (or a US branch of a +non-US bank). Purchase orders for less than $50, while still +accepted, are not encouraged.

+ +

All payments should be payable to 'John Bradley', and mailed +to:

+ +

John Bradley
+1053 Floyd Terrace
+Bryn Mawr, PA 19010 USA

+ +

Site Licenses

+ +

If you are planning to purchase 10 or more licenses, site +licenses are available, at a substantial discount. Site licenses +let you run xv on any and all computing equipment at the +site, for any purpose whatsoever. The site license covers the +current version of xv, and any versions released within +one year of the licensing date. You are also allowed to duplicate +and distribute an unlimited number of copies of the xv +manual, but only for use within the site. Covered versions of the +software may be run in perpetuity.

+ +

Also, it should be noted that a 'site' can be defined as +anything you'd like. It can be a physical location (a room, +building, location, etc.), an organization (a workgroup, +department, division, etc.) or any other logical grouping +("the seventeen technical writers scattered about our +company", etc.). The site license cost will be based on your +estimate of the number of xv users or workstations at your +site, whichever is the smaller number.

+ +

If you are interested in obtaining a site license, please +contact the author via electronic mail or FAX (see below for +details). Send information regarding your site (the name or +definition of the 'site', a physical address, a fax number, and +an estimate of the number of users or workstations), and we'll +get a site license out to you for your examination.

+ +

Copyright Notice

+ +

xv is Copyright 1989, 1994 by John Bradley

+ +

Permission to copy and distribute xv in its entirety, +for non-commercial purposes, is hereby granted without fee, +provided that this license information and copyright notice +appear in all copies.

+ +

If you redistribute xv, the entire contents of +this distribution must be distributed, including the README, and +INSTALL files, the sources, and the complete contents of the +'docs' directory.

+ +

Note that distributing xv 'bundled' with any commercial +product is considered to be a 'commercial purpose'.

+ +

Also note that any copies of xv that are distributed must +be built and/or configured to be in their 'unregistered copy' +mode, so that it is made obvious to the user that xv is +shareware, and that they should consider registering, or at least +reading this information.

+ +

The software may be modified for your own purposes, but +modified versions may not be distributed without prior consent of +the author.

+ +

This software is provided 'as-is', without any express or +implied warranty. In no event will the author be held liable for +any damages arising from the use of this software.

+ +

If you would like to do something with xv that this +copyright prohibits (such as distributing it with a commercial +product, using portions of the source in some other program, +distributing registered copies, etc.), please contact the author +(preferably via email). Arrangements can probably be worked out.

+ +

The author may be contacted via:

+ +
+
US Mail:
+
John Bradley
+
1053 Floyd Terrace
+
Bryn Mawr, PA 19010
+
USA
+
 
+
FAX:
+
(610) 520-2042
+
+ +

Electronic Mail regarding xv should +be sent to one of these three addresses:

+ +

xv@trilon.com - +general xv questions
+xvbiz@trilon.com +- all xv licensing questions
+xvtech@trilon.com +- bug reports, technical questions

+ +

Please do not send electronic mail directly to the +author, as he gets more than enough as it is.

+ +
+ +

+ + + + + + + +

+ + + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/color-allocation.html xv-3.10a-jumbo20050501-1/docs/html/color-allocation.html --- xv-3.10a-jumbo20050501/docs/html/color-allocation.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/color-allocation.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,201 @@ + + + + + + + +XV: Color Allocation in xv + + + + +

+ + +

+ +

Color Allocation in xv

+ +

Allocating colors on an X11 display is not as trivial a matter +as it might seem on first glance. xv goes to a lot of +trouble to allocate colors from what is essentially a scarce +resource. This appendix is provided for those inquisitive types +who'd be interested in learning how to successfully 'argue' with +an X server.

+ +

Note: If you're using a TrueColor display, you can +safely ignore this appendix, as none of the following actually +happens on your system. On a TrueColor system, there is no +colormap. Pixel values directly correspond to displayed color +values. For example, in a typical 24-bit TrueColor +display, each pixel value is a 24-bit unsigned number, which +corresponds to an 8-bit Red component, an 8-bit Green +component, and an 8-bit Blue component, bitwise shifted +and OR-ed together to form a 24-bit number. As a result, all +displayable colors are always available for use.

+ +

The Problem with +PseudoColor Displays

+ +

Most color X displays use a 'visual' model called PseudoColor. +On a PseudoColor display, pixel values are small unsigned +integers which point into a 'colormap', which contains an RGB +triple for each possible pixel value. As an example, on a typical +8-bit color X display, pixel values can range between 0 and 255, +inclusive. There is a 256-entry colormap which contains an RGB +triple for each possible pixel value. When the video display +hardware sees a pixel value of '7', for instance, it looks up +color #7 in the colormap, and sends the RGB components found in +that position of the colormap to the video monitor for display.

+ +

In the X Window System, entries on the display's colormap +(called colorcells) are a scarce resource. At any time, out of +the 256 colors available (in an 8-bit PseudoColor system), +several of these colors may already be in use by your window +manager, the cursor, and other applications. As such, xv +cannot assume that it has 256 colors at its disposal, because it +generally doesn't.

+ +

A word on the xv color allocation policy: The overall +goal is to "make this one image being displayed right now +look as good as possible, without changing the colors of any +other applications." You can modify this goal slightly to +suit your purposes, on the off chance that your goal isn't the +same as my goal. See "Color +Allocation Commands" for further details.

+ +

xv's +Default Color Allocation Algorithm

+ +

By default, xv will allocate 'read-only' colorcells. +Since these colorcells cannot be changed by the application, they +can be freely shared among applications. This is the default +behavior because it is the most likely to succeed in getting the +colors it needs. It does, however, slow down any color changes +made in the xv color editor window. If you intend to be +doing any serious color modification, you should probably run xv +with the '-rw' option.

+ +

When allocating read-only colorcells, xv uses a +four-step process to acquire the colors it wants.

+ +

The first step is to sort the desired colors by order of +'importance', so that we ask for the most 'important' colors +first. See "The Diversity +Algorithm" for more details on this step.

+ +

The next step (Phase 1 Color Allocation) is to ask for each +color in the list. Colors that we failed to get (presumably +because there are no more entries available in the colormap) are +marked for use in the Phase 2 and Phase 3 Color Allocation steps.

+ +

If we successfully allocated all the desired colors in Phase +1, the algorithm exits at this time. Otherwise, it goes on to +Phase 2. In Phase 2, the display's colormap is examined. For each +color that went unallocated in Phase 1, the program looks for the +color in the display's colormap that is the 'nearest' match to +the originally desired color. It then tries to allocate these +'nearest' colors as read-only colorcells. The number of +successful allocations in Phase 2 will be displayed in the string +"Got ## 'close' colors.", visible in the xv info +window.

+ +

If all the colors have been successfully allocated by this +point, the algorithm exits. Otherwise, it continues on the Phase +3. In Phase 3, any colors still unallocated are simply mapped +into the 'nearest' colors that were allocated in Phase 1 +or Phase 2.

+ +

'Perfect' Color Allocation

+ +

If you'd like the image displayed "as nicely as possible +on this display, and everything else be damned", you can run +xv in 'perfect' mode, by specifying the '-perfect' +option on the command line.

+ +

In 'perfect' mode, color allocation proceeds much like it does +in 'imperfect' mode. The colors are sorted in decreasing order of +'importance'. Each of these colors is then requested, as in the +Phase 1 color allocation code described above.

+ +

The big change comes on a failed allocation request. If a +color is not successfully allocated in Phase 1, and this is the +first failed request, we assume that the colormap is full. The +program frees all the colors allocated so far, creates and +installs a completely new colormap. When a new colormap is +installed, everything else on the screen (including other xv +windows) will go to hell. Only the image window will look +correct. Generally, the colormap will remain installed as long as +your mouse is inside the image window. It is, however, up to your +particular window manager to decide how multiple colormaps are +handled..

+ +

After the colormap has been installed, the program starts +Phase 1 over again, allocating colors from the new, empty +colormap. If any color allocation requests still fail, they are +marked and dealt with in Phase 2. (It is possible for allocation +requests from the new, empty colormap to fail, as the program may +be asking for more colors than are available in a colormap. For +example, you could be running xv on a 4- or 6-bit display, +which only would have 16 or 64 colors (respectively) in a +colormap.)

+ +

Phase 2 operates as described above, except that it looks for +'nearest' matches in the newly created colormap. Also, since xv +already owns every color in this colormap, we don't technically +have to 'allocate' any of them in this Phase. We already have +allocated them once.

+ +

Note that 'perfect' mode only creates and installs a new +colormap if it was necessary. If all the Phase 1 color allocation +requests succeeded, a new colormap will not be created.

+ +

Allocating Read-Write +Colors

+ +

It is sometimes desirable to allocate read-write colorcells +instead of read-only colorcells. Read-write colorcells cannot be +shared among programs. As such, unless you use 'perfect' mode as +well, you are likely to successfully allocate fewer colors. +That's the disadvantage. The advantage is that, since xv +completely owns these colorcells, it can do what it wishes with +them. Color changes (as controlled by the xv color editor +window) will happen almost instantaneously, as the program only +has to store new RGB values in the colorcells, rather than free +all the colors and reallocate new different colors.

+ +

To allocate read-write colorcells, start xv with the ' -rw +' option. Colorcells are allocated one at a time. If an +allocation request fails, the code stops allocating new +colorcells. (Unless you've also specified 'perfect' mode. In +'perfect' mode, the first time an allocation request fails, all +allocated colors are freed, a new, empty colormap is created and +installed, and all colors are reallocated. If there is an +allocation error in this second pass, the code stops allocating +new colorcells.)

+ +

If there are still unallocated color remaining, these colors +are simply mapped into the closest colors that were allocated.

+ +

For further information, and actual code that does everything +described in this appendix, see the functions 'AllocROColors()' +and 'AllocRWColors()', both of which can be found in the +source module 'xvcolor.c'.

+ +
+ +

+ + + + + + + +

+ + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/color-editor-1.html xv-3.10a-jumbo20050501-1/docs/html/color-editor-1.html --- xv-3.10a-jumbo20050501/docs/html/color-editor-1.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/color-editor-1.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,245 @@ + + + + + + + +XV: The Color Editor, part 1/3 + + + + +

+ + +

+ +

The Color Editor

+ +

+ +

Overview

+ +

The xv color editor provides a powerful system for +manipulating color images. Since there are many different reasons +why a person would want to modify an image's colors, and many +different types of images that may need modification, there is no +one color manipulation tool that would be 'best' for all +purposes. Because of this problem, xv gives the user three +different color tools, all of which can be used simultaneously.

+ +

Colormap Editing: This tool lets you arbitrarily modify +individual colormap entries. Useful for modifying the color of +captions or other things that have been added to images. Also +works well on images that have a small number of colors, such as +images generated by 'drawing' or CAD programs. It's also an easy +way to spiff up boring 1-bit black and white images. Note that +the Colormap Editing tool is not available when you +are in 24-bit mode.

+ +

HSV Modification: This tool lets you alter the image +globally in the HSV colorspace. (See "RGB and HSV Colorspaces" +for more info.) Here are examples of the sort of things you can +do with this tool:

+ +
    +
  • turn all the blues in an image into reds
    • +
  • change the tint of an image
    • +
  • change a greyscale image into a mauve-scale image
    • +
  • increase or decrease the amount of color saturation in an + image
    • +
  • change the overall brightness of an image
    • +
  • change the overall contrast of an image
    • +
+ +

RGB Modification: This tool lets you route the red, +green, and blue color components of an image through independent +mapping functions. The functions can either be the standard gamma +function, or any arbitrary function that can be drawn with +straight line segments or a cubic spline. See "The Intensity Graph" +for more info about graph functions.

+ +

The major use of the RGB Modification tool is to +correct for the differing color response curves of various color +monitors, printers, and scanners. This is the tool to use when +the image is too red, for instance.

+ +

These three tools are tied together in a fixed order. The Colormap +Editing tool operates on the original colors in the image. +The output of this tool is piped into the HSV Modification tool. +Its output is piped into the RGB Modification tool. The +output from the RGB Modification tool is what actually +gets displayed.

+ +

In addition there is a collection of buttons that control the xv +color editor as a whole (more or less).

+ +

Don't Panic! It's not as complicated as it looks.

+ +

The Colormap Editing Tool

+ + + + + + +
The top portion of this window shows the + colormap of the current image. There are 16 cells across, + and up to 16 rows down, for a maximum of 256 color cells. + Only cells actually used somewhere in the image are shown + in this array.

The currently selected color cell is + shown with a thick border. You can change the selection + by clicking anywhere in the array. If you drag the mouse + through this area, you'll see the dials at the bottom + change to track the current pixel values.

+

You can also select a color cell by clicking anywhere + in the image window. Whichever pixel value you were on + when you let go of the mouse will become the new selected + color cell.

+
+ +

You can define a smoothly gradated range of colors by Left +clicking on the color cell that marks the 'start' of the range, +and Middle clicking on the color cell that marks the 'end' of the +range. Intervening color cells will be interpolated between the +colors of the 'start' and 'end' colorcells.

+ +

Since certain images will have many colors that are the same, +or nearly the same, it is sometimes convenient to group color +cells together. Grouped color cells all take on the same color, +and changing any one of them affects all of the other colors in +the group.

+ +

To group color cells together, do the following:

+ +
    +
  1. Hold down the <Shift> key.
    2. +
  2. Left click on one color cell that you would like to be in + the group
    3. +
  3. Right click on other color cells that you wish to be in + this group. (Right clicking on cells that are already + selected will de-select them.)
    4. +
  4. Release the <Shift> key when you're done.
    5. +
+ +

You can create as many groups as you like.

+ +

You can use this grouping/ungrouping technique to copy colors +from one color cell to another. Left click on the source color +cell, Right click on the destination color cell, and Right click +on the destination color cell again (to ungroup it).

+ +

Using the Dial Controls

+ +

At the bottom of the Colormap Editing tool are three +dials that let you set the color of the current color cell (or +group of cells). By default, the dials control the Red, Green, +and Blue components of the RGB colorspace, but they can also +control the Hue, Saturation, and Value components of the HSV +colorspace. (The RGB/HSV button controls this.)

+ +

Regardless of what they control, all dials in xv work +the same way. Clicking on the single arrows increase/decrease the +value by 1. Clicking on the double arrows increase/decrease the +value by a larger amount (16 in this case). If you click on one +of the arrows, and hold the mouse button down, the +increase/decrease will repeat until you release the mouse button.

+ +

You can also click in the general area of the pointer and +simply drag it to the position you want. The further your mouse +cursor is from the center of the dial, the more precise the +control will be. While dragging, you do not have to keep the +cursor inside the dial window.

+ +

Colormap Editing Commands

+ +
+
+
Undoes the last change made to the colormap that resulted + in a color cell changing value. This includes grouping + and ungrouping color cells, and changing any of the + dials.
+
 
+
+
Undoes all color changes. Returns the colormap to its + original state. Destroys any groups that you may have + created.
+
 
+
+
+ + + + +
Toggles the Colormap Editing + dials between editing colors in terms of Red, + Green, and Blue, and editing colors in terms of + Hue, Saturation, and Value.
+
+
+
Turns color images into greyscale images by changing the + colormap. This replaces each color cell with a greyscale + representation of itself. Use the Revert command + to restore the colors.
+
 
+
+
This command behaves differently, depending on the + setting of the RGB/HSV mode. (You can tell which + mode you're in by the titles on the dials.)

In RGB + mode, each color component is separately 'inverted'. For + example, Yellow (which is composed of full red, full + green, and no blue) would turn to Blue (no red, no green, + full blue).

+

In HSV mode, only the Value (intensity) component is + 'inverted'. The Hue and Saturation components remain the + same. In this mode, bright colors turn to dark versions + of the same color. For example, a Yellow would turn + Brown.

+
+
+
Generates a random colormap. This is of questionable + usefulness, but it will occasionally come up with + pleasing color combinations that you never would've come + up with yourself. So it stays in. It works best on images + with a small number of colors. Note that it respects cell + groupings, so if your image has a lot of colors, you can + create a few large groups and then use the Random + command.
+
+ +

Note: It is HIGHLY RECOMMENDED that if you're using the Colormap +Editing tool, you do not use either the HSV +Modification tool or the RGB Modification tool. If you +do, the results can be quite confusing. For example, you might +edit a color cell, and set its color values to produce a purple. +However, because of HSV/RGB Modification further down the line, +the actual color displayed on the image (and in the color cell) +is yellow. It confuses me, it'll probably confuse you, too.

+ +
+ +

+ + + + + + + +

+ + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/color-editor-2.html xv-3.10a-jumbo20050501-1/docs/html/color-editor-2.html --- xv-3.10a-jumbo20050501/docs/html/color-editor-2.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/color-editor-2.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,394 @@ + + + + + + + +XV: The Color Editor, part 2/3 + + + + +

+ + +

+ +

The HSV Modification Tools

+ + + + + + +
There are four separate controls in the HSV + Modification tool.

At the top of the window are a pair + of circular controls that handle hue remapping.

+

Lower down is a circular control that maps 'white' + (and greys) to a specified color. There is also dial + control that lets you saturate/desaturate the colors of + the image.

+

Finally, at the bottom there is a graph window that + lets you modify intensity values via an arbitrary + remapping function.

+
+ +

Hue Remapping Controls

+ + + + + + +
These two dials are used to define a + source and a destination range of hue values. Every hue + in the source range (defined in the From dial) + gets mapped to the value of the corresponding point in + the destination range (defined in the To dial).

Each + dial has a pair of radial lines with handles at their + ends. Between the two lines an arc is drawn with an arrow + at one end. The wedge drawn by these lines and the arc + defines a range of values (in degrees). The direction of + the arc (clockwise, or counter-clockwise) determines the + direction of this range of values (increasing or + decreasing).

+
+ +

Distributed around the dial are tick marks and the letters +'R', 'Y', 'G', 'C', 'B', and 'M'. These letters stand for the +colors Red, Yellow, Green, Cyan, Blue, and Magenta, and they show +where these colors appear on the circle.

+ +

The range is shown numerically below the control. By default +the range is '330 , 30 CW'. This means that a range of values +[330 , 331 , 332 , ... 359 , 0 , 1 , ... 28 , 29 , 30] has been +defined. Note that (being a circle and all) it wraps back to 0 +after 359 .

+ +

The range can be changed in many different ways. You can click +on the 'handles' at the end of the radial lines and move them +around. If you click inside the dial, but not on one of the +handles, you'll be able to drag the range around as a single +object. There are also 5 buttons below the dial that let you +rotate the range, flip the direction of the range, and +increase/decrease the size of the range while keeping it centered +around the same value.

+ +

In its default state, the To dial is set to the same +range as the From dial. When the two dials are set to the +same range, they are effectively 'turned off', and ignored.

+ +

An example of hue remapping:

+ +
    +
  1. As a simple example of the sort of things you can do with + the hue remapping control, we'll change the color of the + 3-D fish in the default (xv logo) image without changing + any other colors in the image. Since the fish are drawn + using many different shades of pink, you would not want + to do this with the Colormap Editing tool. It + would take forever, or at least most of your lunch break.
    2. +
  2. Get the default image up on the screen by running xv + without specifying any filenames on the command line. + Open up the xv color editor window via the Color + Editor command.
    3. +
  3. Next, click the mouse in the image window and d rag it + around. You'll find that pixels in the fish bodies have a + Hue component value of '0' (which corresponds to pure + red).
    4. +
  4. To remap this hue, simply adjust the From dial so + that its range includes this Hue value. (It probably + already does, by default.) Then twiddle the To + dial to remap the hues. If you find more than the fish + changing color, you can shrink the From range so + it covers a smaller range of hues. This may help.
    5. +
+ +

Note that the values printed when you are tracking pixel +values in the image are the values before the HSV +Modification tool is applied. For example, the background of +the default image will still claim to be blue, regardless of what +color you may have changed it to. This is so that you know what +Hue value you will need to remap if you want to change its color +again.

+ +

If you press the Reset button that is located near the +hue remapping controls, it will effectively disable the hue +remapping by setting the To range equal to the From +range.

+ +

Below the hue remapping controls are a group of 'radio +buttons'. You can have up to six different hue remappings +happening simultaneously. Higher numbered mappings take +precedence over lower numbered mappings.

+ +

An example of multiple hue remappings:

+ +
    +
  1. Draw a From range that is a complete circle. The + easiest way to do this is to draw a range that is nearly + a full circle, then click and hold down the 'increase + range' button located below the From range dial + until the range stops getting bigger.
    2. +
  2. Copy this range to the To range by pressing the Reset + button.
    3. +
  3. Rotate the To range slightly, by either clicking + and dragging anywhere in the To range dial, or by + using the 'rotate clockwise' and 'rotate + counter-clockwise' buttons located below the To + range.
    4. +
  4. You've just built yourself what is effectively a tint + control.
    5. +
  5. Now, suppose, you'd like to adjust the sky color of your + (tint-modified) image, without affecting anything else. + Clicking on the sky in the image window reveals that the + background still has an (original) hue of around 240. To + modify this hue without affecting anything else, we'll + need a second hue remapping.
    6. +
  6. Click on the 2 radio button. The dials will change + to some other default setting. As before, set the From + range to encompass the value 240, preferably as 'tightly' + as possible, and set the To range to produce the + desired background color. Note that since both the sky + and the ocean are blueish, it may not be possible to + change the color of one without affecting the color of + the other.
    7. +
+ +

Note that the six hue remappings are not 'cascaded'. The +output of one remapping is not fed as input into any of the other +hue remappings. The hue remappings always operate on the hue +values in the original image. In this example, if remapping #1 +adds 32 to all hue values, thereby mapping the blue background +(value 240) into a purple-blue (value 272), remapping #2 still +sees the background at 240, and can remap it to anything it +likes. Similarly, in the same example, if remapping #1 has mapped +a green-blue color (value 208) into blue (value 240), remapping +#2 will not map this into another color. As far as remapping #2 +is concerned, that green-blue is still green-blue.

+ +

If it seems complicated, I'm sorry. It is.

+ +

The White Remapping Control

+ + + + + + +
In the HSV colorspace, 'white' + (including black, and all the greys in between) has no + Hue or Saturation components. As such, it is not possible + to use the hue remapping controls to change the color of + white pixels in the image, since they have no 'color' to + change.
+ +

The white remapping control gives you a way to add Hue and +Saturation components to all the whites in the image. It consists +of a movable point in a color dial. The angle of the dot from the +center of the dial determines the Hue component. The distance of +the dot from the center of the dial determines the Saturation +component. The further the dot is from the center of the dial, +the more saturated the color will be.

+ +

You can control the white remapping control in several ways. +You can click on the handle and drag it around with the mouse. +There are also four buttons provided under the dial. One pair +allows you to rotate the handle clockwise and counter-clockwise +without changing its distance from the center. The other pair of +buttons lets you change the distance between the handle and the +center without changing the angle.

+ +

The current Hue and Saturation values provided by the control +are displayed below the dial. The first number is the Hue +component, in degrees, and the second is the Saturation +component, as a percentage.

+ +

There is also a checkbox that will let you turn off the white +remapping control. This lets you quickly compare your modified +'white' with the original white. You can also effectively disable +the white remapping control by putting the handle back in the +center of the control. The easiest way to do this is to click and +hold the 'move towards center' button until the saturation value +gets down to 0%.

+ +

Example:

+ +
    +
  1. Press the Grey button in the Colormap Editing + tool. This turns all the colors in the image into shades + of grey.
    2. +
  2. Drag the handle in the white remapping control halfway + down towards the 'R' mark. The Hue and Saturation values + should be roughly 0 and 50%. The image should now be + displayed in shades of pink.
    3. +
+ +

The Saturation Control

+ + + + + + +
The saturation control lets you globally + increase or decrease the color saturation of the image. + In effect, it is much like the 'color' control on most + color televisions.

The saturation control is a dial + that operates exactly like the dials described in "Using the + Dial Controls". In short, you can click and hold + down any of the four buttons in the bottom of the control + to increase or decrease the control's value. You can also + click on the dial itself and move the pointer around + directly.

+
+ +

The saturation control has values that range from '-100%' to +'+100%'. At its default setting of '0%', the saturation control +has no effect on the image. As the values increase, the colors +become more saturated, up to '+100%', at which point every color +is fully saturated. Likewise, as values decrease, the colors +become desaturated. At '-100%', every color will be completely +desaturated (i.e., a shade of grey). Note that this control is +applied after the White Remapping control, so if you 'greyify' +the image by completely desaturating it, you will not be able to +color it using the White Remapping control. You could get around +this problem by saving the (now grey) image, and reloading, or +you could simply use the Grey button in the Colormap +Editor instead.

+ +

Unless you're trying for some special effects, the useful +range of this control is probably 20%. Also note that the control +will have no effect on shades of grey, as they have no color to +saturate.

+ +

The Intensity Graph

+ + + + + + +
The Intensity graph allows you to + change the brightness of the image, change the contrast + of the image, and get some unique effects.

The Intensity graph is a + function that lets you remap intensity values (the Value + component in the HSV Colorspace) into other intensity + values. The input and output values of this function both + range from 0 to 255. The input values range along the x + axis of this graph (the horizontal). For every input + value (point along the x axis) there is a unique + output value determined by the height of the graph at + that point. In the graph's default state, the function is + a straight line from bottom-left to top-right. In this + case, each input value produces an equivalent output + value, and the graph has no effect.

+
+ +

There are a number of 'handles' +along the graph. These provide your major means of interacting +with the graph. You can move them around arbitrarily, subject to +these two constraints: the handles at the far left and far right +of the graph can only be moved vertically, and handles must +remain between their neighboring handles for the graph to remain +a proper function.

+ +

The handles are normally connected by a spline curve. To see +this, move one of the handles by clicking and dragging it. (Note +that the x,y position of the current handle is displayed +while the mouse button is held down.) The function will remain a +smoothly curved line that passes through all the handles. You can +change this behavior by putting the function into 'lines' mode. +Press the +button. The function will change to a series of line segments +that connect the handles. Press the button to go back to 'spline' mode.

+ +

The next two buttons let you add or delete handles. The button will +insert a handle into the largest 'gap' in the function. The button will +remove a handle from the smallest 'gap' in the function. You can +have as few as 2 handles, or as many as 16. Note that as the +number of handles gets large, the spline will start getting out +of control. You may wish to switch to 'lines' mode in this case.

+ +

The +button puts everything back on a straight line connecting +bottom-left to top-right (a 1:1 function). It does not change the +number of handles, nor does it change the x -positions of +the handles.

+ +

The button lets you +set the function curve by entering a single number. The function +is set equal to the gamma function:

+ +
+

y = 255 * ((i/255) ^ (1/g))

+
+ +

where i is the input value (0-255), g is the gamma +value, and y is the computed result (0-255).

+ +
    +
  • Gamma values (for our purposes) are floating point + numbers that can range between -1000 and 1000, + non-inclusive.
    • +
  • A gamma value of '1.00' results in the normal 1:1 + straight line.
    • +
  • Gamma values of less than 1.00 but greater than 0.00 + result in 'exponential' curves which will dim the image.
    • +
  • Gamma values greater than 1.00 result in 'logarithmic' + curves, which will brighten the image. Try it and see.
    • +
  • Gamma values between 0 and -1 result in reversed + 'exponential' curves.
    • +
  • Gamma values less than -1 result in reversed + 'logarithmic' curves.
    • +
+ +

There is a shortcut for the button. Type g while the mouse is +inside the graph window.

+ +

Also, touching any of the handles after a command will put +the graph back into its 'normal' mode. (Either 'spline' or +'lines' depending on which of the top two buttons is turned on.)

+ +

Generally, whenever you move a graph handle and let go of it, +the image will be redrawn to show you the effects of what you've +done. This can be time-consuming if you intend to move many +points around. You can temporarily prevent the redisplay of the +image by holding down a <Shift> key. Continue to +hold the <shift> key down while you move the handles +to the new position. Release the <Shift> key when +you're done, and the image will be redisplayed.

+ +
+ +

+ + + + + + + +

+ + + + + + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/color-editor-3.html xv-3.10a-jumbo20050501-1/docs/html/color-editor-3.html --- xv-3.10a-jumbo20050501/docs/html/color-editor-3.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/color-editor-3.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,290 @@ + + + + + + + +XV: The Color Editor, part 3/3 + + + + +

+ + +

+ +

The RGB Modification Tool

+ + + + + + +
The RGB Modification tool is a collection of + three graph windows, each of which operate on one of the + components of the RGB colorspace. This tool lets you + perform global color-correction on the image by boosting + or cutting the values of one or more of the RGB color + components. You can use this to correct for color screens + that are 'too blue', or for color printers that produce + 'brownish' output, or whatever.

The graphs work exactly + as explained in "The Intensity + Graph" .

+

Neat Trick: In addition to color-correction, you can + use the RGB modification tool to add color to images that + didn't have color to begin with. For instance, you can + 'pseudo-color' a greyscale image.

+
+ +

An example of pseudo-coloring:

+ +
    +
  1. Adjust the Red graph so that there is a strong red + presence on the right side of the graph, and none on the + left, or in the middle.
    2. +
  2. Adjust the Green graph so that there is a strong + green presence in the middle of the graph, and none on + the left or right.
    3. +
  3. Adjust the Blue graph so that there is a strong + blue presence on the left side of the graph, and none on + the left, or in the middle.
    4. +
  4. The graphs should look roughly like this:
    +
    5. +
+ +

You now have a transformation that will take greyscale images +and display them in pseudo-color, using a 'temperature' color +scheme. Neato!

+ +

The Color Editor Controls

+ + + + + + +
These buttons provide general control + over the whole xv color editor window. You can + display the image with or without color modification, + save and recall presets, and undo/redo changes. Also, + convenience controls are given for performing some of the + most common operations on the Intensity graph.
+ +
+
+
Displays the image using the current HSV and RGB + Modifications. Also turns the 'Display with HSV/RGB + mods' checkbox on. (See below.) This is only useful + when the 'Auto-apply HSV/RGB mods' checkbox is + off.
+ Keyboard Equivalent: <Meta> a
+
 
+
+
Displays the image without any HSV or RGB Modifications. + Also turns the 'Display with HSV/RGB mods' + checkbox off.
+
 
+
+
Undoes the last change to the HSV or RGB controls.

It + may be helpful to think of xv as maintaining a + series of 32 'snapshots' of the HSV and RGB controls. You + are normally looking at the last frame in this series. + The Undo control moves you backwards in the + series.

+
+
+
Only available after you've hit Undo . Moves you + forward in the 'snapshot' series described above. Note + that if you have hit Undo a few times (i.e., + you're now looking at some frame in the middle of the + series), and you change an HSV or RGB control, all + subsequent frames in the series are thrown away, and the + current state becomes that last frame in the series.
+
 
+
+
Resets all HSV and RGB controls to their default + settings. Doesn't affect the Colormap Editing + tool. Note that these default settings can be changed + using the Set command described below.
+ Keyboard Equivalents: R , <Meta> r , + and <Meta> 0
+
 
+
+
Pressing any of these buttons recalls a preset (a + complete set of values for the HSV and RGB controls). By + default, the presets are:
    +
  1. Binary intensity. Every color in the image is + either at full brightness, or black. Gives images + a neat 'neon' sort of look, much like the Saturday + Night Live credits of the late-70's.
    2. +
  2. Binary colors. The image will be shown using only + the 8 binary combinations of red, green, and + blue. (e.g. black, blue, green, cyan, red, + magenta, yellow, white)
    3. +
  3. Temperature pseudo-color. (For use on greyscale + images) Maps intensity values 0-255 into a + 'temperature' color scheme where blue is + 'coldest' and red is 'hottest'.
    4. +
  4. Map pseudo-color. (For use on greyscale images) + Maps intensity values 0- 255 into something akin + to the standard 'elevation map' color scheme + (blue, green, yellow, brown)
    5. +
+

Of course, you can replace these defaults with your + own. See "Modifying + xv Behavior" for more details.
+ Keyboard Equivalents: <Meta> 1 , <Meta> + 2 , <Meta> 3 , and <Meta> 4

+
+
+
Used in conjunction with the Reset, 1, 2, + 3, or 4 buttons to store the current + settings of the HSV and RGB controls into a preset. To do + so, press the Set button, and then press one of + the Reset, 1, 2, 3, or 4 + buttons. The current HSV and RGB control settings will be + stored in that preset, as long as xv continues + running. The values will be lost when the program exits. + It is also possible to save these values permanently. See + the CutRes button (below) and "Modifying + xv Behavior" for more details.
+
 
+
+
Copies the current settings of the HSV and RGB controls, + as text, into the X server's cut buffer. You can then use + a text editor to paste these values into your '.Xdefaults' + (or '.Xresources') file. This lets you save the + current settings 'permanently'. See "Modifying + xv Behavior" for more details.
+
 
+
+
This button closes the xv color editor window.
+
 
+
+
Brightens the image by moving all the handles in the Intensity + graph up by a constant amount.
+
 
+
+
Darkens the image by moving all the handles in the Intensity + graph down by a constant amount.
+
 
+
+
Increases the contrast of the image by moving handles on + the left side of the Intensity graph down, and + handles on the right side up.
+
 
+
+
Decreases the contrast of the image by moving handles on + the left side of the Intensity graph up, and + handles on the right side down.
+
 
+
+
Normalizes the image so that the darkest pixels in the + image are given an intensity of '0', and the brightest + pixels are given an intensity of '255'. Intermediate + colors are interpolated accordingly. This forces the + image to have the full (maximum) dynamic range.
+ Keyboard Equivalent: N
+
 
+
+
Runs a histogram equalization algorithm on the currently + displayed region of the image. That is, if you're + cropped, it will only run the algorithm on the cropped + section. Note, however, that the only modification it + makes to the image is to generate a bizarre corrective Intensity + curve. As such, if you HistEq a section of the + image, the rest of the image will probably not be what + you'd want. Also note that the histogram curve will 'go + away' if you touch any of the handles in the Intensity + graph window, just like a 'gamma' curve would.
+ Keyboard Equivalent: H
+
 
+
+
The 'Display with HSV/RGB mods' checkbox tells you + whether or you're looking at a modified image (checked) + or the 'raw', unmodified image (unchecked). The Apply + and NoMod buttons change the setting of this + checkbox, and you can also change the checkbox directly + by clicking on it.
+
 
+
+
The 'Auto-apply HSV/RGB mods' checkbox controls + whether or not the program regenerates and redisplays the + image after each change to an HSV or RGB control. By + default, this checkbox is turned on, so that you can + easily see the results of your modifications. However, if + you want to make a large number of changes at once, it + might be preferable to turn automatic redisplay off for a + while, to speed things up.
+
 
+
+
The 'Auto-apply while dragging' checkbox controls + whether or not the image colors are changed automatically + as you manipulate the various xv color editor + dials and graphs. This button is normally turned on, but + for it to have any effect, you must be in 'Read/Write + Colors' mode. See "Color + Allocation Commands" and the '-rw' mode + described in "Color + Allocation Options" for more information.
+
 
+
+
The 'Auto-reset on new image' checkbox controls + whether or not the HSV and RGB controls are Reset + back to their default values whenever a new image is + loaded up. By default, this is also turned on, as when + you're playing with the HSV/RGB controls, you probably + only want to affect the current image, and not all + subsequently loaded images as well.
+
+ +
+ +

+ + + + + + + +

+ + + + + + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/command-line-options.html xv-3.10a-jumbo20050501-1/docs/html/command-line-options.html --- xv-3.10a-jumbo20050501/docs/html/command-line-options.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/command-line-options.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,353 @@ + + + + + + + +XV: Command Line Options + + + + +

+ + +

+ +

Command Line Options

+ +
+
-/+
+
Tells xv to read an image from <stdin>.
+
 
+
-/+24
+
Lock xv into 24-bit Mode.
+
 
+
-/+2xlimit
+
Allow image windows to be twice the size of the screen.
+
 
+
-/+4x3
+
Issue 4x3 command when an image is loaded.
+
 
+
-/+8
+
Lock xv into 8-bit Mode.
+
 
+
-/+acrop
+
Issue an AutoCrop command when an image is loaded.
+
 
+
-aspect w:h
+
Sets the default ratio used by the Aspect command.
+
 
+
-best24
+
Use the 'best' (read: slowest) 24-bit to 8-bit color + algorithm.
+
 
+
-bg color
+
Sets the background color.
+
 
+
-black color
+
Sets the 'black' color used in B/W dithering.
+
 
+
-bw width
+
Sets the border width of the windows.
+
 
+
-/+cecmap
+
Install image's colormap in the xv color editor + window.
+
 
+
-cegeometry geom
+
Sets the initial position of the xv color editor.
+
 
+
-/+cemap
+
Automatically open the xv color editor on startup.
+
 
+
-cgamma rv gv bv
+
Sets Red, Green, and Blue graphs to + specified gamma values.
+
 
+
-cgeometry geom
+
Sets the initial position of the xv controls + window.
+
 
+
-/+clear
+
Clears out the root window and exits.
+
 
+
-/+close
+
Automatically close xv windows when image window + is iconified.
+
 
+
-/+cmap
+
Automatically open the xv controls window on + startup.
+
 
+
-cmtgeometry geom
+
Sets the initial position and size of the xv comments + window.
+
 
+
-/+cmtmap
+
Automatically open the xv comments window on + startup.
+
 
+
-crop x y w h
+
Automatically do a Crop command when an image is + loaded.
+
 
+
-cursor curs
+
Sets the cursor used in the image window.
+
 
+
-DEBUG level
+
Displays debugging information.
+
 
+
-dir directory
+
Sets the initial directory for the visual schnauzer + and xv load windows.
+
 
+
-display disp
+
Specifies which X display to use.
+
 
+
-/+dither
+
Automatically do a Dither command when an image is + loaded.
+
 
+
-drift dx dy
+
Kludge to keep image window from 'drifting' around + screen.
+
 
+
-expand exp
+
Automatically expand or contract images by the given + factor, or factors.
+
 
+
-fg color
+
Sets the foreground color.
+
 
+
-/+fixed
+
Sets 'fixed aspect ratio' mode.
+
 
+
-flist name
+
Loads a list of image filenames from a file.
+
 
+
-gamma val
+
Sets the Intensity graph to the given gamma value.
+
 
+
-geometry geom
+
Specifies initial size and position of image window.
+
 
+
-grabdelay secs
+
Sets time to wait before starting Grab command.
+
 
+
-gsdev str
+
Type of file ghostscript should produce.
+
 
+
-gsgeom geom
+
Size of page ghostscript should produce, in 72nds + of an inch.
+
 
+
-gsres res
+
Resolution of file ghostscript should produce, in + dpi.
+
 
+
-help
+
Prints a list of valid command-line options.
+
 
+
-/+hflip
+
Issue a 'horizontal flip' command when image is loaded.
+
 
+
-hi color
+
Sets the 'highlight' color used by the buttons.
+
 
+
-/+hist
+
Issue a HistEq command when image is loaded.
+
 
+
-/+hsv
+
Puts the colormap editing dials into HSV mode.
+
 
+
-icgeometry geom
+
Specifies position of icon when run in -iconic + mode.
+
 
+
-/+iconic
+
Starts up xv with the image window iconified.
+
 
+
-igeometry geom
+
Specifies initial position of xv info window.
+
 
+
-/+imap
+
Automatically open xv info window on startup.
+
 
+
-/+lbrowse
+
Keep the xv load window open until deliberately + closed.
+
 
+
-lo color
+
Sets the 'lowlight' color used by the buttons.
+
 
+
-/+loadclear
+
Clear window to avoid 'rainbow' effect on PseudoColor + displays.
+
 
+
-/+max
+
Make the image as large as possible.
+
 
+
-/+maxpect
+
Make the image as large as possible, preserving aspect + ratio.
+
 
+
-mfn font
+
Mono-spaced font used in TextView windows.
+
 
+
-/+mono
+
Display all pictures in greyscale.
+
 
+
-name str
+
Set string displayed in image window's titlebar.
+
 
+
-ncols num
+
Specifies maximum number of different colors to use.
+
 
+
-/+ninstall
+
Don't 'install' colormaps. Have the WM do it for us.
+
 
+
-/+nodecor
+
Remove decorations from xv image window frame.
+
 
+
-/+nofreecols
+
Don't free colors for old image when loading new image.
+
 
+
-/+nolimits
+
Turn off all 'maximum size' limitations on the image.
+
 
+
-/+nopos
+
Don't automatically position the xv windows.
+
 
+
-/+noqcheck
+
Suppress quick-check when doing 24->8 bit algorithms.
+
 
+
-/+norm
+
Issue Norm command when image is loaded.
+
 
+
-/+noresetroot
+
Don't clear root when going back to 'window' display + mode.
+
 
+
-/+nostat
+
Speed up directory changing in load/save windows.
+
 
+
-/+owncmap
+
Always use and install a private colormap.
+
 
+
-/+perfect
+
Use and install a private colormap if necessary.
+
 
+
-/+poll
+
Reload image files if they change.
+
 
+
-preset set
+
Makes preset # set the default preset.
+
 
+
-quick24
+
Use the quickest 24-bit to 8-bit color algorithm.
+
 
+
-/+quit
+
Exit after displaying first image.
+
 
+
-/+random
+
Show images in random order.
+
 
+
-/+raw
+
Issue a Raw command when image is loaded.
+
 
+
-rbg color
+
Root background color, used on some root display modes.
+
 
+
-rfg color
+
Root foreground color, used on some root display modes.
+
 
+
-/+rgb
+
Puts colormap editing dials in RGB mode.
+
 
+
-RM
+
Deletes files listed on command line when xv + exits.
+
 
+
-rmode num
+
Use specified display mode when using root window.
+
 
+
-/+root
+
Display images on root window.
+
 
+
-rotate deg
+
Rotate image when it is loaded.
+
 
+
-/+rv
+
Reverses RGB values when image is loaded.
+
 
+
-/+rw
+
Use read/write color cells for faster color editing.
+
 
+
-slow24
+
Use 'in-between' 24-bit to 8-bit color compression + algorithm
+
 
+
-/+smooth
+
Automatically Smooth image on initial load.
+
 
+
-/+stdcmap
+
Use Standard Colormap.
+
 
+
-tgeometry geom
+
Initial position and size for TextView window.
+
 
+
-/+vflip
+
Automatically do a 'vertical flip' command when image is + loaded.
+
 
+
-/+viewonly
+
Ignore all user input.
+
 
+
-visual type
+
Use a non-default visual of your X display.
+
 
+
-/+vsdisable
+
Disable Visual Schnauzer.
+
 
+
-vsgeometry geom
+
Initial size and position for Visual Schnauzer + windows.
+
 
+
-/+vsmap
+
Automatically open a Visual Schnauzer window on + startup.
+
 
+
-/+vsperfect
+
Prevent Visual Schnauzer from installing its own + private colormap.
+
 
+
-wait sec
+
Specifies time delay in slide show.
+
 
+
-white color
+
Sets the 'white' color used in B/W stippling.
+
 
+
-/+wloop
+
When in slide show mode, loop to start after last image.
+
+ +
+ +

+ + + + + + + +

+ + + + + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/control-window-1.html xv-3.10a-jumbo20050501-1/docs/html/control-window-1.html --- xv-3.10a-jumbo20050501/docs/html/control-window-1.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/control-window-1.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,298 @@ + + + + + + + +XV: The Control Window, part 1/6 + + + + +

+ + +

+ +

The Control Window

+ +

+ +

The xv controls window is the central point of control +for the program, which just goes to show how appropriately it was +named. It contains controls to resize the current image, flip and +rotate it, load and save different files, and bring up the other xv +windows. It can be brought up by clicking the Right mouse button +in the image window, or by pressing the ? key inside any +open xv window. Doing either of these things while the xv +controls window is visible will hide it.

+ +

All of the following commands may be executed by either +clicking the appropriate command button, or typing the keyboard +equivalent (where given) into any open xv window.

+ +

Resizing Commands

+ + + + + + +
The resizing commands have all been + moved to the Image Size menu. Note that none of + the 'resizing' commands modify the image in any way. They + only affect how the image is displayed. The image remains + at its original size. This allows you to arbitrarily + stretch and compact the image without compounding error + caused by earlier resizing. In each case, the displayed + image is recomputed from the original internal image.

Note: + The keyboard equivalents for each command are listed on + the right side of the menu. These commands may be entered + in the xv image window, the xv controls window, + the xv info window, and the xv color editor + window. They may not be entered in the xv + visual schnauzer windows, the xv load window, + or the xv save window. The same goes for all other + commands listed in the xv controls window.

+
+ +
+
+
Attempts to return the image to its normal size, where + one image pixel maps to one screen pixel. For example, if + the image (or the current cropped portion of the image) + has a size of 320x200, this command will attempt to make + the image window 320 screen pixels wide by 200 screen + pixels high.

This command may fail in two cases. If + you're running a window manager (such as mwm) that + enforces a minimum window size, and the 'normal' size is + too small, the image may get distorted. See the note in + "Cropping" + for more information.

+

Also, if the image is larger than the size of your + screen, it will be shrunk (preserving the aspect ratio) + until it fits on the screen. For example, if you try to + display a 1400x900 image on a 1280x1024 screen, the Normal + command will display a 1280x823 image. (1400/900 = + 1280/823)

+
+
+
This command will make the displayed image the same size + as the screen. If you are running a window manager that + puts up a title bar, you'll find that the title bar is + now off the top of the screen. To get the title bar back, + simply shrink the image to anything smaller than the size + of the screen. The window will be moved so that the title + bar is once again visible.
+
 
+
+
Makes the image as large as possible, while preserving + the aspect ratio. This avoids the generally unwanted + image distortion that Max Size is capable of + generating. For example, if you have a 320x200 image, and + an 1280x1024 screen, doing the Maxpect command + will result in an image that is 1280x800. Max Size + , on the other hand, would've generated an image of size + 1280x1024, which would be appear 'stretched' vertically.
+
 
+
+
Doubles the current size of the image, with the + constraint that neither axis is allowed to be larger than + the screen. For example, given a 320x200 image and a + 1280x1024 screen, the image can be doubled once (to + 640x400), a second time (to 1280x800), but a third time + would make the image 1280x1024. You'll note that on the + third time, the width didn't change at all, since it was + already at its maximum value. Also note that the height + wasn't allowed to double (from 800 to 1600), but was + truncated at its maximum value (1024).
+
 
+
+
Halves the current size of the image, with the constraint + that neither axis is allowed to have a size less than 1 + pixel. Also, you may run into 'minimum size' problems + with your window manager. See the note in "Cropping" for + more information.

Note that the window size is + maintained as a pair of integers. As a result you may see + some integer round-off problems. For example, if you + halve a 265x185 image, you'll get a 132x92 image, which + is just fine. However, if you Double Size this + image, you'll get a 264x184 image, not the 265x185 image + that you started with.

+
+
+
Increases the current size of the image by 10%, subject + to the constraint that the image cannot be made larger + than the screen size (in either axis). For example, + issuing this command on a 320x200 image will result in a + 352x220 image.
+
 
+
+
Decreases the current size of the image by 10%. Neither + axis of the image is allowed to shrink below 1 pixel. + Also, you run the risk of running into 'minimum window + size' problems with your window manager.

It should be + noted that the 10% Larger and 10% Smaller + commands have no concept of an 'original size'. They + simply increase or decrease the current image size by + 10%. As a result, they do not undo each other. For + example, take a 320x200 image. Do a 10% Larger and + the image will be 352x220. If you issue the 10% + Smaller command now, the image will be made (352 - + 35.2)x(220 - 22), or 316x198.

+
+
+
Lets you specify the exact size, or exact expansion, to + display the image. Pops open a dialog box where you can + type a string of the form " width x height", + " expansion%", or " horiz-expansion% + x vert-expansion%". The spaces between + numbers aren't necessary, but the 'x' and '%' characters + are.
+
 
+
+
+
+
+
 
+
+
Applies the 'default aspect ratio' to the image. This is + done automatically when the image is first loaded. + Normally, the default aspect ratio is '1:1', but certain + GIF files may have an aspect ratio encoded in them. You + can also set the default aspect ratio via a command-line + argument or an X resource. See "Image + Sizing Options" for more info. The idea behind + this command is that you'd stretch the image manually + (via your window manager) to roughly the size you'd like, + and then use the Aspect command to fix up the + proportions.

Normally Aspect expands one axis + of the image to correct the aspect ratio. If this would + result in an image that is larger than the screen, the Aspect + command will instead shrink one of the axes to correct + the aspect ratio.

+
+
+
Attempts to resize the image so that the ratio of width + to height is equal to 4 to 3. (e.g., 320x240, 400x300, + etc.) This is useful because many images were meant to + fill the screen on whatever system they were generated, + and nearly all video tubes have an aspect ratio of 4:3. + This command will stretch the image so that things will + probably look right on your X display (nearly all of + which, thankfully, have square pixels). This command is + particularly useful for images which have really bizarre + sizes (such as the 600x200 images presumably meant for + CGA, and the 640x350 16-color EGA images).
+
 
+
+
Resizes the image to the nearest integral expansion or + compression ratio. For example, if an image is currently + being displayed at "162.43% x 231%", the IntExpnd + command will show the image at a "200% x 200%" + expansion ratio. Likewise, if an image is being shown at + a "37% x 70%" expansion ratio, IntExpnd + will resize it to "33% x 50%", the nearest + integer compression ratios.
+
+ + + + + + +
An alternate way of issuing the 10% + Larger command.
+ + + + + + +
An alternate way of issuing the 10% Smaller + command.
+ +

Rotate/Flip Commands

+ + + + + + +
Rotates the entire + image (not the selection) 90 clockwise.
+ Keyboard equivalent: t
+ + + + + + +
Rotates the entire + image (not the selection) 90 counter-clockwise.
+ Keyboard Equivalent: T
+ + + + + + +
Flips the + image (or the selected area of the image) horizontally + (around the vertical center-line of the image).
+ Keyboard Equivalent: h
+ + + + + + +
Flips the + image (or the selected area of the image) vertically + (around the horizontal center-line of the image).
+ Keyboard Equivalent: v
+ +
+ +

+ + + + + + + +

+ + + + + + + + + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/control-window-2.html xv-3.10a-jumbo20050501-1/docs/html/control-window-2.html --- xv-3.10a-jumbo20050501/docs/html/control-window-2.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/control-window-2.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,324 @@ + + + + + + + +XV: The Control Window, part 2/6 + + + + +

+ + +

+ +

The Display Menu

+ + + + + + +
This menu controls how the image is displayed on your + screen. None of these commands actually modify the + image itself, only how it is presented.
+ +

Dithering Commands

+ +
+
+
Returns the displayed image to its 'raw' state (where + each pixel in the displayed image is as close as possible + to the corresponding pixel in the internal image). In + short, it turns off any dithering or smoothing. This + command is normally disabled, and is only enabled after + you have issued a Dithered or Smooth + command.
+
 
+
+
Regenerates the displayed image by dithering with the + available colors in an attempt to approximate the + original image. This has a useful effect only if + the color allocation code failed to get all the colors it + wanted. If it did get all the desired colors, the Dither + command will just generate the same display image as the Raw + command. On the other hand, if you didn't get all the + desired colors, the Dither command will try to + approximate the missing colors by dithering with the + colors that were obtained, which can help + eliminate visible banding, and such. Note: If you are + running xv on a 1-bit display the Dither + command will be disabled, as the image will always be + dithered for display.
+
 
+
+
Smoothes out distortion caused by integer round-off when + an image is expanded or shrunk. This is generally a + desirable effect, however it can be fairly time-consuming + on large images, so by default it is not done + automatically. See "Modifying + xv Behavior" for more details. Note that Smooth + only has a useful effect if the image has been + resized. If the image is being displayed at its normal + 1:1 expansion ratio, then the Smooth command will + not have a useful effect.

Note: if you are currently + in '24-bit mode' (see "The 24/8 Bit Menu" + for more info), the Dithered command is disabled, Raw + displays the image (dithered on an 8-bit display), and Smooth + displays a smoothed version of the image (dithered on an + 8-bit display).

+
+
+ +

Color Allocation Commands

+ +
+
+
When turned on, forces xv to use read/write color + cells (ignored and disabled in Use Std. Colormap + mode, below).. Normally, xv allocates read-only + color cells, which allows it to share colors with other + programs. If you use read/write color cells, no other + program can use the colormap entries that xv is + using, and vice-versa. The major advantage is that using + read/write color cells allows the Apply function + in the xv color editor window to operate much + faster, and allows the Auto-Apply while dragging + feature to be used at all. Also note that this command is + only enabled if you are running xv on a PseudoColor + display. See "Color + Allocation in xv" for more + information on display modes.
+
 
+
+
xv's normal color allocation mode. For any given + picture, xv figures out what colors should be + allocated, and tries to allocate them (read-only, or + read/write, as determined by the Read/Write Colors + setting). If any color allocation fails, xv will + try a few other tricks, and generally just map the + remaining colors (the ones it didn't get) into the closest + colors that it did get.
+
 
+
+
When Perfect Colors is turned on, xv + proceeds as in the Normal Colors case. If any + color allocation request fails, all colors are freed, and + xv creates itself a private colormap, and tries + all over again. It is assumed that having a private + colormap will provide more colors than allocating out of + the already partially-used system default colormap.
+
 
+
+
Like Perfect Colors , but it doesn't even try + to allocate out of the system colormap. Instead, it + starts off by creating its own colormap, and allocating + from there. Slightly faster than Perfect Colors + mode. Also useful, as certain X servers (AIX 3.1 running + on an RS6000, for instance) never report an + allocation error for read-only color cells. They just + return the closest color found in the system colormap. + Generally nice behavior, but it prevents Perfect + Colors mode from ever allocating a colormap...
+
 
+
+
An entirely different color allocation mode. Instead of + picking the (generally unique) colors that each image + requires, this mode forces all images to be displayed + (dithered) using the same set of (standard) colors. The + downside is that the images don't look as nice as they do + in the other modes. The upside is that you can display + many images simultaneously (by running more than one copy + of xv) without instantly running out of colors. + The setting of Read/Write Colors is ignored while + in this mode. Also, this mode is the only one available + when you are displaying images in 24-bit mode.
+
+ +

Root Display Modes

+ + + + + + +
While xv normally displays an + image in its own window, it is also possible for it to + display images on the root window (a.k.a. 'the + desktop'). You would normally use this feature from the + command- line, as part of some sort of X startup script, + to put up a background pattern or image of your choice. + See "Root + Window Options" for further information on the + relevant command-line options.

You can also specify + root display options interactively, while the program is + running, by using the Root menu, as shown.

+
+ +

One note regarding root display: it is not possible for xv +to receive button presses or keyboard presses in the root window. +As such, there are several functions that cannot be used while in +a 'root' mode, such as pixel tracking, image editing, pan and +zoom operations, etc. If you want to do such things, you'll have +to temporarily return to 'window' mode, and return to 'root' mode +when you're finished. Also, when you are in a 'root' mode, you +will not be able to get rid of the xv controls +window. At best you can iconify it (using your window manager). +There's a good reason for this. If you could get rid of +the window, there would be no way to ever get it back (since it +won't see keypresses or mouse clicks in the root window).

+ +

One other note: If you are running xv on certain 24-bit +displays, where the 'default' visual type is an 8-bit +PseudoColor, but xv in its cleverness has decided to use a +24-bit TrueColor mode, you will not be able to switch the +display to a root mode. This is because xv requires the +visual used in the 'window' mode to be the same as the visual +used for the 'root' modes. In the case of these types of +displays, it is not possible to put a 24-bit TrueColor image on +the root window. You can get this to work by using the ' -visual +default ' command-line option, which will force xv to +use the 'default' visual for both the 'window' and 'root' modes.

+ +

Also note: This is only necessary to get this menu to work on +such displays. If you use the '-root' or '-rmode' +command-line options, xv will automatically use patented +"DoTheRightThing" technology...

+ +
+
+
Displays the image in a window. If you were previously in + a 'root' mode, the root window will also be cleared.
+
 
+
+
The image is displayed in the root window. One image is + displayed aligned with the top-left corner of the screen. + The image is then duplicated towards the bottom and right + edges of the screen, as many times as necessary to fill + the screen.
+
 
+
+
Similar to Root: Tiled, except that the image is + first shrunk so that its width and height are integer + divisors of the screen's width and height. This keeps the + images along the bottom and right edges of the screen + from being 'chopped-off'.

Note: using any of the + 'resizing' commands (such as Normal, Double + Size, etc.) will lose the 'integer'-ness of the + image, and you'll have to re-select this mode to + 'integer-ify' the image again.

+
+
+
Tiles the original image with versions that have been + horizontally flipped, vertically flipped, and both + horizontally and vertically flipped. This gets rid of the + sharp dividing lines where tiled images meet. The effect + is quite interesting.
+
 
+
+
Like Root: Mirrored, but also does the + integer-ization described under the Root: Integer + Tiled entry.
+
 
+
+
Like Root: Tiled, but it positions the images so + that one of them is centered on the screen, and the rest + are tiled off in all directions. Visually pleasing + without the image size distortion associated with Root: + Integer Tiled .
+
 
+
+
Displays a single image centered in the root window, + surrounded by black, or your choice of any other solid + color. (See "Modifying + xv Behavior " for more information.)
+
 
+
+
Displays a single image centered in the root window, + surrounded by a black and white 'warp' pattern, which + produces some mildly visually pleasing Moir effects. The + colors can also be chosen by the user. (See "Modifying + xv Behavior" for details.)
+
 
+
+
Displays a single image centered in the root window, + surrounded by a black and white 'brick' pattern. Again, + the colors can be set by the user.
+
 
+
+
Tiles images on the root window such that the images are + symmetric around the horizontal and vertical center lines + of the screen.
+
 
+
+
Like the Root: symmetrical tiled mode, but the + images are also mirrored.
+
+ +

Note: The three 'centered' modes (Root: Centered , Root: +Centered, Warp, and Root: Centered, Brick, but not Root: +Center Tiled) require the creation of a Pixmap the size of +the screen. This can be a fairly large request for resources, and +will fail on a color X terminal with insufficient memory. They +can also require the transmission of considerably more data than +the other 'root' modes. If you're on a brain-damaged X terminal +hanging off a slow network, you should probably go somewhere +else. Barring that, you should certainly avoid the 'centered' +modes.

+ +

Also note: If you quit xv while displaying an image on +the root window, the image will remain in the root window, and +the colors used by the image will remain allocated. This is +generally regarded as correct behavior. If you decide you want to +get rid of the root image to free up resources, or simply because +you're sick of seeing it, the quickest route is to run 'xv +-clear', which will clear the root window, release any +allocated colors, and exit. Alternately, xsetroot or any +other X program that puts things in the root window should be +able to do the trick as well.

+ +
+ +

+ + + + + + + +

+ + + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/control-window-3.html xv-3.10a-jumbo20050501-1/docs/html/control-window-3.html --- xv-3.10a-jumbo20050501/docs/html/control-window-3.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/control-window-3.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,351 @@ + + + + + + + +XV: The Control Window, part 3/6 + + + + +

+ + +

+ +

The 24/8 Bit Menu

+ +

xv has a whopping grand total of two internal +image formats: 8-bit colormapped, and 24-bit RGB. Every image you +load is converted to one of these two formats, as part of the +image loading procedure, before you ever get to see the image.

+ +

There are a few crucial differences between these two modes. +In 8-bit mode, you have a colormap, and thus color-editing +changes (see "The Color Editor" +) can happen much more quickly. On the downside, most of the +image editing functions only actually operate on 24-bit images. +(Such as the Algorithms menu, described later in this +section.) If you use these functions, xv will convert the +8-bit image into a 24-bit image, operate on the 24-bit data, and +convert the result back to an 8-bit image. As a result, artifacts +can be introduced from the image conversions. As such, if you're +going to be doing a lot of this sort of thing, switch to 24-bit +mode first.

+ +

But I digress...

+ + + + + + +
This menu lets you see which mode xv is + currently operating in, and lets you change modes. You + can also force xv to remain in the current mode, + and select how the program will convert 24-bit images + into 8-bit images.
+ +
+
+
Forces the program into 8-bit mode when selected. + If you are currently working on a 24-bit image, it will + be converted into an 8-bit image using the selected + conversion algorithm (see below), and the 24-bit data + will be thrown away.
+
 
+
+
Forces the program into 24-bit mode when selected. + If you currently working on an 8-bit image, it will be + converted into a 24-bit image and the 8-bit image will be + thrown away. Note that if you are working on a 24-bit + image, switch to 8-bit mode, and switch back to 24-bit + mode, your 24-bit data will have been lost in the + conversions. A dialog box will pop up to alert you of + this potential problem.
+
 
+
+
Normally, xv will switch between 8 and 24-bit + modes based on the image type (if you load a 24-bit + image, it'll switch to 24-bit mode, otherwise it + will use 8-bit mode ). Turning this option on will + force xv to remain in the current mode. One reason + that you might wish to this would be to lock xv + into 8-bit mode so that 24-bit images are shown + dithered with the 'Slow' algorithm (see below), which + produces better looking images on 8-bit displays. (Just + don't try to save the image afterwards!)
+
 
+
+
Converts 24-bit images to 8-bit images by dithering with + a fixed 6x6x6 RGB colormap. It is the quickest of the + three algorithms, but also generally produces the worst + images. It can also be selected via the '-quick24' + command-line option or X resource.
+
 
+
+
The default algorithm. Takes about twice as long as the + Fast algorithm. Uses the median-cut algorithm to pick a + set of 256 colors, and then dithers with these colors. It + can be selected via the '-slow24' command-line option or + X resource.
+
 
+
+
By far and away the slowest of the algorithms. Can take + up to ten times as long as the Slow algorithm. Uses a + cleverer version of the median-cut algorithm to pick a + better set of 256 colors than the slow algorithm. Does + not dither. This might look best if you're going to be + expanding the image by very much, as the dithering in the + other two algorithms becomes very noticeable. You can + also select this option via the '-best24' command-line + option or X resource.
+
+ +

Note that none of the three 24->8 algorithm choices +immediately does anything. They merely select which +algorithm will be used the next time xv feels a need to +convert a 24-bit image into an 8-bit image.

+ +

Image Algorithms

+ + + + + + +
xv now has the ability to run a + number of standard image-processing algorithms on the + current image, or any rectangular portion of the current + image. If there is a current selection rectangle (See + "Selection + Rectangle" ), the algorithm will only affect the + selected area. Otherwise, the algorithms operate on the + entire image.

Algorithms are chosen via the Algorithms + menu, and are executed immediately. Algorithms are + cumulative, in that if you run an algorithm on an image, + and then run a second algorithm, the second algorithm + operates on the modified image produced by the first + algorithm. And so on.

+

See "Adding + Algorithms to xv" for information + on how you can add additional algorithms to this menu.

+
+ +

Also, it should be noted that the algorithms operate on 24-bit +images. If you are currently operating on an 8-bit image, and you +run an algorithm, the image will be converted up to 24-bits, the +algorithm will be run, and the result will be converted back to +8-bits using the currently selected 24->8 algorithm. As such, +if you're going to be doing a lot of algorithm-ing, you may find +it faster to temporarily switch to 24-bit mode. Likewise, +if you intend to run multiple algorithms on the same image (say, +a Blur followed by an Emboss ), you should definitely +switch to 24-bit mode, to maintain full 24-bit precision +on the intermediate images (i.e., to prevent noise from being +added to the image by any intermediate 24->8 conversions).

+ +
+
+
The (normally dimmed-out) Undo All selection + undoes any and all algorithms that have been run on the + current image. It restores the image to the state it was + in when the first algorithm was executed, and it also + puts xv back into the 8/24-bit mode it was + in.
+ Keyboard Equivalent: <Meta> u
+
 
+
+
Runs a convolution over each plane (red, green, blue) of + the image, using a n*n convolution mask consisting + of all 1's. It has the effect of, for each pixel in the + image, replacing it with the average value of all the + pixels in the n*n rectangle centered around the + pixel in question. When you select this command, a dialog + box is opened up to request the value for 'n'. + Values must be greater than or equal to '3', and they + must also be odd (e.g. 3,7,5,9,11). Larger values blur + the image to a greater extent.

Warning! This + algorithm, due to its n^2 nature, can get very + slow as n is increased. Values above '15' aren't + particularly recommended.

+

Note: This command is a reasonable way to turn + dithered black-and-white images back into some semblance + of the greyscale that they probably originally started + as.
+ Keyboard Equivalent: <Meta> b

+
+
+
Runs an edge-sharpening algorithm on the image, which + attempts to maximize contrast between adjacent pixels. + Prompts for a 'strength' value of 0% through 99%.
+ Keyboard Equivalent: <Meta> s
+
 
+
+
Runs a convolution using a pair of convolutions, one + which detects horizontal edges, and one which detects + vertical edges. The convolution is done separately for + each plane (red, green, blue) of the image. It is only + done for pixels that have the 3x3 mask fully contained + within the image, to avoid pesky edge conditions. One + note: since it runs an edge detection separately for each + plane of the image, the results are colorful. You'll get + red edges when there are edges in the red plane, yellow + edges when there are edges in the red and green planes, + and so on. If you'd like a traditional grey edge + detection (based on the overall intensity of each pixel), + you should use the Saturation dial in the xv + color editor (See "The + Saturation Control" ) to completely desaturate + all the colors in the image (turning it grey) first. + Then, the results will also be grey.
+ Keyboard Equivalent: <Meta> e
+
 
+
+
Runs an algorithm that produces nifty 'embossed' images + by using a variation of the edge detection algorithm. It + produces greyscale (8-bit) images where most of the image + is shown as a medium gray. 'Leading' edges (edges found + on the top and left sides) are shown as a lighter gray, + and 'trailing' edges (bottom and right edges) are shown + as a darker gray. The image wind up looking like + pseudo-3-d, sort of like the Motif toolkit. You can then + use the White dial in the xv color editor + (See "The + White Remapping Control" ) to colorize the image + as you see fit
+ Keyboard Equivalent: <Meta> m
+
 
+
+
Does an 'oil transfer', as described in the book + "Beyond Photography", by Holzman. It is a sort + of localized smearing. The basic algorithm is to take a + rectangle (7x7 in this case) centered around the current + pixel, compute a histogram of these (49) pixels, and + replace the current pixel with the 'most popular' pixel + as determined by the histogram.
+ Keyboard Equivalent: <Meta> o
+
 
+
+
Blends a rectangular selection out of existence by + replacing the selected area with a radial gradient fill. + Each pixel on the edge of the selection retains its + original color, the pixel in the center is replaced by + the average of all the edge pixels, and all remaining + pixels are replaced by the weighted average of the center + pixel and the edge pixel (along the line that runs + through the center pixel and the pixel being computed).

This + is much easier to see than it is to explain.
+ Keyboard Equivalent: <Meta> B

+
+
+
Does arbitrary (smooth) rotation of the entire image (or + the selected region). You will be prompted to enter a + rotation amount, in degrees. Positive values rotate the + image counter-clockwise, negative values rotate the image + clockwise. The Copy Rotate function makes a copy + of the selection, rotates it, and pastes it back on top + of the original.
+ Keyboard Equivalent: <Meta> t
+
 
+
+
Also does arbitrary smooth rotation, as with the Copy + Rotate command, but this version clears the original + image (using the 'current color', see "Displaying + Pixel Values" ) before pasting the rotated + version.
+ Keyboard Equivalent: <Meta> T
+
 
+
+
Runs a 'pixelization' algorithm, suitable for obscuring + sensitive and/or naughty parts of an image. Pops open a + dialog box which prompts for either a single value 'm', + or a pair of values 'mxn'. + Divides the image (or the selected region) up into m-by-m + squares (if a single value was entered) or m-by-n + rectangles (if a pair of values were entered). Each area + is filled with the average color of all pixels contained + within the area.
+ Keyboard Equivalent: <Meta> p
+
 
+
+
Runs a 'random spread' algorithm on the selected area of + the image (or the entire image). Pops up a dialog box + which prompts for either a single value 'm', or a + pair of values 'mxn'. + In the case of the single value, each pixel in the image + is swapped with some other random pixel located within a + distance of m pixels from the first pixel. If two + values are entered, each pixel is swapped with another + pixel located within m,n of the original + pixel. This can produce an interesting 'de-rez' effect. + Whether it's useful or not is for you to decide.
+ Keyboard Equivalent: <Meta> S
+
 
+
+
Runs a despeckling algorithm, also known as a median + filter among image-processing circles. This algorithm + is good at removing minor noise from an image, such as + you'll normally find on scanned-in faxes and the like. It + may also prove useful for de-dithering images, turning + black-and-white dithered images into greyscale images, + and dithered color images into undithered color images. + Note that the Blur algorithm can also be used in + the same way, and may do a better job of un-dithering. + However, the DeSpeckle algorithm generally leaves + edges alone, unlike the Blur algorithm, which + blurs everything uniformly.

This algorithm runs + through the selected area of the image, and for each + pixel in the image, looks at the m-by-m + square centered around the pixel. It replaces the pixel + with the median value of the pixels found in the square. + As with the Blur algorithm, you will be prompted + for a value of 'm'. The value must not be less + than '3', and it must be odd. Larger values have a + greater effect, though '3' should be sufficient for most + purposes.
+ Keyboard Equivalent: <Meta> k

+
+
+ +
+ +

+ + + + + + + +

+ + + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/control-window-4.html xv-3.10a-jumbo20050501-1/docs/html/control-window-4.html --- xv-3.10a-jumbo20050501/docs/html/control-window-4.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/control-window-4.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,354 @@ + + + + + + + +XV: The Control Window, part 4/6 + + + + +

+ + +

+ +

Cropping Commands

+ +
+
+
Crops the image to the current selection rectangle. This + command is only available when a cropping rectangle has + been drawn on the image. See "Cropping" for + further information.
+ Keyboard Equivalent: c
+
 
+
+
Returns the image to its normal, uncropped state. This + command is only available after the image has been + cropped. See "Cropping" + for further information.
+ Keyboard Equivalent: u
+
 
+
+
Crops off any constant-color borders that exist in the + image. It will crop to the smallest rectangle that + encloses the 'interesting' section of the image. It may + not always appear to work because of minor invisible + color changes in the image. As such, it works best on + computer-generated images, and not as well on scanned + images. In an attempt to get around this problem, if you AutoCrop + while in 24-bit Mode , it will crop off portions + that change by a little bit, not just portions that are + exactly the same. Not that it works all that well.
+ Keyboard Equivalent: C
+
+ +

Also, you can 'fine-crop' an image, by holding the <Ctrl> +key and pressing the arrow keys on your keyboard. Each press of +the keys will remove one row (or column) of pixels from the +appropriate edge. For example, pressing <Ctrl><Up> +will crop off the bottom row of the image. Likewise, <Ctrl><Down> +will crop off the top row, <Ctrl><Left> will +crop off the right edge, and <Ctrl><Right> +will crop off the left edge. It may sound backwards, but it does +the Right Thing.

+ +

This 'fine-cropping' will work regardless of whether or not +there is a selection rectangle currently drawn. If you +accidentally crop too much off the image, you can use the UnCrop +command described above to get the original image back.

+ +

Note that cropping never actually changes the image, only what +portions are displayed. The original image can always be restored +using the UnCrop command. Also, note that the 'cropping' +commands and the 'zoom' commands (See "Zooming" ) are related, +in that both affect the 'visible portion' of the image. The +cropping commands maintain the same expansion factors by making +the window larger or smaller, while the zooming commands maintain +the same window size, and stretch the relevant portion of the +image to fit. As such, the UnCrop command will also undo +an zooming that you may have done.

+ +

Image Cut and Paste Commands

+ +

A new feature added to Version 3.10 is the ability to cut and +paste arbitrary rectangular portions of images. You can cut (and +copy) and paste within a single image, between two different +images, or even between two running copies of xv. You can +even cut or copy a portion of an image, exit xv, go out +for dinner, come back, restart xv , and paste the +previously-copied portion into the current image.

+ +

Copied image data is normally stored within the X Server's +memory (in the 'XV_CLIPBOARD' property), and remains +there until some other data is copied, or until the X Server is +reset (i.e., when you log off). This allows you to transfer image +data between different copies of xv, and the xv's +can even be running on different machines.

+ +

If there is not enough server memory available to hold the +copied image data (this can happen if you copy a large amount of +data, and you're using an X Terminal, as opposed to a +workstation), xv will detect this, and fall back to using +a file ('.xvclip') in your home directory. Needless to +say, this precludes transferring data between xv's running +on different machines, but it's better than nothing.

+ +
+
+
Copy . First, you must select a region to copy, + via the selection rectangle mechanism (See "Selection + Rectangle" ). Then, use this command to copy the + selected data to the 'clipboard'.
+ Keyboard Equivalent: <Meta> c
+
 
+
+
Cut . Operates just like the Copy command, + except that it also clears the selection to the 'current + color', which is set using the pixel measurement tool. + See "Displaying + Pixel Values" for further information.
+ Keyboard Equivalent: <Meta> x
+
 
+
+
Paste . If there is no selection rectangle + currently drawn, the first time you issue the Paste + command, it will create a selection rectangle the size + and shape of the image data that will be pasted. You may + move and resize this rectangle as you see fit (See "Selection + Rectangle" ). Then, when you have the selection + appropriately adjusted, hit Paste a second time to + actually paste the clipboard contents onto the image.

On + the other hand, if you have a selection rectangle drawn + when you hit Paste the first time, the image will + be pasted into the selected area immediately.
+ Keyboard Equivalent: <Meta> v

+
+
+
Clear . Clears the selected region to the 'current + color', which is set using the pixel measurement tool. + See "Displaying + Pixel Values" .
+ Keyboard Equivalent: <Meta> d
+
+ +

The Pad Command

+ +

The Pad command is the opposite of the Crop +command. Sort of. It lets you add a border of a specified size to +the edges of the image. It also lets you resize images to some +desired size without manually expanding or cropping the image. +But it goes further than that. There are a whole slew of +interesting effects available, as described below:

+ +
+
+
Pad . Brings up the dialog box shown below.
+ Keyboard Equivalent: P
+
+ +

+ +

Pad Methods

+ + + + + + +
There are three primary Pad methods, as shown + to the left. These methods are accessible via the 'Pad + Method' menu, which says 'Solid Fill' in the dialog box + shown above. In all cases, the Pad command + operates in the same basic way: A new image of the + desired size is created, it is filled as specified, and + the original image is pasted onto this new image, + centered. If the new image is smaller than the original + image, the original image will be cropped. Otherwise, the + area outside the original image will have the new + background.
+ +

Note: The new, padded image will have the same 8/24-bit mode +as the original. As such, you probably want to switch to 24-bit +Mode before issuing the Pad command, +particularly if you intend to modify the image further. (See +"The 24/8 Bit Menu" +.)

+ +

The 'Pad Method' menu gives you three different ways of +filling the background:

+ +
+
+
The background is filled with a solid color. The color + may be specified by name, (as specified in the X11 ' rgb.txt + ' file), by RGB values in the range 0- 255, separated by + commas (e.g. '0,255,128'), or by RGB values in + hexadecimal (e.g. '0x00ff80'). In each case, the string + you enter is parsed, and the background is filled solid + with the specified color.
+
 
+
+
The external program bggen is executed to generate + the background. This program is normally distributed with + xv, and xv assumes that the executable is + located somewhere in your search path (such as ' /usr/local/bin/bggen + '). bggen can generate background gradients, at a + specified angle. The gradient can be the entire size of + the background, or it can repeat multiple times. See + "External Programs" + for a complete description of the bggen command.
+
 
+
+
An image file in any of the xv-supported formats + may be loaded and used as the background. In this case, + the background size (and therefore the size of the padded + image) is equal to the size of the loaded background + image. If you want a different size, you can load the + background image (as a regular image), resize it as you + see fit, save it, and use the newly saved version as the + background for the original image.
+
+ +

Image Size Dials

+ + + + + + +
These dials let you specify the size of + the new, padded image in the "Solid" and + "Run 'bggen'" modes. In the "Load + Image" mode, the dials are disabled, as the new + image size is dictated by the size of the loaded image.

If + the image size dials are enabled, the small button above + them resets them to the size of the currently-loaded + image. Note that padding with the 'new' size equal to the + current size won't actually do anything, unless + you change the "Opaque" dial, described below.

+
+ +

Opaque-ness

+ + + + + + +
This dial sets the 'opaque-itude' of the + foreground (the original image). Normally, this is set to + '100%', which simply means that everywhere the original + image and the background overlap, the original image is + what you'll see. If you set the dial to '0%', then + wherever the original image and the background overlap, + the background is what you'll see. In any case, at points + where the foreground image does not overlap the + background, you'll see the background, unmodified. + (Practical upshot: at '0%' you will only see the + background.)
+ +

Of course, most of the interesting effects happen when the +dial is set to intermediate values, where the foreground image +will appear semi-transparent.

+ +

There are four modes the 'Opaque' dial can operate in. They +are selected by clicking the button located above the 'Opaque' +dial.

+ +

RGB

+ +

The two images are blended together in the most obvious way. +Each RGB color component in the new image is computed by taking a +weighted average of the RGB components from the appropriate +pixels in the foreground and background images. Like so:

+ +
+
R new = ( opaque% * R fg + ) + ( (100 - opaque% ) * R bg ) (same + for G and B)
+
+ +

INT

+ +

On overlapping pixels, only the Intensity components +(the 'V' in the HSV colorspace, see "RGB & HSV Colorspaces" +) of the pixels are blended, using the same weighted average +calculation shown above. If you set the 'Opaque' value to '0%', +brightness of overlapping pixels will be completely determined by +the 'background' pixel. It's possible to get some interesting +'masking' effects and whatnot by playing around with +black&white backgrounds.

+ +

SAT

+ +

Similar to INT, except that it is the Saturation +component (the 'S' in the HSV colorspace, see "RGB & HSV Colorspaces" +) of the two pixels that will be blended together, again using +the weighted average calculation. The effects possible with this +one are considerably more subtle, and not necessarily +interesting. It is mainly included for completeness.

+ +

HUE

+ +

In this case, the colors of the two overlapping pixels are +blended. You can get some interesting effects by setting 'Opaque' +to '0%', and loading a colorful rainbow background. In this case, +at all overlapping pixels, it will be as if the foreground image +were a greyscale transparency, as the brightness and saturation +will be controlled by the foreground, and the color will be +controlled by the background.

+ +

Technical Note: The HUE case does not simply do +a weighted average of the two hue components. Instead, it plots +the two points on the edge of a standard color wheel, draws a +straight line between them, and picks a point along this line +based on the 'Opaque' value (i.e., the larger the value, the +closer it is to the 'foreground' endpoint of the line). As a +result, the HUE setting can affect both the hue and +saturation components of the computed pixel. While this makes +this 'Opaque' mode somewhat unlike the others, once again it is a +fine example of xv's trademark "Do The Right Thing" +technology.

+ +
+ +

+ + + + + + + +

+ + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/control-window-5.html xv-3.10a-jumbo20050501-1/docs/html/control-window-5.html --- xv-3.10a-jumbo20050501/docs/html/control-window-5.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/control-window-5.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,183 @@ + + + + + + + +XV: The Control Window, part 5/6 + + + + +

+ + +

+ + +

Text Annotation

+ +

Starting in xv version 3.10, it is now possible to do text +annotation, or what we in the business call "putting +words on the picture". There is one thing to note, before +you go diving in: xv's text annotation ability is Really +Lame. I mean, Big Time Lame. It's awkward to use (to say +the least), and not very powerful. Frankly, it's an +embarrassment. But maybe it'll be useful to someone.

+ +

Now that your expectations are suitably low, here's how it +works:

+ + + + + + +
Text Annotation . First, if you have a + selection rectangle drawn, get rid of it. Click this + button to bring up a dialog box, where you can enter a + single-line string. After you enter the string and press <Return + > (or the Ok button in the dialog box), you + will be presented with an appropriately-sized selection + rectangle. You may reposition and resize this rectangle + as you see fit. When you have the rectangle just so, + use the Paste command to put the text on the + image. The text will be pasted in the current color + (See "Displaying + Pixel Values" ). The text will be stretched to + fit the selection rectangle.
+ Keyboard Equivalent: A
+ +

Note: if you want to change the color of the pasted text, pick +a new color (via the 'eyedropper' described in "Displaying Pixel +Values" ), and issue the Text Annotation command +again. (It is not sufficient to simply Paste again.) Note +that if you have a selection rectangle drawn, the Text +Annotation command will not change the position or shape of +the rectangle to reflect the new text, which lets you easily re-Paste +over your last attempt.

+ +

The Grab Command

+ +

The Grab command in xv version 3.10 has been +extensively improved. It is now possible to do delayed grabs, +which can give you time to shuffle some windows around before the +grab takes place. You can also do delayed auto-grabs, +which gives you a way to grab pull-down menus and other actions +that take place while a mouse-button is being held down.

+ + + + + + +
Grab command. Clicking this + button brings up the xv grab dialog box shown (and + described) below.
+ Keyboard Equivalent: <Ctrl> g
+ +

+ +

A normal grab operation (issued by hitting the Grab +button in the xv grab dialog box) operates as follows:

+ +

You can grab the entire contents of a window (including its +frame) by clicking the Left mouse button in a window. If you +click the Left button somewhere on the root window, the entire +screen will be loaded into xv. Note: if you Left- click +somewhere inside a window whose contents are drawn in a different +visual than the frame (as happens on many 24-bit graphics +systems, where the default visual is an 8-bit PseudoColor, but +the window contents may be drawn in 24-bit TrueColor), the window +frame will not be included in the grabbed image. (It is +not possible to grab data from two different visuals +simultaneously.)

+ +

You can grab an arbitrary region of the screen by clicking the +Middle mouse button and dragging a rectangle in exactly the same +way you draw a cropping rectangle. When you release the mouse +button, the contents of this rectangle will be read from the +screen and loaded into xv. Note: the image will be grabbed +with respect to the visual of the outermost window that +completely encloses the grabbed rectangle. (Practical upshot: on +24-bit systems, if you try to grab the contents of a 24-bit +window, plus some of the (8-bit) root window, window frames, +etc., you will not get what you probably wanted. Sorry.)

+ +

Or, alternately, you can simply abort the Grab command +by clicking the Right mouse button anywhere on the screen.

+ +

A delayed grab is very similar to a normal grab, except +that xv will wait for the specified number of seconds, and +then beep once to signify the start of the grab. You can then +press the Left, Middle, or Right mouse buttons, as described +above. To do a delayed grab, simply enter a non-zero number in +the 'Delay' field, and press the Grab button in the xv +grab dialog box.

+ +

A delayed auto-grab is another matter entirely. When +you issue this command (by entering a non-zero number in the +'Delay' field, and pressing the AutoGrab button), xv +will sleep for the specified number of seconds, and then automatically +grab the full contents of whatever top-level window the mouse is +positioned inside of. This makes it possible to grab things like +pull-down menus that cannot be captured using the normal grab +method. For example, to grab a pull-down menu in another program, +set the 'Delay' field to something small (say, '5' seconds), hit +the AutoGrab button, go to your other program, and open up +the pull-down menu. Continue holding the menu open until xv +beeps once (signifying the start of the grab), and then beeps +twice (signifying the end of the grab). The entire top-level +window containing your menu will be copied into xv. If you +get more than you want, you can easily crop off the rest, using +the cropping commands. (See "Cropping" )

+ +

Note: You may not be able to Grab all of the xv +windows, at least not windows owned by the xv doing the +grabbing. If you run into this minor inconvenience, simply start +a second copy of xv and use it to grab the windows from +the first xv (or vice-versa).

+ +

You can use the Grab command for a wide variety of +purposes. For example, you can use it to print the contents of +any window (or the whole screen) by grabbing the appropriate +image, and then saving it as a PostScript file.

+ +

You can use the Grab command, in conjunction with xv's +Zoom and UnZoom commands, as a reasonable, albeit +overpowered and none-too-quick, replacement for the xmag +program.

+ +

You can also use the Grab command to pick 'just the +right colors' for any application. Simply start the application +in question, Grab the window into xv, and use the xv +color editor to twiddle the colors around to your heart's +content.

+ +

Note: the Grab command does not work on Macintoshes +running MacX in a 'rootless' mode, which isn't too +surprising, if you think about it...

+ +
+ +

+ + + + + + + +

+ + + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/control-window-6.html xv-3.10a-jumbo20050501-1/docs/html/control-window-6.html --- xv-3.10a-jumbo20050501/docs/html/control-window-6.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/control-window-6.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,399 @@ + + + + + + + +XV: The Control Window, part 6/6 + + + + +

+ + +

+ +

Working With Multiple +Files

+ +

xv provides a set of controls that let you conveniently +operate on a list of images. To use the following commands, +you'll have to start up xv with a list of filenames. For +example, you could type ' xv *.gif ' (assuming, of +course, that you have a bunch of files that end with the suffix +'.gif' in the current directory).

+ +

The filenames are listed in a scrollable window, as shown +below. The current selection is shown in reverse video. If there +are more names than will fit in the window, the scrollbar will be +enabled.

+ +

+ +

Operating a List Window

+ +

The scrollbar operates as follows:

+ +
    +
  • clicking in the top or bottom arrow of the scrollbar + scrolls the list by one line in the appropriate + direction. It will continue to scroll the list as long as + you hold the mouse down.
    • +
+ +
    +
  • The thumb (the small rectangle in the middle of the + scrollbar) shows roughly where in the list you are. You + can change your position in the list by clicking and + dragging the thumb to another position in the scrollbar. + The list will scroll around as you move the thumb.
    • +
+ +
    +
  • You can scroll the list up or down a page at a time by + clicking in the grey region between the thumb and the top + or bottom arrows.
    • +
+ +
    +
  • If you click on a name in the list, that name will become + highlighted. You can drag the highlight bar up and down, + and the list will scroll appropriately.
    • +
+ +
    +
  • It is also possible to control the list window from the + keyboard. In all cases, you must make sure that the + window sees the keypress. Generally, this means you have + to have the cursor inside the window, though your window + manager may also require you to click inside the window + first.
    • +
+ +
    +
  • The up and down arrow keys move the highlight bar up and + down. If the bar is at the top or bottom of the window, + the list will scroll one line.
    • +
+ +
    +
  • The <PageUp> and <PageDown> + keys scroll the list up or down a page at a time. These + keys may be called <Previous> and <Next> + on your keyboard. You can probably also page up and down + by typing <Shift>-<Up> and <Shift>-<Down> + .
    • +
+ +
    +
  • Pressing the <Home> key will jump to the + beginning of the list. Pressing the <End> + key will jump to the bottom of the list. If you don't + have <Home> and <End> keys on + your keyboard, you may be able to emulate them by holding + <Shift> and typing the <PageUp> + and <PageDown> keys.
    • +
+ +

The File Commands

+ +

You can directly view any image in the list by double-clicking +on its filename. If xv is unable to load the file (for any +of a variety of reasons), it'll display an appropriate error +message.

+ +
+
+
Attempts to load the next file in the list. If it is + unable to load the next file, it will continue down the + list until it successfully loads a file. If it gets to + the bottom of the list without successfully loading a + file, it will put up the default image.
+ Keyboard Equivalent: <Space>
+
 
+
+
Attempts to load the previous file in the list. If it is + unable to load the previous file, it will continue up the + list until it successfully loads a file. If it gets to + the top of the list without successfully loading a file, + it will put up the default image.
+ Keyboard Equivalent: <backspace>
+
 
+
+
This command lets you delete the currently selected file + from the list (and optionally delete the associated disk + file). Note that the currently selected file is the one + with the highlight bar on it. While this is generally the + same as the currently displayed image, it doesn't have to + be.
+ Keyboard Equivalent: <Ctrl> d

The Delete + command will pop up a window asking you what you want to + delete. Your choices are:

+
    +
  • List Entry , which will remove the highlighted + name from the list. (Keyboard Equivalent: <Enter> + )
    • +
  • Disk File , which will remove the highlighted + name from the list and also delete the associated + disk file. This removes unwanted images, just + like manually typing ' rm <filename> + ' in another window. (Keyboard Equivalent: <Ctrl> + d )
    • +
  • Cancel , which lets you get out of the Delete + command without actually deleting anything. + (Keyboard Equivalent: <Esc>
    • +
+
+
 
+
+
Opens the xv load window, which lets you load + images that weren't specified on the original + command-line. See "The + Load Window" for more details. Note: this + function has been mostly taken over by the visual + schnauzer (See "The Visual Schnauzer" + ) but remains for largely historical reasons. (It is + considerably faster than the schnauzer, + however...)
+ Keyboard Equivalent: <Ctrl> l
+
 
+
+
Opens the xv save window, which lets you save the + current image (or current selected area) in a variety of + image formats. See "The + Save Window" for more details.
+ Keyboard Equivalent: <Ctrl> s
+
 
+
+
Prints the current image to a PostScript 2 device.. This + command takes a somewhat Unix-centric approach to + printing, but it may work on other operating systems. + When you issue this command, it opens a dialog box which + prompts you for the 'print' command to use. Normally, + this is just ' lpr ', but if you'd like to send + the output to another printer, you could use something + like ' lpr -Pelsewhere '. (And right after you + do that, you should change the name of that printer!) You + change the default command the appears in this window by + using the ' xv.print ' X resource. See "Other + Resources" .

Anyway, enter some command that + will have the desired effect. xv will open up the xv + postscript window, where you can fine-tune the size, + position, and rotation of your image. See "The PostScript Window" + for more information. When you press the Ok + button, xv will generate the appropriate + PostScript, and feed it as ' stdin ' to the + command you entered earlier.
+ Keyboard Equivalent: <Ctrl> p

+
+
+ +

Image Reloading

+ +

It is occasionally desirable to reload an image file because +the contents of the file have changed. For example, you could be +downloading a file, and you might want to keep reloading the file +to check on the progress of the download. Or perhaps you have a +program that generates images, and you'd like to view these +images without any manual intervention.

+ +

xv provides a way to reload an image via an external +signal. If you send the xv process a SIGQUIT +signal (' kill -QUIT <pid> ', or ' kill -3 +<pid> ' on most systems), the program will reload the +currently selected file. (The one that is currently highlighted +in the xv controls window filename list.) This behavior is +exactly the same as hitting <Return> in the xv +controls window. If xv is currently in a state where +hitting <Return> in the controls window won't load +an image (i.e., some pop-up dialog box is grabbing all such +events), then sending this signal won't work either.

+ +

An idea: You could write a 'clock' program that, once a +minute, generates a really spiffy looking picture of the current +time (with color gradations, 3-d extruded numbers, whatever), +then sends xv the signal to reload the generated image. If +anyone ever does this, I'd like to hear about it.

+ +

Note: This will not work if the current file was read from <stdin> +.

+ +

xv also has a 'polling mode', enabled by the '-poll' +option. When it is turned on, xv will attempt to recognize +when the currently displayed file changes on disk. (What with +UNIX being a multi-tasking OS, it's perfectly possible to have +another process modify a file while xv is displaying it.) +When the current file changes, xv will reload it.

+ +

You can use this feature to get xv to monitor all sorts +of things. For example, if you have one of those programs that +automatically goes out and ftps the latest version of the +US weather map, (and you do, in the unsupt directory), +then you can have xv automatically reload the map whenever +a new one is downloaded.

+ +

It probably goes without saying that 'PostScript' is a +registered trademark of Adobe Systems, Inc.

+ +

You could even use xv as a sort of frame buffer, to +allow otherwise non-X programs to display graphics. Just have +your program draw on its own internal 'frame buffer' (just an +appropriately sized hunk of memory), and periodically write it +out to a file in some xv-supported format. The PBM/PGM/PPM +formats are trivial to write. See the documentation in the doc +subdirectory of the xv distribution. Anyhow, periodically +write the image to a file, and have xv display the file +with the ' -poll ' option turned on. Voila! An instant +output-only frame buffer for X workstations, albeit a fairly slow +one.

+ +

The Windows Menu

+ + + + + + +
As an obvious result of xv's + patented "Keep-Adding-Code-Until-It-Breaks" + Technology, there are considerably more commands, + features, cool gizmos, and dubious design decisions than + will comfortably fit in the xv controls window.

Luckily, + this is nothing that bolting-on a couple more top-level + windows won't fix, which is the method that has been + used.

+
+ +

This is where the Windows menu comes into play, though +in practice you'll probably just use the keyboard equivalents to +open the other windows. I know I do.

+ +
+
+
Opens up a xv visual schnauzer window (you can + have up to four of them). The visual schnauzer + lets you manipulate your image file collection in a nifty + Point'n'Click, Drag'n'Drop, What You See Is What You Get, + Graphical User Interface. Despite all that, it's actually + a useful thing. See "The Visual Schnauzer" + for more info.
+ Keyboard Equivalent: <Ctrl> v
+
 
+
+
Opens and closes the xv color editor window. The color + editor provides you with an interesting collection of + color manipulation doodads, including a colormap editor, + hue remapping controls, arbitrary R, G, B, and I gamma + correction curves, and so on. See "The Color Editor " + for more info.
+ Keyboard Equivalent: e
+
 
+
+
Opens and closes the xv info window. This window + gives you detailed information about the current image, + the current selection, the success/failure of the color + allocation code, and such. See "The Info Window" for + more info.
+ Keyboard Equivalent: I
+
 
+
+
Opens the xv image comments window. This lets you + view any comments that may be encoded in the current + image. It does not let you add or edit any + comments, as that's a project for a later release. Note + that, currently, the vast majority of images do not + have comments in them. My fault, no doubt. See "The Comment + Window" for more details.
+ Keyboard Equivalent: <Ctrl> c
+
 
+
+
Opens the xv text viewer window. Displays the + contents of the currently selected file (i.e., the file + selected in the filename list in the xv controls + window), as ASCII text, or as a hexadecimal dump. This + happens automatically when xv tries to load a file + in a format it doesn't recognize. See "The TextView Window" + for more info.
+ Keyboard Equivalent: <Ctrl> t
+
 
+
+
Opens the xv text viewer window, and displays + version information, copyright notice, licensing + information, the author's email addresses, and such. + Basically, it's the text of the first two (or so) pages + of this manual.
+ Keyboard Equivalent: <Ctrl> a
+
 
+
+
Opens the xv text viewer window, and displays a + summary of all the keyboard equivalents and mouse button + permutations.
+
+ +

Other Commands

+ +
+
+
Does exactly the same thing as the About XV + command described in "The + Windows Menu" : displays version number, + licensing info, etc.
+
 
+
+
'Reloads' and displays the xv + logo image, which not only contains the version + number and revision date of this copy, it also has + some nifty 3-D fish.

The logo image also displays who, + if anyone, this particular copy of xv is licensed + to. If it still says "UNREGISTERED COPY", you + should probably do something about that.
+ Keyboard Equivalent: <none whatsoever>

+
+
+
Quits xv. Quite possibly the most useful command + of them all.
+ Keyboard Equivalents: q and <Ctrl> q
+
+ +
+ +

+ + + + + + + +

+ + + + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/credits.html xv-3.10a-jumbo20050501-1/docs/html/credits.html --- xv-3.10a-jumbo20050501/docs/html/credits.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/credits.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,324 @@ + + + + + + + +XV: Credits + + + + +

+ + +

+ +

Credits

+ +

Thanks go out to the following wonderful folks:

+ +

First and foremost, John Hagan, best friend, lead +beta-tester, and guy who got me a new job. He's been the driving +force behind much of xv. Nearly all the major differences +between the xv that you see today, and the xgif of +four (five? six?) years ago can be traced to the years of +continual harassment because of alleged (and actual) weaknesses +in xgif. xv probably never would've been written, +were it not for his input. Many of the features in the code were +his idea. For example, he'd been asking for a Visual Schnauzer +for years now...

+ +

Filip Fuma, my former boss, deserves a great deal of +thanks for seeing the value of xv, and allowing, (if not +actually encouraging) me to write it. I also owe him an eternal +debt of gratitude (if not actual money) for being the genius who +said "You know, you should make this into shareware..."

+ +

Helen Anderson has provided many fine ideas over the +years, and has continued to be amused by xv for much of +that time, more than I can occasionally say for myself. She also +proofread the 2.20 version of this document, much of which +remains verbatim.

+ +

Patrick J. Naughton (naughton@wind.sun.com) provided +'gif2ras.c', a program that converts GIF files to Sun +Rasterfiles. This program provided the basis for the original xgif, +which eventually grew into xv. As such, it would be safe +to say that he "started it all." This code, now +somewhat modified, is still in use in the module xvgif.c.

+ +

Michael Mauldin (mlm@cs.cmu.edu) provided a short, +understandable version of the GIF writing code. This code, +essentially unmodified, is in the module xvgifwr.c .

+ +

Dave Heath (heath@cs.jhu.edu) provided the Sun +Rasterfile i/o support in the module xvsunras.c . Ken +Rossman (ken@shibuya.cc.columbia.edu) fixed it up somewhat.

+ +

Tom Lane (tgl@sss.pgh.pa.us), for much advice and +assistance on 24->8 bit quantization, color allocation, and, +of course, JPEG issues.

+ +

Of course, many thanks go out to Tom and all the rest of the +folks in the Independent JPEG Group for providing a +freely-distributable version of the JPEG software, thereby +providing the rest of us with the new standard graphics format +(replacing GIF).

+ +

Sam Leffler (sam@sgi.com) has not only come up with a +freely-distributable library for doing TIFF file i/o (the libtiff +package), but also wrote the xv interface modules xvtiff.c +and xvtiffwr.c . Thanks Sam!

+ +

Paul Haeberli (paul@manray.asd.sgi.com) provided me +with nice clean, portable code to read and write IRIS 'rgb' +files.

+ +

Jef Poskanzer (jef@well.sf.ca.us) is responsible for +coming up with several cool/whizzo general image formats (pbm, +pgm, ppm), and a package of programs for image manipulation and +format conversion. Part of this code has been snarfed and +incorporated into xv in the form of the -best24 +algorithm and the XWD format support.

+ +

Rick Dyson (dyson@iowasp.physics.uiowa.edu) has been +doing the VMS ports of xv for the past couple years now. +All you VMS users owe him a great big "Thank you," +because you wouldn't have xv if it weren't for his +efforts. I won't go near a VMS system. Rick also gets a +"Thanks" from me for doing a good deal of beta-testing, +as well.

+ +

David Elliot (dce@smsc.sony.com) gets a special thanks +for being the guy who has submitted more bug fixes and feature +requests than anybody else. You'd almost think he has more time +to work on xv than I do!

+ +

Bernie McIlroy (berniem@microsoft.com) for providing me +with information on the BMP format. (Which is included in the docs +subdirectory, so please don't bother him!)

+ +

Anthony Datri (aad@scr.siemens.com) for writing the +PDS/VICAR i/o module.

+ +

Thomas Meyer (i03a@alf.zfn.uni-bremen.de) for writing +the IFF i/o module.

+ +

Chris Ross (cross@eng.umd.edu), for writing the XPM i/o +module, and in the process, inadvertently making me think about a +great number of things...

+ +

David Robinson (drtr@mail.ast.cam.ac.uk) for writing +the FITS i/o module.

+ +

The Hall of Fame

+ +

The following folks have all contributed to the development of +xv in the form of bug reports, bug fixes, patches, support +for additional systems, and/or good ideas. See the CHANGELOG +file for specifics:

+ +
+

Jimmy Aitken (jimmy@pyra.co.uk)
+ Satoshi Asami (asami@is.s.u-tokyo.ac.jp)
+ Leon Avery (leon@eatworms.swmed.edu)
+ Tim Ayers (ayers@mermaid.micro.umn.edu)
+ Bill Barabash (barabash@rachel.enet.dec.com)
+ Markus Baur (mbaur@ira.uka.de)
+ Jason Berri (berri@aero.org)
+ Richard Bingle (bingle@cs.purdue.edu)
+ Alan Blanchard (alan@abraxas.mbt.washington.edu)
+ Bob Boag (boag@marshall.wvnet.edu)
+ David Boulware (dgb@landau.phys.washington.edu)
+ Thomas Braeunl (braeunl@informatik.uni-stuttgart.de)
+ Jon Brinkmann (jvb7u@astro.virginia.edu)
+ Andrew Brooks (arb@comp.lancs.ac.uk)
+ David Brooks (dbrooks@osf.org)
+ Kevin Brown (brown@hpbsm15.boi.hp.com)
+ Elaine Chen (eychen@athena.mit.edu)
+ Jeff Coffler (coffler@jeck.amherst.nh.us)
+ Reg Clemens (clemens@plk.af.mil)
+ Paul Close (pdc@lunch.wpd.sgi.com)
+ David A. Clunie (dclunie@flash.us.com)
+ Jan D. (jhd@irfu.se)
+ Anthony Datri (datri@convex.com)
+ Berthold Dettlaff (dettlaff@informatik.uni-stuttgart.de)
+ L. Peter Deutsch (ghost@aladdin.com)
+ Derek Dongray (dongray@genrad.com)
+ Rick Dyson (dyson@iowasp.physics.uiowa.edu)
+ Dean Elhard (elhard@system-m.za05.bull.com)
+ David Elliot (dce@smsc.sony.com)
+ Scott Erickson (sources@sherlock.ics.uci.edu)
+ Stefan Esser (se@ikp.uni-koeln.de)
+ Bob Finch (bob@gli.com)
+ Robert Forsman (thoth@raybans.cis.ufl.edu)
+ Peter Glassenbury (pete@cosc.canterbury.ac.nz)
+ Michael Gleicher (mkg@stealth.plk.af.mil)
+ Robert Goodwill (robert@earth.cs.jcu.edu.au)
+ Dave Gregorich (dtg@csula-ps.calstatela.edu) Brian + Gregory (bgregory@megatest.com)
+ Ted Grzesik (tedg@apollo.hp.com)
+ Harald Hanche-Olsen (hance@ams.sunysb.edu)
+ Charles Hannum (mycroft@gnu.ai.mit.edu)
+ Dave Heath (heath@cs.jhu.edu)
+ Scott D. Heavner (sdh@po.cwru.edu)
+ Bill Hess (hess@tethys.apl.washington.edu)
+ Dave Hill (ddhill@zk3.dec.com)
+ Tom Hinds (rocker@cs.bu.edu)
+ Ricky KeangPo Ho (kpho@sabina.berkeley.edu)
+ Mark Horstman (mh2620@sarek.sbc.com)
+ Tetsuya Ikeda (tetsuya@is.s.u-tokyo.ac.jp)
+ Yasuhiro Imoto (tomo@sonytek.co.jp)
+ Lester Ingber (ingber@umiacs.umd.edu)
+ Dana Jacobsen (jacobsd@solar.cor2.epa.gov)
+ Roy Johnson (rjohnson@shell.com)
+ Dave Jones (jonesd@kcgl1.eng.ohio-state.edu)
+ Kjetil Jorgensen (jorgens@lise.unit.no)
+ Jonathan Kamens (jik@pit-manager.mit.edu)
+ Vivek Khera (khera@cs.duke.edu)
+ Tero Kivinen (kivinen@joker.cs.hut.fi)
+ Rainer Klute (klute@irb.informatik.uni-dortmund.de)
+ Marc Kossa (M.Kossa@frec.bull.fr)
+ Bill Kucharski (kucharsk@solbourne.com)
+ ( Bruce Labow (labow@itd.nrl.navy.mil)
+ Dave Lampe (djl@ptc.timeplex.com)
+ Tom Lane (tom_lane@g.gp.cs.cmu.edu)
+ Peder Langlo (respl@mi.uib.no)
+ Jeremy Lawrence (jeremy@snrc.uow.edu.au)
+ Sam Leffer (sam@sgi.com)
+ Jim Lick (jim@pi-chan.ucsb.edu)
+ Jean Liddle (jliddle@mrcnext.cso.uiuc.edu)
+ Michael Lipscomb (lipscomb@visionl.engr.utk.edu)
+ Eam Lo (eam@netcom.com)
+ Rolf Mayer (rz90@rz.uni-karlsruhe.de)
+ Stephen Mautner (stephen@cs.utexas.edu)
+ Tom McConnel (tmcconne@sedona.intel.com)
+ Craig McGregor (craig@csdvax.csd.unsw.edu.au)
+ Thomas Meyer (i03a@alf.zfn.uni-bremen.de)
+ Peter Miller (pmiller@topaz.bmr.gov.au)
+ Erwan Moysan (erwan.moysan@irisa.fr)
+ Chris Newman (chrisn+@cmu.edu)
+ Lars Bo Nielsen (lbn@hugin.dk)
+ James Nugent (james@ironbark.bcae.oz.au)
+ Arthur Olson (ado@elsie.nci.nih.gov)
+ Machael Pall (pall@rz.uni-karlsruhe.de)
+ Mike Patnode (mikep@sco.com)
+ Nigel Pearson (nigel@socs.uts.edu.au)
+ Joe Peterson (joe@avs.com)
+ Colin Plumb (colin@nyx10.cs.du.edu)
+ Daniel Pommert (daniel@ux1.cso.uiuc.edu)
+ Robert Potter (rpotter@grip.cis.upenn.edu)
+ Werner Randolf (evol@brian.uni-koblenz.de)
+ Eric Raymond (eric@snark.thyrsus.com)
+ Eric Rescorla (erk@eitech.com)
+ Phil Richards (pgr@prg.oxford.ac.uk)
+ Declan A. Rieb (darieb@sandia.gov)
+ David Robinson (drtr@mail.ast.cam.ac.uk)
+ R. P. Rodgers (rodgers@nlm.nih.gov)
+ Chris P. Ross (cross@eng.umd.edu)
+ Eckhard Rueggeberg (eckhard.rueggeberg@ts.go.dlr.de)
+ Arvind Sabharwal (arvind@brutus.ct.gmr.com)
+ Hitoshi Saji (saji@is.s.u-tokyo.ac.jp)
+ Nick Sayer (mrapple@quack.kfu.com)
+ Klaus Schnepper (df40@master.df.op.dlr.de)
+ Steven Schoch (schoch@starnet.com)
+ Bill Silvert (silvert@biome.bio.ns.ca)
+ Ben Simons (ben@lewis.vislab.su.edu.au)
+ Cameron Simpson (cameron@cse.unsw.edu.au)
+ Mark Snitily (mark@zok.sgcs.com)
+ Karsten Spang (krs@kampsax.dk)
+ Greg Spencer (greg@longs.lance.colostate.edu)
+ Matthew Stier (matthew@sunpix.east.sun.com)
+ Andreas Stolcke (stolcke@icsi.Berkeley.edu)
+ Rod Summers (rsummers@ard.fbi.gov)
+ Steve Swales (steve@bat.lle.rochester.edu)
+ Tony Sweeney (sweeney@ingres.com)
+ Matt Thomas (thomas@netrix.lkg.dec.com)
+ Rich Thomson (rthomson@dsd.es.com)
+ Bill Turner (bturner@cv.hp.com)
+ Larry W. Virden (lwv26@cas.org)
+ John Walker (kelvin@autodesk.com)
+ Doug Washburn (washburn@hpmpea2.cup.hp.com)
+ Drew Watson (dwatson@encore.com)
+ Chris Weikart (weikart@prl.dec.com)
+ Michael Weller (eowmob@exp-math.uni-essen.de)
+ Kenny Zalewski (zalewk@rpi.edu)
+ Jamie Zawinski (jwz@lucid.com)
+ Dan Zheme (dan@mordor.webo.dg.com)
+

+
+ +

The Beta Testers

+ +

Eric Demerling (AIX)
+Rick Dyson (VAX VMS, VMS on Alpha, SunOS)
+Tom Lane (HP systems)
+Sam Leffler (SGI systems)
+Chris Ross (Solaris, SunOS, Ultrix, NetBSD)
+Michael Weller (Linux)
+Me (OSF/1, SunOS)

+ +

Thanks to these folks we can be pretty sure that xv +will at least compile cleanly on the vast majority of systems. +Any bugs that have slipped through are entirely my fault, as, in +all fairness, I haven't given these guys much time to test it. As +such, the only platform that I can say xv has been +seriously tested on is OSF/1 running on a DEC Alpha, as that's +been my most recent development environment.

+ +

Miscellaneous Ramblings

+ +

And, of course, thanks to everyone else. If you contributed to +the developement of xv in some way, and I somehow forgot +to put you in the big list, my humble apologies. Documentation +and careful record- keeping are not my strong suits. +"Heck," why do you think it takes me a year and a half +to come up with a minor new release? Because, while I love to add +new features to the code, I dread documenting the dumb +things. Besides, we all know that writing the documentation is +the hardest part of any program. (Particularly once the good +folks at id Software insisted upon releasing DOOM II...)

+ +

And finally, thanks to all the folks who've written in from +hundreds of sites world-wide. You're the ones who've made xv +a real success. (Well, that's not actually true. My love +of nifty user-interfaces, all the wonderful code I've gotten from +the folks listed above, and the fact that xv actually +serves a useful purpose ("displaying pictures of naked +women") are the things that have made xv a real +success. You folks who've written in have given me a way to measure +how successful xv is.) But I digress. Thanks!

+ +

By the way, when I last counted (in October 1992), xv +was in use at 180 different Universities, and dozens of +businesses, goverment agencies, and the like, in 27 countries on +6 of the 7 continents. Since then, I've received messages from +hundreds of new sites. And xv has been spotted in +Antartica, bringing the total to 7 of 7 continents, and allowing +me to claim that xv is, in fact, truly global +software. That's probably a good thing. Does anybody know if +there's a Unix workstation in the Space Shuttle?... :-)

+ +
+ +

+ + + + + + + +

+ + + + + + + + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/diversity-algorithm.html xv-3.10a-jumbo20050501-1/docs/html/diversity-algorithm.html --- xv-3.10a-jumbo20050501/docs/html/diversity-algorithm.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/diversity-algorithm.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,236 @@ + + + + + + + +XV: The Diversity Algorithm + + + + +

+ + +

+ +

The Diversity Algorithm

+ +

The problem: You want to display an image that has n +colors in it. You can only get m colors, where m<n. +What colors do you use?

+ +

As explained in "Color +Allocation in xv" , colors on a non- TrueColor +X display are a scarce resource. You can't guarantee that you'll +get as many colors as you might like. You can't even know ahead +of time how many colors you will succeed in getting. As such, the +first step of all of the color allocation algorithms is to sort +the colors in order of decreasing 'importance'. The colors are +then allocated in this order, so that if the color allocation +fails after m colors, then at least we allocated the m +most 'important' colors.

+ +

This sorting algorithm is called the Diversity Algorithm, +and is described in detail here. While the algorithms described +in "Color Allocation in xv" +are probably only of use to other X programmers (or programmers +using other windowing systems with shared colormap resources), +the Diversity Algorithm should be of use to anyone who has to +display an image using fewer colors than they'd like to have. As +far as I know, the Diversity Algorithm is an original algorithm +designed for this program.

+ +

Picking the Most +'Important' Colors

+ +

There are many different criteria that one could use to define +which colors in an image are 'important'.

+ +

The most naive approach would be to simply ignore the +question, and just use the first m colors from the +colormap. This is clearly unacceptable. The entries in a colormap +are generally not sorted in any order whatsoever. Even when the +colors are sorted in some order, it's not likely that it +will be a useful order.

+ +

For example, in a normal greyscale picture, there is an +implied colormap consisting of a continuous collection of greys, +with black at the beginning, and white at the end. If a program +were to only use the first few colors from this colormap, it +would have several shades of black, but no whites, +or even middle greys.

+ +

A method of determining a color's importance to the overall +picture quality is needed.

+ +

A color's 'importance' can be determined intuitively by asking +the question "If we can only use one of these two colors, +which one would make the picture look better?". The goal is +to have the picture be recognizable with very few colors. +Additional colors should smooth out color gradation, but should +not add significant detail, nor change the color balance of the +overall picture.

+ +

Picking colors in this order is not a trivial task, and is +open to some degree of subjectivity. One method might involve +calculating a histogram of the data to find out which colors are +used the most often (i.e., which colors have the greatest number +of pixels associated with them), and using those colors first. +This is certainly a valid approach, but it places too much +emphasis on large, uniformly colored regions, such as +backgrounds. This is not generally where the 'interesting' +portion of the picture is found.

+ +

For example, assume a picture that consists of a blue +background, with a relatively small red square on it. +Furthermore, suppose that the background isn't just one solid +shade of blue, but is actually made up of three shades of blue ( light +blue, dark blue, and medium blue, to give them +names). Finally, assume that a histogram has been computed, and light +blue has been found to be the most prevalent color, followed +by medium blue, dark blue, and red, in that +order.

+ +

Now, attempt to display this picture using only two colors. +Which two should be used? If the selection criteria is simply 'in +order of decreasing usage', light blue and medium blue +would be picked. However, if this is done the red square +will disappear completely (as red will wind up being +'approximated' by one of the two blues). Clearly the solution is +to use red and one of the blues. Which blue, though? It +could be argued that since there are three blues and only one of +them can be used, middle blue should be selected, since it +is the 'average' blue. This is where it gets somewhat subjective. +The Diversity Algorithm would pick light blue, since it is +used more than the others. When possible, the algorithm will try +to maximize the number of pixels that are 'correct' (i.e. exactly +what was asked for), rather than trying to minimize the total +error of the picture. This way, additional colors smooth out +gradations, rather than changing the overall color balance of the +picture.

+ +

Suppose that a small yellow circle is added to the +picture described above. If the problem is still 'display this +picture using only two colors', then it cannot be resolved in any +satisfactory method. There are no two colors that will adequately +display red, yellow, and blue simultaneously +. No matter what colors are used, one of the three major colors +will be lost. As this is now a no-win scenario, it is no longer +very interesting. It doesn't matter what colors are picked, since +it will look bad regardless. However, if the problem is changed, +and three colors can now be selected, it is intuitively +obvious that yellow, red, and one of the blues +should be selected.

+ +

So, the question is, "what is being maximized when colors +are selected in this manner?" Certainly, since the blue +regions are so much larger than the red and yellow +regions, any rule based on the number of pixels satisfied by the +color choice is irrelevant. What is being maximized is the +diversity of the colors. By picking colors that are as +unlike each other as possible, we wind up covering the +'inhabited' portion of the RGB color space as quickly as +possible.

+ +

As a general rule, this tends to bring out the major details +(such as objects) in the picture first, since the details are +likely to involve contrasting colors. As more colors are picked, +gaps in the RGB space are filled in. This smoothes out the color +gradations, and brings out lesser detail (such as texture).

+ +

The Original Diversity +Algorithm

+ +

The algorithm operates as follows:

+ +
    +
  1. Run a histogram on the entire picture to determine 'pixel + counts' for each desired color in the colormap. Important + point: throw away any colors that have a 'pixel count' of + 0. These colors are never actually used in the image, and + it's important that we not waste valuable colorcells + allocating unused colors.
    2. +
  2. Pick the color with the highest pixel count. This is the + 'overall' color of the picture.
    3. +
  3. Run through the list of un-picked colors, and find the + one with the greatest 'distance' from the first color. + This is the color that is most diverse from the 'overall' + color. Distance is defined by the traditional 'Euclidean' + formula:

    d = [ (r1 - r2)^2 + (g1 - g2)^2 + (b1 + - b2)^2 ]^1/2

    +

    where r1,g1,b1 are the RGB components of one color, + and r2,g2,b2 are the RGB components of another color. d + is the computed distance between the two colors.

    +
    4. +
  4. For each color remaining in the 'unpicked' list, compute + the distance from it to each of the colors in the + 'picked' list. Find the color in the unpicked list that + is furthest from all of the colors in the picked list. + Pick this color. Repeat until all colors have been + picked.
    5. +
+ +

The Modified Diversity +Algorithm

+ +

Tom Lane of the Independent JPEG Group came up with a couple +of improvements to the Diversity Algorithm, resulting in the +Modified Diversity Algorithm, which is what xv currently +uses. He rightly pointed out that, on displays with an +intermediate number of colors (~64), too much emphasis was being +placed on getting 'different' colors, and not enough emphasis was +placed on getting the 'correct' colors. His idea was to modify +the sorting criteria slightly, to better balance the allocation +between diverse colors and 'popular' colors (colors with high +'pixel counts'). His solution to the problem was to alternate +between picking colors based on diversity and based on +popularity.

+ +

In the Modified Diversity Algorithm, as implemented in xv, +the first color picked is the most-popular color. The second +color picked is the color furthest away from the first color. The +third through tenth colors picked are all picked using the normal +Diversity Algorithm. The eleventh color picked is picked on +popularity, (the un-picked color with the highest 'pixel count' +is chosen). The twelfth color is once again picked on diversity. +The thirteenth color is chosen on popularity, and so on, +alternating, until all the colors have been picked.

+ +

It should be pointed out that there's a fair amount of +subjectivity here, and certainly different fine-tunings of the +color picking order will make some pictures look better, and +other pictures look worse. Tom originally had the algorithm pick +colors alternately based on diversity and popularity right from +the first color. (The first color picked on popularity, the +second on diversity, the third on popularity, etc.) I felt that +this broke the algorithm for displays with very few colors +(<16), and proposed the strategy described above. (First color +picked on popularity, the next ten colors picked on diversity, +remaining colors alternately picked on popularity and diversity.)

+ +

Tom's other major modification to the Diversity Algorithm was +to rewrite it so that 'diverse' colors are picked in O(n^2) +time, instead of O(n^3) time. Applied cleverness is a +useful thing!

+ +

For further information, consult the source code. (The +function 'SortColors()' in the file 'xvcolor.c'.) +

+ +
+ +

+ + + + + + + +

+ + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/external-programs.html xv-3.10a-jumbo20050501-1/docs/html/external-programs.html --- xv-3.10a-jumbo20050501/docs/html/external-programs.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/external-programs.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,185 @@ + + + + + + + +XV: External Programs + + + + +

+ + +

+ +

External Programs

+ +

bggen

+ +

Syntax: bggen [-h high] [-w wide] [-b bits] +[-g geom] [-d disp] [-a] [-r rot] [-G rptgeom] +color1 [color2 ... colorN]

+ +

bggen generates background gradients for use with xv. +It does not directly display anything itself. Instead, it +generates an appropriately sized PPM file, which xv can +display. It is also used by the xv's Pad command, +for a similar purpose.

+ +

By default, bggen will generate a screen-sized PPM file +with a vertical color gradient. The top of the image will be in color1, +the bottom of the image will be in colorN, and +intermediate positions will have an appropriate intermediate +color. You can list as many colors as you'd like. If you only +list one color, the entire image will be that single color.

+ +

Color specifications can be in one of three formats:

+ +
    +
  • A color name (e.g. 'lightblue') known to your X server. + Use the showrgb command to get a (gigantic) list + of known colors.
    • +
  • An X11-style hexadecimal RGB color specification (e.g. + '#00ff00'), where the first two hex digits specify the + red value, the middle two specify the green value, and + the last two specify the blue value. Note that the '#' + character is treated specially in some shells, and to be + on the safe side you should either protect it by putting + a '\\' character in front of it, or wrap the whole color + specification in single-quotes.
    • +
  • Three integers, in the 0-255 range, separated by spaces + (e.g. 0 255 0). This is mainly for backward + compatibility, as it was the only format understood by + previous versions of bggen.
    • +
+ +

Options:

+ +
+
-d disp
+
Specifies the name of the X display that the program + should talk to. bggen needs to connect to an X + display to determine the screen size (which is used as + the default image size), and to parse color names. It is + not necessary for bggen to connect to an X + display. If it can't, you will have to specify an image + size (see below), and you'll have to use the numeric + format to enter color specifications.
+
 
+
-g geom
+
Specifies the size of the generated image. geom + should be in the format: wide x high + (e.g. '1024x768'). If you don't specify a size, the image + will default to the size of your display, assuming it was + able to connect to your display.
+
 
+
-w wide -h high
+
Another way to specify the size of the generated image. + Provided for backward compatibility.
+
 
+
-G rptgeom
+
Sets the size of the gradient. Normally, the gradient + will be the size of the image. However, if you wish, you + make the gradient smaller than the image; the gradient + will repeat as often as necessary to fill the image
+
 
+
-r rot
+
Lets you rotate the gradient. Normally, the gradient is + aligned vertically, with the first color at the top, and + the last color at the bottom. Using this option, you can + rotate the whole mess by an arbitrary amount. rot + should be specified in degrees. Positive values rotate + the gradient counter- clockwise.
+
 
+
-a
+
If supplied, bggen will generate a PPM 'ascii' + file, rather than the default PPM 'raw' format.
+
 
+
-b bits
+
Specifies the number of significant bits to use in the + RGB color specifications in the output image. It must + range between 1 and 8, inclusive. Use values less than 8 + (the default) to limit color use by increasing the color + granularity. Since xv can do this sort of thing + better, this is of dubious value.
+
+ +

xcmap

+ +

This is a little X program I wrote years ago to help me debug xv's +color allocation code. It displays the contents of the default +colormap as (typically) a 16x16 grid of colored rectangles. Run +it, and then run something that allocates colors (such as xv), +and you'll see the color cells changing color. It can give you an +indication of how full your colortable is, and whatnot. It only +works on displays where the default visual is a PseudoColor +visual, but that's nearly all of them, so it shouldn't be a +problem.

+ +

There are two standard X options: '-d display' to set +the X display, and '-g geom', to set the default window +size and position.

+ +

You can click in the window to examine the RGB values of +various color cells. I have not found a useful purpose for this +feature, but there must have been one at one time...

+ +

Type 'q' in the window to exit the program.

+ +

xvpictoppm

+ +

This program is a standard Unix filter that reads the +'thumbnail' files created by the visual schnauzer (from stdin) +and writes standard PPM versions of same (to stdout). +The thumbnail files are small (80x60 maximum) 8-bit versions of +your image files and are used as the icons in the visual +schnauzer. These files are stored in my own weird format (one +optimized for my purposes), but many folks have asked for a way +to turn them into standard image files, for use on their WWW +pages, or whatever.

+ +

Anyway, assuming you've done an Update or Generate +Icons command in the visual schnauzer, you'll find the +thumbnail version of an image stored with the same name in the '.xvpics' +subdirectory. For example, if you have a file '/pics/gif/foobie.gif', +you would find the thumbnail version of it in the file '/pics/gif/.xvpics/foobie.gif +'.

+ +

cjpeg and djpeg

+ +

These two programs are distributed as part of the Independent +JPEG Group's software, located in the jpeg subdirectory +of the xv source. They perform command-line conversion +between JPEG and the PPM/PGM, GIF, BMP and Targa formats. Since xv +has absolutely no command-line or 'batch' conversion abilities, +you may find these useful if you want to convert a lot of images, +or automatically convert images from a script. If this is the +case, you should probably get Jef Poskanzer's most-excellent netpbm +package, which you can get via anonymous ftp on ftp.x.org +and elsewhere..

+ +

vdcomp

+ +

Uncompresses compressed PDS and VICAR images. Beyond that, I +know nothing.

+ +
+ +

+ + + + + + + +

+ + + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/images/blutxtr2.jpg.uue xv-3.10a-jumbo20050501-1/docs/html/images/blutxtr2.jpg.uue --- xv-3.10a-jumbo20050501/docs/html/images/blutxtr2.jpg.uue 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/images/blutxtr2.jpg.uue 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,29 @@ + +_=_ +_=_ Part 001 of 001 of file blutxtr2.jpg +_=_ + +begin 640 blutxtr2.jpg +M_]C_X``02D9)1@`!`0```0`!``#_VP!#``L'"`D(!PL)"0D,"PL-$!H1$`\/ +M$"`7&!,:)B(H*"8B)20J,#TS*BTY+B0E-4@U.3]!1$5$*3-+4$I"3SU#1$'_ +MVP!#`0L,#!`.$!\1$1]!+"4L04%!04%!04%!04%!04%!04%!04%!04%!04%! +M04%!04%!04%!04%!04%!04%!04%!04'_P``1"`!``$`#`2(``A$!`Q$!_\0` +M'P```04!`0$!`0$```````````$"`P0%!@<("0H+_\0`M1```@$#`P($`P4% +M!`0```%]`0(#``01!1(A,4$&$U%A!R)Q%#*!D:$((T*QP152T?`D,V)R@@D* +M%A<8&1HE)B7J#A(6&AXB)BI*3E)66EYB9FJ*CI*6FIZBIJK*SM+6VM[BYNL+#Q,7& +MQ\C)RM+3U-76U]C9VN'BX^3EYN?HZ>KQ\O/T]?;W^/GZ_\0`'P$``P$!`0$! 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+M```````````````````````````````````````````````````````````` +M```````````````````````````````````````````````````````````` +M```````````````````````````````````````````````````````````` +M```````````````````````````````````````````````````````````` +M```````````````````````````````````````````````````````````` +M```````````````````````````````````````````````````````````` +M```````````````````````````````````````````````````````````` +M```````````````````````````````````````````````````````````` +M```````````````````````````````````````````````````````````` +M```````````````````````````````````````````````````````````` +M```````````````````````````````````````````````````````````` +M`````````````````````"'Y!`$```,`+`````#P`+0`!PC^``<('$BPH,&# +M"!,J7,BPH<.'$"-*G$BQHL6+&#-JW,BQH\>/($.*'$FRI,F3*%.J7,FRIO8,.*'4NVK-FS4P,(4*M6`-JW%06XE!O.O5MPK=J\ +M@`WNY7O0K]O`(P/8M,OX<,*Y#NDZMMB6,."[AQ6[;#OPL&>$;A5/7FBXXM^U +M=@,S'LAY96C4`QK3U=PY-L4`K2.N[HQ[=%FZMF/W]BWR[FG;DV<[WBT1]S_B 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+M%OS:IZE3V>]\,4%?2K4KOJJH[R0"E!9_Y>NK^'$0IB0A85DZJ$`%E^9]!_9O +MB"]LI)OT*E=6(5Q7/A@6!QN06`94#-OT0AAW(28P/*80`+IR8BQ2<,38RO!U +M12PAFQ#95R@A80/'\F1KM1-A2-06#*-L-)-@T$8[E@2EUVU7!92C[=^[R"Y!S&^;,`@XUK:*,:VLAF8F@B`;D$ +M#@=R_2IBFX4V+Y$X]`;\^4OX;(G0^YO0X;0CJ,V6YCR+K>\2S`!2^)M/+.:*))V.N4FMQV#\T=S +MZY*+,$[6KJ,(EUUW"RO$;J,B%<[K5,\1.,5YV2^5P^^:?4R7$<<8&.GCWH\X +MYBWVXA85CY?G=GAC9+GWQO.=OAY#V4TWA**C>_S??,18XSFF^,7KG&=I +M-YGEHVJURO%54)`V&L1+EDW/R>?N<:(ZSB::T\Y'5F9#^BJ$S5X:2FJ4HFJ" +M?>P_YU*':M4_1(M4AUT*?,-V/*8ZNRL_>=\VQ2;?]D6RJD0I*SGJ&PEM(C*I +M\3'4,^\GRY[[F;[Y:S+Y\+_>_"OMZ+/_J1:HWP/5L!1)+$=I/SCO%5YZU5>A4-."'(@116`I,=3YE1@ +M@(>!7`4X6.9/K<52('4@*OA5?&5Y$+@C,(B!A_(B%V932?)4!.4V*@A1^\&$ +MV2%8*)@H/?.$8&4Z!O5_^T<`U(?@@Z%:#9]B"+4%6;#534>54C;4Z'N,E +M+04F6J50?Z-:-I,W204P_W>%=G$TKGDA\&E5UBR%8_PXR)W=U-B@X'H"'(1SF$E^B-I?(/#$B5\YT?$_E-K*XAN^' +M)\53)15.6?84*F7&7_2)C*"-4^#?355)@)% +M6O3$CH-5(]W'>YXH47*U6*%"(,F85!48)9&XB^&H)^VW3\)'77W%'RJ('(>C +M-PF9)F`X'W0"CA%I*7V(.1Q&%*FS46AXD5`B6CJR>P>H*1V)(,^'/)D$3N$9S096[W#DZC5@3EYD[3ECJ`2D\QUE!1(F91* +2N91,V91.^910&95225P!`0`[ +` +end + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/image-window.html xv-3.10a-jumbo20050501-1/docs/html/image-window.html --- xv-3.10a-jumbo20050501/docs/html/image-window.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/image-window.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,324 @@ + + + + + + + +XV: The Image Window + + + + + + +

The Image Window

+ +

Note: unless explicitly stated otherwise, the term click +means "click with the Left mouse button."

+ +

Start the program up by typing ' xv '. After a short +delay, a window will appear with the default image (the xv +logo, credits and revision date) displayed in it. If you change +the size of the window (using whatever method your window manager +provides), the image will be automatically stretched to fit the +window.

+ +


+

+ +

Displaying Pixel Values

+ +

Clicking (and optionally dragging) the Middle mouse button +inside this window will display pixel information in the +following format:

+ +

196, 137 = 191,121,209 #bf79d1 (287 42 81 HSV) [ 0, 0]

+ +

The first pair of numbers (196,137) are the x and y +positions of the cursor, in image coordinates. +These numbers remain the same regardless of any image resizing, +or cropping; a 320x200 image remains a 320x200 image, regardless +of what size it is displayed on the screen.

+ +

The first triplet of numbers (191,121,209) are the RGB values +of the selected pixel. The components will have integer values in +the range 0-255. The values displayed are prior to any HSV/RGB +modification, but after any colormap changes. See "The Color Editor" for +details.

+ +

The next item is a six-digit value expressing the RGB values +of the selected pixel in hex, in the #rrggbb format. This is the +same format used to specify colors to other X programs, which may +be useful.

+ +

The second triplet of numbers (287 42 81) are the HSV values +of the selected pixel. The first component will have integer +values in the range 0-359, and the second and third components +will have integer values in the range 0-100. The values displayed +are prior to any HSV/RGB modification, but after any colormap +changes. See "The Color Editor" +for details. Also, see "RGB +& HSV Colorspaces" for more information about what +these numbers mean.

+ +

Finally, the last pair of numbers is the distance (dx, dy) between the current +mouse position and where the mouse was originally clicked.

+ +

Note: If you actually want to measure some pixels, it will +probably help to zoom in on a the relevant portion of the image, +to the point that you can see the individual pixels. See "Zooming" below.

+ +

Note: This also sets the 'current color' value used by various +painting tools. (See "Image +Editing" .)

+ +

This string is automatically copied to your X server's cut +buffer whenever you measure pixel values. This lets you easily +feed this information to another program, useful if you're doing +manual feature extraction, or something. Try it: measure a +pixel's value, and then go click your Middle mouse button in an xterm +window.

+ +

Selection Rectangle

+ +

Bring up the xv controls window by pressing the ? +key or clicking the Right mouse button inside the image window.

+ +

Clicking and dragging the Left button of the mouse inside the +image window will allow you to draw a selection rectangle on the +image. If you're unhappy with the one you've drawn, simply click +the Left button and draw another. If you'd like the rectangle to +go away altogether, click the Left button and release it without +moving the mouse.

+ +

Double-clicking the Left button inside the image window will +create a selection rectangle the size of the currently displayed +area of the image, or remove the previous selection as +appropriate.

+ +

Once a selection rectangle has been drawn, it can be fine-tuned by clicking and dragging +any of the handles that appear on its edge. If you press the <Shift> +key while dragging a handle, the selection rectangle is kept +square. If you press the <Ctrl> key while dragging a +handle, the selection rectangle maintains the same aspect ratio +it originally had.

+ +

You can move the selection +rectangle by Left-clicking inside it and dragging it around. +Pressing the <Shift> key while doing so will +constrain the motion to the horizontal and vertical axes.

+ +

You can determine how large the selection rectangle is (in +image coordinates) by bringing up the xv info window. Do +this selecting Image Info from the Windows menu xv +controls window or by pressing the i key inside any +open xv window.

+ +

The xv info window will display, among other things, +the current size and position of the selection rectangle in terms +of image coordinates. For example, if it says:

+ +
+

114x77 rectangle starting at 119,58

+
+ +

it means that the current selection rectangle is 114 image +pixels wide, 77 image pixels high, and that its top-left corner +is located 119 image pixels in from the left edge of the image, +and 58 image pixels in from the top edge. These values will be +updated as you drag the cropping rectangle around.

+ +

If you want to set the size or position of the selection +rectangle precisely, you can +use the arrow keys on your keyboard. First, make the xv info +window visible as described above. Second, use the mouse to draw +a rough approximation of the selection rectangle that you want. +You can now use the arrow keys to move the selection rectangle +around the image. Once you've gotten the top and left sides of +the selection rectangle precisely where you want them, you can +move the bottom-right corner of the selection rectangle by +holding the <Shift> key down while using the arrow +keys. Pressing the up arrow will make the rectangle shorter, and +pressing the down arrow will make the rectangle taller.

+ +

Cropping

+ +

Once you have a selection rectangle that you can live with, +you can proceed with the actual cropping operation. Click the Crop +button in the xv controls window, or press the c +key in any open xv window. The image window will shrink to +show only portions of the image that were inside the cropping +rectangle.

+ +

Note: if you are running a window manager such as mwm, +which decorates windows with a title bar, resizing regions, and +such, it is quite possible that the aspect ratio of the cropped +image will get screwed up. This is because certain window +managers enforce a minimum window size. If you try to crop to a +rectangle that is too small, the window manager will create the +smallest window it can, and the image will be stretched to fit +this window. If this happens, you can press the Aspect +button in the xv controls window, or press the a +key in any open xv window. This will expand the image so +that it will once again have the correct aspect ratio. (Also, see +the ' -nodecor ' option, in "Miscellaneous +Options".)

+ +

You can crop a cropped image by repeating the same steps +(drawing a new selection rectangle and issuing the Crop +command), ad infinitum.

+ +

You can return to the original, uncropped image by using the UnCrop +command. Simply click the UnCrop button or press the u +key in any open xv window. Note that using the UnCrop +command will turn off image smoothing (the Smooth +command), due to the potentially long time it can take to +generate a large, smoothed image.

+ +

Note that if you try to make the selection rectangle too small +in either width or height (under 5 screen pixels), it'll just +turn itself off. If you want to crop a very small portion of an +image, you'll probably have to do it in two passes. First, crop +to a smallish rectangle, expand that image, then crop again.

+ +

You can also fine-crop the image +by pressing the <Ctrl> key and one of the arrow +keys. This will crop off one pixel from the edge of the image, +based on the arrow key pressed. The Up key moves the +bottom edge up one pixel, the Down key moves the top edge +down one pixel, and so on.

+ +

Zooming

+ +

You can Zoom In by a factor of +two (or four, or eight, etc.) on any rectangular region of the +image by holding down the <Ctrl> key on your +keyboard and clicking the Left mouse button in the image window. +A rectangle will appear, centered around the cursor position, +showing you what portion of the image will be expanded. Move the +rectangle as you see fit, release the mouse button, and the +region inside the rectangle will be redrawn at twice its previous +size. The image window should remain the same size. You can +repeat this operation to zoom in by a factor of four, or eight, +or whatever, as many times as you wish.

+ +

While zoomed-in, you can Pan the +image around by holding down the <Ctrl> key, +clicking the Middle mouse button in the image window, and +dragging it around. A rectangle will appear around the mouse, +indicating where the currently-displayed portion of the image +will be moved to.

+ +

You can Zoom Out by a factor of +two (if possible) by holding down the <Ctrl> key and +clicking the Right mouse button inside the image window. You can +not zoom out beyond the point where the entire image fills the +window.

+ +

Multi-Page Documents

+ +

xv now has the ability to display multi-page image +files, though currently this is only implemented for PostScript +files (using the ghostscript interpreter). If you are +viewing a multi-page document, a "page n of m" +string will be added to the xv image window's title bar.

+ +

You can walk through the document by pressing the <PageUp> +and <PageDown> keys on your keyboard (they may be +labeled <Prev> and <Next>' +instead) while the keyboard focus is on the xv image +window. Pressing <Shift-Up> and <Shift-Down> +may also work.

+ +

You can also jump directly to any given page by typing 'p' +into the xv image window. This will pop up a dialog window +which will ask you what page you'd like to go to.

+ +

Image Editing

+ +

xv now features a number of rudimentary image-editing +tools. While it isn't about to compete with Adobe's PhotoShop +anytime soon, you may still find what it does to be of some use. +You now have the ability to do pixel-editing, freehand +'scribbling', line drawing, and pixel-level 'smudging'. Also, xv +now supports cut, paste, copy, and clear of rectangular +selections, as described in "Image Cut and +Paste Commands" . Also, xv now has a 'text +annotation' tool, described in "Text Annotation" +.

+ +

The major weakness: the various drawing tools listed above can +only draw in colors that already exist in the image. At +this time, these tools (and xv) are primarily focused on +the 'image editing' job, rather than on the 'arbitrary paint +program' job. Needless to say, there's still a way to paint in +whatever color you'd like. It's just a matter of getting the +desired color(s) into the picture. The best way is probably to +use the Pad command (see "The Pad Command").

+ +

Pixel Editing and Line +Drawing

+ +

All of the following drawing commands use the concept of the +'current color'. The current color is set by using the Middle +mouse button in the image window to 'pick up' the desired color.

+ +

You can edit individual pixels by doing a shift-middle-click +with the mouse. (Hold a <Shift> key, and +Middle-click somewhere in the image window.) The selected pixel +will change to the desired color. It will probably help to zoom +in on the relevant section of the image first. Anyway, if you +drag the mouse around, you will be able to draw arbitrary +'scribbles' all over the image. This probably isn't desirable, so +be careful!

+ +

You can also draw straight lines by holding down the <Ctrl> +key along with the shift-middle combination.

+ +

Pixel Smudging

+ +

You can 'smudge' specific areas of the image by doing a +shift-right-click with the mouse, in the image window. The +clicked-on pixel will be replaced with the average color of the 9 +pixels in the 3x3 square centered on said pixel. This can be used +to manual edit out 'salt and pepper' noise. It can also be used +to soften edges. As with the pixel editing tool, you can drag the +'smudger' around.

+ +

Note: This only works in '24-bit' mode. If you are viewing an +8-bit image, it will be automatically converted up to a 24-bit +version of itself.

+ +

Note: While this tool is similar to the Blur and DeSpeckle +algorithms, those algorithms operate on every pixel in a +rectangular region, whereas this tool operates only on those +pixels that you click or drag on.

+ +
+ +

+ + + + + + + +

+ + + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/index.html xv-3.10a-jumbo20050501-1/docs/html/index.html --- xv-3.10a-jumbo20050501/docs/html/index.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/index.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,122 @@ + + + + + + + +XV 3.10a Manual + + + + +

+ + +

+ +

The On-Line Version of the XV 3.10a Manual

+ +

Note that this document is not intended as a replacement for +the printed XV manual. This document was extracted from the +PostScript version of the manual and formatted by Roy Johnson. (Thanks, +Roy!) Much of the process was automated, and may therefore +have introduced errors. Corrections are appreciated.

+ +

Some of these documents have dozens of inline images. If +your connection is slow, you may want to turn off auto-loading of +images in your browser.

+ +
+ +

xv logo

+ +

Interactive Image Display for the X Window +System

+ +

Written by John Bradley

+ +

Version 3.10a

+ +
Copyright 1989, 1994, John Bradley
+ +
+ +

Table of Contents

+ + + +
+ +

Appendices

+ + + +
+ +

+ + + + + + + +

+ + + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/info-window.html xv-3.10a-jumbo20050501-1/docs/html/info-window.html --- xv-3.10a-jumbo20050501/docs/html/info-window.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/info-window.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,129 @@ + + + + + + + +XV: The Info Window + + + + +

+ + +

+ +

The Info Window

+ +

+ +

Overview

+ +

This window displays information about the current image, +color allocation, expansion, cropping, and any error messages. It +can be opened by issuing the Image Info command. (Select Image +Info from the Windows menu in the xv controls +window, or type i in any open xv window.) You can +close the window by using the Image Info command while the +window is open. You can also close the window by clicking +anywhere inside of it.

+ +

The top portion of the window displays the program name, +version number, and revision date. It also shows the University +of Pennsylvania shield, the PennNet logo, the copyright notice, +and of course, the author's name.

+ +

The Fields

+ +

The "Filename" field displays the name of the +currently loaded file. The name is displayed without any leading +pathname. If there is no currently loaded image (i.e., you're +looking at the default image, or a grabbed image) this field will +display "<none>".

+ +

The "Format" field displays information describing +what image format the file is stored in, and how large the file +is (in bytes).

+ +

The "Resolution" field shows the width and height +(in image pixels) of the loaded image. Note that this does not +necessarily have anything to do with the size of the image +currently displayed on your screen. These numbers do not change +as you modify the display image.

+ +

The "Cropping" field displays the current state of +any cropping/selection activity. If you are looking at the entire +(uncropped) image, this field will show "<none>". +If you are viewing a cropped portion of an image, this field will +display something like "247x128 rectangle starting at +132,421". See "Cropping" +for more details.

+ +

The "Expansion" field gives you information about +how the image is displayed. It can display something like +"158.00% x 137.00% (505 x 273)". This tells you that +the current displayed image is 505 pixels wide and 273 pixels +high, and that it is 1.58 times wider and 1.37 times higher than +the original image (which, in this case, had a size of 320x200).

+ +

The "Selection" field displays the size and position +of the currently-drawn selection rectangle. If there isn't a +current selection, this field will show "<none>".

+ +

The "Colors" field gives you detailed information on +how well (or poorly) color allocation went. If everything went +reasonably well it will display something like:

+ +

Got all 67 desired colors. (66 unique)

+ +

This means that 67 entries in the image's colormap were used +in the image, but that only 66 of these colors were different, as +far as the X server is concerned. (e.g., if 'white' (255,255,255) +was listed twice in the image's colormap, it would only allocate +one X colorcell, but would still count as 2 successful color +allocations).

+ +

See "Color Allocation" +for a complete discussion of how colors are allocated, and what +the "Colors" field can tell you.

+ +

Note that the fields are filled in as information becomes +available. As such, they can be used as a rough 'progress +indicator' when loading images. When you begin loading, all the +fields are cleared. Once the image has been successfully loaded, +the top three fields (Filename, Format, Resolution) are filled +in. Once the colors have been allocated, and the display image +generated, the bottom four fields are shown (Cropping, Expansion, +Selection, and Colors).

+ +

Status Lines

+ +

The bottom two lines in the info window display various error +messages, warnings, and status information. These two lines are +also duplicated in the xv controls window.

+ +

The upper line is the more commonly used. It normally displays +a one-line summary of the current image and color allocation +success. If an error occurs, it will be displayed on this line as +well.

+ +

The lower line is used to display warning messages.

+ +
+ +

+ + + + + + + +

+ + + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/load-window.html xv-3.10a-jumbo20050501-1/docs/html/load-window.html --- xv-3.10a-jumbo20050501/docs/html/load-window.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/load-window.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,174 @@ + + + + + + + +XV: The Load Window + + + + +

+ + +

+ +

The Load Window

+ + + + + + +
The xv load window lets you load + and view images interactively, without specifying them on + the command line when you start xv . While it has + been made somewhat obsolete by the Visual Schnauzer, + the xv load window is considerably quicker.

The + load window shows the contents of the current directory + in a scrolling window. The files will be sorted + alphabetically, with a small icon for each indicating the + type of file (directory, executable, or normal file).

+

This list window operates in the same way that the one + in the xv controls window works. (See "Operating + a List Window" for details.) In short, you can + operate the scroll bar, drag the highlight bar around the + window, and use the <Up>, <Down>, + <Home>, <End>, <PageUp>, + and <PageDown> keys on your keyboard.

+
+ +

Whenever you click on a name in the list (or otherwise change +the position of the highlight bar), the name of the highlighted +file is copied to the "Load file" text entry region, +located below the list window. Pressing the Ok button (or +hitting <Return> ) will make xv attempt to +load the specified file. If the load attempt is successful, the +load window will disappear, and the new image will be displayed. +Otherwise, an error message will be displayed, and the load +window will remain visible.

+ + + + + + +
The Browse checkbox overrides + this behavior, and keeps the load window visible until + explicitly closed (via the Cancel button). This is + handy if you're using xv to 'wander around a + directory tree', and plan to be using the Load + command quite often. (Though a better way would probably + involve using the Visual Schnauzer.)
+ +

If the image is successfully loaded, its name will be added to +the xv controls window list. This will let you quickly +reload it later without have to go through the xv load +window again.

+ +

You can also load a file by double-clicking on its name in the +file list.

+ +

If the specified filename begins with a '!' or '|' character, +the filename will be interpreted as a shell command to run. The +leading '!' or '|' is dropped, and the rest of the line is fed to +the default system shell. The command is expected to generate an +image in one of the xv -recognized formats as its standard +output. If the command returns non-zero, xv assumes it +failed, and doesn't try to read the output produced. You can pipe +multiple commands together. For example loading "! xwd | +xwdtopnm" would run xwd to generate a window +dump, pipe that to xwdtopnm to convert it to a PPM file, +and that file would be piped to xv. Which, as examples go, +made a lot more sense back before xv was able to read +XWD files directly.

+ +

If the specified file is a directory, xv will figure +that out and (instead of loading it) will cd to that +directory, and display its contents in the list window.

+ +

Above the list window is a pop-up menu button. It normally +displays the name of the current directory. If you click this +button, and hold the mouse down, the complete path will be shown, +one directory per line. You can go 'up' the directory tree any +number of levels, all the way up to the root directory, by simply +selecting a directory name in this list.

+ +

For those who prefer the direct approach, you can simply type +file or directory names in the "Load file" text entry +region. If you type a directory name and hit <Return>, +xv will cd to that directory and display its +contents in the list window. If you type a file name and hit <Return>, +xv will attempt to load the file. You can enter relative +paths (relative to the currently displayed directory), absolute +paths, and even paths that begin with a '~'.

+ +

The "Load file" text +entry region supports a number of emacs-like editing keys: +

+ +
+
<Ctrl> f
+
moves the cursor forward one character
+
<Ctrl> b
+
moves the cursor backward one character
+
<Ctrl> a
+
moves the cursor to the beginning of the line
+
<Ctrl> e
+
moves the cursor to the end of the line
+
<Ctrl> d
+
deletes the character to the right of the cursor
+
<Ctrl> u
+
clears the entire line
+
<Ctrl> k
+
clears from the cursor position to the end of the line.
+
<Tab>
+
Filename completion. Note: it can only complete 'simple' + filenames (no '/' chars)
+
+ +

If the filename is so long that it cannot be completely +displayed in the text entry region, a thick line will appear on +the left or right side (or both sides) of the region to show that +"there's more over this way".

+ +
+
+
Pressing the Rescan button will rescan the current + directory. While the contents of the current directory + are read each time the load window is opened, it is + perfectly possible (given a multitasking operating + system) that some other program may add, delete, or + rename files in the current directory. xv would + not know if this happened. The Rescan button gives + you an easy way of 'kicking' xv into looking + again.
+
 
+
+
The Load All button simply copies the names of all + 'plain files' found in the current directory into the xv + controls filename list, where you have the Next + and Prev buttons to help you look at a list of + files.
+
+ +
+ +

+ + + + + + + +

+ + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/manindex.html xv-3.10a-jumbo20050501-1/docs/html/manindex.html --- xv-3.10a-jumbo20050501/docs/html/manindex.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/manindex.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,864 @@ + + + + + + + +XV 3.10a Manual Index + + + + +

+ + +

+ +

Index

+ +

1 2 4 8 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

+ +
+ +

1

+ + + +
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+ +
+ +

2

+ + + +
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+ +
+ +

4

+ + + +
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+ +
+ +

8

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+ +
+ +

A

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+ +
+ +

B

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+ +
+ +

C

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+ +
+ +

D

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+ +
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E

+ + + +
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+ +
+ +

F

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+ +
+ +

G

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+ +
+ +

H

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I

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J

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L

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M

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N

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O

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+ +
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P

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+ +
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Q

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+ +
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R

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S

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T

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+ +
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U

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+ +
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V

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+ +
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W

+ + + +
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+ +
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X

+ + + +
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+ +
+ +

Z

+ + + +
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+ +
+ +
Last Modified: April 4, 1997
+ + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/modifying-behavior-1.html xv-3.10a-jumbo20050501-1/docs/html/modifying-behavior-1.html --- xv-3.10a-jumbo20050501/docs/html/modifying-behavior-1.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/modifying-behavior-1.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,284 @@ + + + + + + + +XV: Modifying xv Behavior, part 1/4 + + + + +

+ + +

+ +

Modifying xv Behavior

+ +

xv supports literally dozens of command line options +and X11 resources. Fortunately, it is doubtful that you'll ever +need to use more than a small few. The rest are provided mainly +for that 'one special case' application of xv... Note that +you do not have to specify the entire option name, only enough +characters to uniquely identify the option. Thus, '-geom' +is a fine abbreviation of '-geometry'.

+ +

Command Line Options +Overview

+ +

If you start xv with the command 'xv -help', +the current (wildly out of control) list of options will be +displayed:

+ +
+

xv [-] [-/+24] [-/+2xlimit] [-/+4x3] + [-/+8] [-/+acrop] [-aspect w:h] [-best24] [-bg color] [-black + color] [-bw width] [-/+cecmap] [-cegeometry geom] [-/+cemap] + [-cgamma rval gval bval] [-cgeometry geom] [-/+clear] + [-/+close] [-/+cmap] [-cmtgeometry geom] [-/+cmtmap] [-crop x + y w h] [-cursor char#] [-DEBUG level] [-dir directory] + [-display disp] [-/+dither] [-drift dx dy] [-expand exp | + hexp:vexp] [-fg color] [-/+fixed] [-flist fname] [-gamma val] + [-geometry geom] [-grabdelay seconds] [-gsdev str] [-gsgeom + geom] [-gsres int] [-help] [-/+hflip] [-hi color] [-/+hist] + [-/+hsv] [-icgeometry geom] [-/+iconic] [-igeometry geom] + [-/+imap] [-/+lbrowse] [-lo color] [-/+loadclear] [-/+max] + [-/+maxpect] [-mfn font] [-/+mono] [-name str] [-ncols #] + [-/+ninstall] [-/+nodecor] [-/+nofreecols] [-/+nolimits] + [-/+nopos] [-/+noqcheck] [-/+noresetroot] [-/+norm] + [-/+nostat] [-/+owncmap] [-/+perfect] [-/+poll] [-preset #] + [-quick24] [-/+quit] [-/+random] [-/+raw] [-rbg color] [-rfg + color] [-/+rgb] [-RM] [-rmode #] [-/+root] [-rotate deg] + [-/+rv] [-/+rw] [-slow24] [-/+smooth] [-/+stdcmap] + [-tgeometry geom] [-/+vflip] [-/+viewonly] [-visual type] + [-/+vsdisable] [-vsgeometry geom] [-/+vsmap] [-/+vsperfect] + [-wait seconds] [-white color] [-/+wloop] [filename ...]

+
+ +

Yes, as a matter of fact, I am a little embarrassed +about it.

+ +

One big change starting in xv 3.10: In the past, most +of the command-line options were toggles, in that they +would normally turn some feature on, but if you had an X resource +that also turned that feature on, then they would turn that +feature off. Now, they are absolute settings. For +instance, '-rv' turns on reverse video mode, regardless +of the setting of the 'xv.reverse' resource, and '+rv' +turns off reverse video mode, regardless of the setting of +the 'xv.reverse' resource. (Thanks Peder!)

+ +

General Options

+ +

Note: In the following sections, the part of the option name +shown in boldface is the shortest allowable abbreviation +of the option in question.

+ +
+
-help
+
Print usage instructions, listing the current available + command-line options. Any unrecognized option will do + this as well.
+
 
+
-display disp
+
Specifies the display that xv should attempt to + connect to. If you don't specify a display, xv + will use the environment variable $DISPLAY .
+
 
+
-fg color
+
Sets the foreground color used by the windows.
+
(Resource name: foreground . Type: string)
+
 
+
-bg color
+
Sets the background color used by the windows.
+
(Resource name: background . Type: string)
+
 
+
-hi color
+
Sets the highlight color used for the top-left edges of + the control buttons.
+
(Resource name: highlight . Type: string)
+
 
+
-lo color
+
Sets the lowlight color used for the bottom-right edges + of the control buttons, and also the background of some + windows.
+
(Resource name: lowlight . Type: string)
+
 
+
-bw bwidth
+
Sets the width of the border on the windows. Your window + manager may choose to ignore this, however.
+
(Resource name: borderWidth . Type: integer)
+
+ +

Image Sizing Options

+ +
+
-geometry geom
+
Lets you specify the size and placement of the 'image' + window. It's most useful when you only specify a + position, and let xv choose the size. If you + specify a size as well, xv will create a window of + that size, unless -fixed is specified. The geom + argument is in the form of a normal X geometry string + (e.g. "300x240" or "+10+10" or + "400x300+10+10")
+
(Resource name: geometry . Type: string)
+
 
+
-/+fixed
+
Only used in conjunction with the -geometry + option. If you specify a window size with the -geometry + option, xv will normally stretch the picture to + exactly that size. This is not always desirable, as it + may seriously distort the aspect ratio of the picture. + Specifying the -fixed option corrects this + behavior by instructing xv to use the specified + geometry size as a maximum window size. It will preserve + the original aspect ratio of the picture. ( +fixed + turns off this feature, forcing the image to be exactly + the size specified by the -geometry option.)

For + example, if you give a rectangular geometry of '320x240', + and you try to display a square picture with a size of + '256x256', the window opened will actually be '240x240', + which is the largest square that still fits in the + '320x240' rectangle that was specified.

+

(Resource name: fixed . Type: boolean)

+
+
-expand exp
+
Lets you specify an initial expansion or compression + factor for the picture. You can specify floating-point + values. Values larger than zero multiply the picture's + dimensions by the given factor. (i.e., an expand factor + of '3' will make a 320x200 image display as 960x600).

Factors + less than zero are treated as reciprocals. (i.e., an + expand factor of '-4' makes the picture 1/4 th its normal + size.). '0' is not a valid expansion factor.

+

You can also specify a pair of expansion values, + separated by a colon, to set different horizontal and + vertical expansion ratios. For instance, '3:2' would + expand images 3x horizontally, and 2x vertically.

+

(Resource name: expand . Type: string)

+
+
-aspect w:h
+
Lets you set an initial aspect ratio, and also sets the + value used by the Aspect command. The aspect ratio + of nearly every X display (and, in fact, any + civilized graphics display) is 1:1. What this means is + that pixels appear to be 'square'. A 100 pixel wide by + 100 pixel high box will appear on the screen as a square. + Unfortunately, this is not the case with some screens and + digitizers. The -aspect option lets you stretch + the picture so that the picture appears correctly on your + display. Unlike the other size- related options, this one + doesn't care what the size of the overall picture is. It + operates on a pixel-by-pixel basis, stretching each image + pixel slightly, in either width or height, depending on + the ratio.

Aspect ratios greater than '1:1' (e.g., + '4:3') make the picture wider than normal. Aspect ratios + less than '1:1' (e.g. '2:3') make the picture taller than + normal. (Useful aspect ratio: A 512x480 image that was + supposed to fill a standard 4x3 video screen (produced by + many video digitizers) should be displayed with an aspect + ratio of '5:4')

+

(Resource name: aspect . Type: string)

+
+
+ +

Color Allocation Options

+ +
+
-ncols nc
+
Sets the maximum number of colors that xv will + use. By default, this is 'as many as it can get'. + However, you can set this to smaller values for + interesting effect. If you set it to '0', it will display + the picture by dithering with 'black' and 'white'. (The + actual colors used can be set by the - black and + -white options, below.)

The other major use + of this option is to limit the number of colors used when + putting up an image that's going to be hanging around for + a while. (i.e., an image in the root window) You may want + to limit the number of colors used for such images so + that other programs will still have some colorcells + available for their own use.

+

(Resource name: ncols . Type: integer)

+
+
-/+rw
+
Tells xv to use read/write color cells. Normally, xv + allocates colors read- only, which allows it to share + colors with other programs. If you use read/write color + cells, no other program can use the colors that xv + is using, and vice-versa. The major reason to do such a + thing is that using read/write color cells allows the Apply + function in the xv color editor window to operate + much faster. ( +rw forces xv to use + read-only color, the default)

(Resource name: rwColor + . Type: boolean)

+
+
-/+perfect
+
Makes xv try 'extra hard' to get all the colors it + wants. In particular, when -perfect is + specified, xv will allocate and install its own + colormap if (and only if) it was unable to allocate all + the desired colors. This option is not allowed in + conjunction with the -root option.

(Resource + name: perfect . Type: boolean)

+
+
-/+owncmap
+
Like '-perfect', only this option forces xv + to always allocate and install its own colormap, thereby + leaving the default colormap untouched.

(Resource + name: ownCmap . Type: boolean)

+
+
-/+stdcmap
+
Puts xv into Use Std. Colormap mode. All + images will be shown dithered using the same set of + colors. This lets you run multiple copies of xv to + display multiple images simultaneously, and still have + enough colors to go around.

(Resource name: useStdCmap + . Type: boolean)

+
+
-/+cecmap
+
Specifies whether xv installs the image's colormap + in the xv color editor window, as well as in the + image's window. By default, the program does not install + the colormap in the color editor window, as this often + makes the color editor window unreadable. Note, however + that the Colormap Editor tool will be appear + somewhat misleading. (This option only applies when the '-perfect' + or '-owncmap' options create their own + colormaps.)

(Resource name: ceditColorMap . + Type boolean)

+
+
-/+ninstall
+
Prevents xv from 'installing' its own colormap, + when the -perfect or -owncmap options + are in effect. Instead of installing the colormap, it + will merely 'ask the window manager, nicely' to take care + of it. This is the correct way to install a colormap + (i.e., ask the WM to do it), unfortunately, it doesn't + actually seem to work in many window managers, so the + default behavior is for xv to handle installation + itself. However, this has been seen to annoy one window + manager (dxwm), so this option is provided if your + WM doesn't like programs installing their own colormaps.

(Resource + name: ninstall . Type: boolean)

+
+
+ +
+ +

+ + + + + + + +

+ + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/modifying-behavior-2.html xv-3.10a-jumbo20050501-1/docs/html/modifying-behavior-2.html --- xv-3.10a-jumbo20050501/docs/html/modifying-behavior-2.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/modifying-behavior-2.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,294 @@ + + + + + + + +XV: Modifying xv Behavior, part 2/4 + + + + +

+ + +

+ +

8/24-Bit Options

+ +

See "The 24/8 +Bit Menu" for further information about the following +options.

+ +
+
-/+8
+
Locks xv into 8- bit Mode .
+
(Resource name: force8 . Type: boolean)
+
 
+
-/+24
+
Locks xv into 24-bit Mode .
+
(Resource name: force24 . Type: boolean)
+
+ +

The following three options only come into play if you are +using xv to display 24-bit RGB data (PPM files, color PM +files, JPEG files, the output of bggen, etc.), and you +have xv locked into 8-bit Mode , or you save 24-bit +image data into an 8-bit graphics file format (such as GIF). They +have no effect whatsoever on how GIF pictures or 8-bit greyscale +images are displayed.

+ +
+
-quick24
+
Forces xv to use the 'quick' 24-bit to 8-bit + conversion algorithm. This algorithm dithers the picture + using a fixed set of colors that span the entire RGB + colorspace. In versions of xv prior to 2.10, this + was the default algorithm. It no longer is.

(Resource + name: quick24 . Type: boolean)

+
+
-slow24
+
Forces xv to use the 'slow' 24-bit to 8-bit + conversion algorithm. This algorithm uses a version of + Heckbert's median cut algorithm to pick the 'best' colors + on a per-image basis, and dithers with those. This is the + current default conversion algorithm.

Advantages: The -slow24 + algorithm often produces better looking pictures than the + -quick24 algorithm.

+

Disadvantages: The -slow24 algorithm is about + half as fast as the -quick24 algorithm. Also, + since the colors are chosen on a per-image basis, it + can't be used to display multiple images simultaneously, + as each image will almost certainly want a different set + of 256 colors. The -quick24 algorithm, however, + uses the same exact colors for all images, so it can + display many images simultaneously, without running out + of colors.

+

(Resource name: slow24 . Type: boolean)

+
+
-best24
+
Forces xv to use the same algorithm used in the + program ppmquant, written by Jef Poskanzer. This + algorithm also uses a version of Heckbert's median cut + algorithm, but is capable of picking 'better' colors than + the - slow24 algorithm, and it doesn't dither.

Advantages: + Generally produces slightly better images than the -slow24 + algorithm. Also, the images are undithered, so they look + better when expanded.

+

Disadvantages: Much slower than the -slow24 + algorithm. Like, 5 to 10 times slower. The images + produced aren't that much better than those + produced by the -slow24 algorithm.

+

(Resource name: best24 . Type: boolean)

+
+
-noqcheck
+
Turns off a 'quick check' that is normally made. + Normally, before running any of the 24-bit to 8-bit + conversion algorithms, xv determines whether the + picture to be displayed has more than 256 unique colors + in it. If the picture doesn't, it will treat the picture + as an 8-bit colormapped image (i.e., GIF), and won't run + either of the conversion algorithms.

Advantages: The + pictures will be displayed 'perfectly', whereas if they + went through one of the conversion algorithms, they'd + probably be dithered.

+

Disadvantages: Often uses a lot of colors, which + limits the ability to view multiple images at once. (See + the -slow24 option above for further info about + color sharing.)

+

(Resource name: noqcheck. Type: boolean)

+
+
+ +

Root Window Options

+ +

xv has the ability to display images on the root window +of an X display, rather than opening its own window (the default +behavior). When using the root window, the program is somewhat +limited, because the program cannot receive input events +(keypresses and mouse clicks) from the root window. As a result, +you cannot track pixel values, nor crop, nor can you use keyboard +commands while the mouse is in the root window.

+ +
+
-/+root
+
Directs xv to display images in the root window, + instead of opening its own window. Exactly how the images + will be displayed in the root window is determined by the + setting of the -rmode option. Defaults to style + '0' if - rmode is not specified.

(Resource + name: <none>)

+
+
-rmode mode
+
Determines how images are to be displayed on the root + window, when -root has been specified. You can + find the current list of 'modes' by using a mode value of + '-1'. xv will complain, and show a list of valid + modes. The current list at of the time of this writing + is: 
0:  tiling
+1:  integer tiling
+2:  mirrored tiling
+3:  integer mirrored tiling
+4:  centered tiling
+5:  centered on a solid background
+6:  centered on a 'warp' background
+7:  centered on a 'brick' background
+8:  symmetrical tiling
+9:  symmetrical mirrored tiling
+

The default mode is '0'. See "Root + Display Modes" for a description of the + different display modes. Also, if you specify a '-rmode' + option on the command line, it is not necessary to also + specify the '-root' option.

+

(Resource name: rootMode . Type: integer)

+
+
-/+noresetroot
+
Lets you turn off the clearing of the root window that + happens when you switch from a 'root' display mode back + to the 'window' display mode. Handy if you're trying to + create a neat mirrored root tile, and you have to keep + adjusting your cropping. Or something like that.

(Resource + name: resetroot . Type: boolean)

+
+
-rfg color
+
Sets the 'foreground' color used in some of the root + display modes.
+
(Resource name: rootForeground . Type: string)
+
 
+
-rbg color
+
Sets the 'background' color used in some of the root + display modes.
+
(Resource name: rootBackground . Type: string)
+
 
+
-/+max
+
Makes xv automatically stretch the image to the + full size of the screen. This is mostly useful when you + want xv to display a background. While you could + just as well specify the dimensions of your display + ('-geom 1152x900' for example), the -max option + is display-independent. If you decide to start working on + a 1280x1024 display the same command will still work. + Note: If you specify -max when you aren't using -root + , the behavior is slightly different. In this case, the + image will be made as large as possible while still + preserving the normal aspect ratio.

(Resource name: + <none>)

+
+
-/+maxpect
+
Makes the image as large as possible while preserving the + aspect ratio, whether you're in a 'root' mode or not.
+
(Resource name: <none>)
+
 
+
-/+quit
+
Makes xv display the (first) specified file and + exit, without any user intervention. Since images + displayed on the root window remain there until + explicitly cleared, this is very useful for having xv + display background images on the root window in some sort + of start-up script.

If you aren't using a 'root' mode, + this option will make xv exit as soon as the user + clicks any mouse button in the image window. This is + useful if you are calling xv from some other + program to display an image.

+

(Resource name: <none>)

+
+
-/+clear
+
Clears the root window of any xv images. Note: it + is not necessary to do an 'xv -clear' before + displaying another picture in the root window. xv + will detect that there's an old image in the root window + and automatically clear it out (and free the associated + colors).

(Resource name: <none>)

+
+
+ +

Window Options

+ +

xv currently consists has several top-level windows, +plus one window for the actual image. These windows (the xv +controls window, the xv info window, the xv color +editor window, the xv comments window, the xv text +viewer window, and the xv visual schnauzer) may be +automatically mapped and positioned when the program starts.

+ +
+
-/+cmap
+
Maps the xv controls window.
+
(Resource name: ctrlMap . Type: boolean)
+
 
+
-cgeom geom
+
Sets the initial geometry of the xv controls + window. Note: only the position information is used. The + window is of fixed size.
+
(Resource name: ctrlGeometry . Type: string)
+
 
+
-/+imap
+
Maps the xv info window.
+
(Resource name: infoMap . Type: boolean)
+
 
+
-igeom geom
+
Sets the initial geometry of the xv info window. + Note: only the position information is used. The window + is of fixed size.
+
(Resource name: infoGeometry . Type: string)
+
 
+
-/+cemap
+
Maps the xv color editor window.
+
(Resource name: ceditMap . Type: boolean)
+
 
+
-cegeom geom
+
Sets the initial geometry of the xv color editor + window. Note: only the position information is used. The + window is of fixed size.
+
(Resource name: ceditGeometry . Type: string)
+
 
+
-/+cmtmap
+
Maps the xv comments window.
+
(Resource name: commentMap . Type: boolean)
+
 
+
-cmtgeometry geom
+
Sets the initial geometry of the xv comments + window.
+
(Resource name: commentGeometry . Type: string)
+
 
+
-tgeometry geom
+
Sets the initial geometry for any TextView windows + (other than the xv comments window).
+
(Resource name: textviewGeometry . Type: string)
+
 
+
-/+vsmap
+
Maps an xv visual schnauzer window.
+
(Resource name: vsMap . Type: boolean)
+
 
+
-vsgeometry geom
+
Sets the initial geometry of the xv visual schnauzer + windows.
+
(Resource name: vsGeometry . Type: string)
+
 
+
-/+nopos
+
Turns off the 'default' positioning of the various xv + windows. Every time you open a window, you will be asked + to position it. (Assuming your window manager asks you + such things. mwm, for instance, doesn't seem to + ask)
+
(Resource name: nopos . Type: boolean)
+
+ +
+ +

+ + + + + + + +

+ + + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/modifying-behavior-3.html xv-3.10a-jumbo20050501-1/docs/html/modifying-behavior-3.html --- xv-3.10a-jumbo20050501/docs/html/modifying-behavior-3.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/modifying-behavior-3.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,531 @@ + + + + + + + +XV: Modifying xv Behavior, part 3/4 + + + + +

+ + +

+ +

Image Manipulation Options

+ +
+
-/+dither
+
When specified, tells xv to automatically issue a Dither + command whenever an image is first displayed. Useful on + displays with limited color capabilities (4-bit and 6-bit + displays), or in conjunction with the '-ncols' + option.
+
(Resource name: autoDither . Type: boolean)
+
 
+
-/+smooth
+
When specified, tells xv to automatically issue a Smooth + command whenever an image is first displayed. This is + useful when you are using one of the image sizing options + (such as '-expand' or '-max').
+
(Resource name: autoSmooth . Type: boolean)
+
 
+
-/+raw
+
Forces xv to display the image in Raw mode. + Mainly used to override the autoDither or autoSmooth + resources. Can also be used to turn off the automatic + dithering and smoothing that occurs when you are using Use + Std. Colormap mode or when an image is shrunk to fit + the screen.
+
(Resource name: autoRaw . Type: boolean)
+
 
+
-crop x y w h
+
Tells xv to automatically crop the specified + region of the image. The rectangle is specified in image + coordinates, which remain constant (regardless of any + expansion/compression of the displayed image). + This is useful if you want to view a series of images, + and you only want to see one common area of the images. + For example, you may have the GIF weather maps of the + United States, but only want to display your general + region of the country.
+
(Resource name: <none>)
+
 
+
-/+acrop
+
When specified, tells xv to automatically issue an + AutoCrop command whenever an image is first + displayed.
+
(Resource name: autoCrop . Type: boolean)
+
 
+
-/+4x3
+
Automatically issues a 4x3 command whenever an + image is loaded.
+
(Resource name: auto4x3 . Type: boolean)
+
 
+
-/+hflip
+
Automatically issues a 'horizontal flip' command whenever + an image is loaded.
+
(Resource name: autoHFlip . Type: boolean)
+
 
+
-/+vflip
+
Automatically issues a 'vertical flip' command whenever + an image is loaded.
+
(Resource name: autoVFlip . Type: boolean)
+
 
+
-rotate deg
+
Automatically rotates the image by the specified amount + whenever an image is loaded. deg can be 0, 90, + 180, or 270. Positive values rotate the image clockwise, + negative values rotate the image counter-clockwise.
+
(Resource name: autoRotate . Type: integer)
+
 
+
-/+norm
+
Automatically issues a Norm command (to normalize + the contrast of an image) whenever an image is loaded.
+
(Resource name: autoNorm . Type: boolean)
+
 
+
-/+hist
+
Automatically issues a HistEq command (to do + histogram equalization) whenever an image is loaded.
+
(Resource name: autoHist . Type: boolean)
+
 
+
-gamma val
+
Sets the Intensity graph (in the xv color + editor window) to the gamma function of the specified + value.
+
(Resource name: <none>)
+
 
+
-cgamma rv gv bv
+
Sets the Red, Green, and Blue graphs in the + xv color editor window to the gamma functions of + the specified values.
+
(Resource name: <none>)
+
 
+
-preset preset
+
Makes the specified preset (in the xv color + editor) the default. It does this by swapping the + specified preset ( 1 , 2 , 3 , or 4 + ) with the settings associated with the Reset + button.
+
(Resource name: defaultPreset . Type: integer)
+
+ +

Miscellaneous Options

+ +
+
-/+mono
+
Forces the image to be displayed in greyscale. This is + most useful when you are using certain greyscale X + displays. While xv attempts to determine if it's + running on a greyscale display, many X displays lie, + and claim to be able to do color. (This is often because + they have color graphics boards hooked up to b/w + monitors. The computer, of course, has no way of knowing + what type of monitor is attached.) On these displays, if + you don't specify -mono , what you will see is a + greyscale representation of one of the RGB outputs of the + system. (For example, you'll see the 'red' output on + greyscale Sun 3/60s.) The -mono option corrects + this behavior.
+
(Resource name: mono . Type: boolean)
+
 
+
-/+rv
+
Makes xv display a 'negative' of the loaded image. + White becomes black, and black becomes white. Color + images will have 'interesting' effects, as the RGB + components are individually reversed. For example, red + (255,0,0) will become cyan (0,255,255), yellow will + become blue, and so on.
+
 
+
-white color
+
Specifies the 'white' color used when the picture is b/w + stippled. (When '-ncols 0' has been specified, + or when viewing a b/w image.)
+
(Resource name: white . Type: string)
+
 
+
-black color
+
Specifies the 'black' color used when the picture is b/w + stippled. (When '-ncols 0' has been specified, + or when viewing a b/w image.) Try something like: 'xv + -ncols 0 -bl red -wh yellow <filename>' for + some interesting, late-60's- style psychedelia + effects.
+
(Resource name: black . Type: string)
+
 
+
-wait secs
+
Turns on a 'slide-show' feature. Normally, if you specify + multiple input files, xv will display the first + one, and wait for you to give the Next command (or + whatever). The -wait option makes xv wait + for the specified number of seconds, and then go on to + the next picture, without any user intervention. The + program still accepts commands, so it's possible to + 'abort' the current picture without waiting the full + specified time by using the Next command.

Note: + If you are in Use Std. Colormap mode, and you use -wait + 0 , the images will not be dithered (as they + normally are when you are in Use Std. Colormap + mode). It's assumed that if you said '-wait 0' + that you want the images displayed at maximum speed. You + can still turn the dithering on if you desire by using + the -dither option.

+

(Resource name: <none>)

+
+
-/+wloop
+
Normally, when running a slide-show with the -wait + option, xv will terminate after displaying the + last image. If you also specify the -wloop + option, the program will loop back to the first image and + continue the slide-show until the user issues the Quit + command.
+
(Resource name: <none>)
+
 
+
-/+random
+
Makes xv display multiple image files in a random + order. Useful for breaking up the monotony of having + slide-shows always display in the same order. Also, if + you also use the -quit option, you can have xv + display a single, random file from a list of files. This + may be useful if you'd like xv to pick a random + 'background image' from some set of files.
+
(Resource name: <none>)
+
 
+
-/+loadclear
+
If you were on a PseudoColor display, xv used to + automatically clear the image window (and the root + window, if using a root mode) whenever you loaded a new + image. This was to prevent the potentially + annoying/confusing 'rainbow' effect that happens when + colormap entries are freed and reallocated with different + colors. This has changed. By default, xv no longer + clears the image/root window. This is for two reasons: + I've decided the rainbow effect is semi-entertaining, in + that it gives you something to look at while the next + image is being loaded. Secondly, if you are viewing a + series of images that have the same colors in them, it's + possible for xv to animate them (by using the '-wait' + command line option), albeit no faster than one frame + every 1-2 seconds. For example, you can go get the + satellite radar images from vmd.cso.uiuc.edu (in + the directory wx), run 'xv -wait 0 SA*', + and voila! Just like the evening news!
+
(Resource name: clearOnLoad Type: boolean)
+
 
+
-/+nofreecols
+
Whenever you load a new image, xv normally frees + the colors it was using for the previous image, and + allocates new colors for the new image. This can cause + 'rainbow' effects on PseudoColor displays as the colors + are changed. You can avoid this problem entirely by using + the -nofreecols option, which suppresses the + normal freeing of old colors. This is most useful when + doing slide-shows. Note, however that there will be fewer + colors available for 'later' images. These images will + wind up being displayed with whatever colors were + allocated for the earlier images. As such, they may or + may not look that hot... (And allow me to reiterate: xv + is not an image animator, despite options like + these that let it do so, albeit poorly.)
+
(Resource name: <none>)
+
 
+
-/+rgb
+
Specifies that, by default, the colormap editing dials in + the xv color editor window should be in RGB mode. + This is the normal default behavior.
+
(Resource name: hsvMode . Type: boolean ( false))
+
 
+
-/+hsv
+
Specifies that, by default, the colormap editing dials in + the xv color editor window should be in HSV mode.
+
(Resource name: hsvMode . Type: boolean ( true))
+
 
+
-/+lbrowse
+
Turns on the Browse checkbox in the xv load + window. This keeps the window from being automatically + closed whenever you successfully load an image.
+
(Resource name: loadBrowse . Type: boolean)
+
 
+
-/+nostat
+
Speeds up the performance of the xv load and xv + save windows. (Which are really the same window...) + It keeps xv from doing a stat() system + call for each file in the current directory whenever you + change directories. This is handy on systems with a lot + remote files, where doing the stat() calls takes + too long. One downside: subdirectories will not be shown + with the little folder icons, as it requires a stat() + call to determine whether a file is a subdirectory or a + data file. This will not affect the operation of the + program, just the 'niceness'.
+
(Resource name: nostat . Type: boolean)
+
 
+
-visual vistype
+
Normally, xv uses the 'best' visual model it can + get. It looks for a 24 or 32-bit deep TrueColor, + or DirectColor visual. If it can get one, that's + what it uses. Otherwise, it will fall back to using the + 'default' visual provided by your X server. You can + override this bit of cleverness by explicitly selecting a + visual to use. Valid types are StaticGray, StaticColor, + TrueColor, GrayScale, PseudoColor, DirectColor, + and default. All of these modes are not + necessarily provided on any given X display. Run xdpyinfo + on your display to find out what visual types are + supported. You can also specify a specific visual by + using its numeric visual ID, in the case that you have + multiple instances of a given visual type available ( xv + will pick the 'deepest' one by default)
+
(Resource name: visual . Type: string)
+
 
+
-cursor curs
+
Specifies an alternate cursor to use in the image window + (instead of the normal 'arrow' cursor). curs + values are obtained by finding the character number of a + cursor you like in the 'cursor' font. (Run 'xfd -fn + cursor' to display the cursor font.) For example, a curs + value of '56' corresponds to the (singularly useless) + 'Gumby' cursor.
+
(Resource name: cursor . Type: integer)
+
 
+
-/+2xlimit
+
By default, xv prevents the image window from ever + getting larger than the screen. Unfortunately, because of + this, if you load an image that is larger than your + screen, the image will be shrunk until it fits on your + screen. Some folks find this undesirable behavior. + Specifying the -2xlimit option doubles the size + limitations. The image window will be kept from getting + larger than 2x the width and height of your screen.

Just + in case you're wondering why there are any size + limitations: it's fairly easy to accidentally ask for a + huge image to be generated. Simply Crop a section + of the image, zoom so you can see the individual pixels, + and UnCrop . If there were no size limitations, + the (expanded many times) image could be huge, and might + crash your X server. At the very least, it would take a + long time to generate and transmit to your X server, and + would freeze up your X server during part of it. + Generally undesirable behavior.

+

(Resource name: 2xlimit . Type: boolean)

+
+
-/+nolimits
+
For the truly daring, this turns off all limitations on + the maximum size of an image. (Well, there's still an + X-imposed maximum size of 64K by 64K, but that really + shouldn't be a problem.) Warning: as mentioned above, it + is fairly easy to accidentally generate a huge image when + you do an UnCrop command, and you may well crash xv, + your X server, the host machine, or all three. Use At + Your Own Risk!!!
+
(Resource name: nolimits Type: boolean)
+
 
+
-/+close
+
If specified, iconifying the xv image window will + automatically close all the other xv windows. + De-iconifying the xv image window will re-open the + other xv windows.
+
(Resource name: autoClose . Type: boolean)
+
 
+
-/+iconic
+
Starts xv with its image window iconified.
+
(Resource name: iconic . Type: boolean)
+
 
+
-icgeometry geom
+
Specifies the screen position of the icon (when you use + the -iconic option).
+
(Resource name: iconGeometry . Type: string)
+
 
+
-dir directory
+
Specifies an initial directory for xv to switch to + when run. Also specifies the default directory used for + the visual schnauzer and the xv load and xv + save windows.
+
(Resource name: searchDirectory . Type: string)
+
 
+
-flist fname
+
Tells xv to read a file fname that consists + of a list of names of image files to load, one per line. + This file is in the same format generated by the File + list checkbox in the xv save window. You can + use this to get around shell 'command-length' limitations + (which can hit you if you try 'xv *' in a + directory with a thousand or two files), or you could + have find (or whatever) generate this file based + on some type of criteria (age, size, etc.)
+
(Resource name: fileList . Type: string)
+
 
+
-drift dx dy
+
A kludge. In order to do certain operations, xv + needs to be able to precisely position the contents of an + image window on the screen. Unfortunately, window + managers disagree wildly on exactly how the "where's + the window" information will be presented to the + program. The practical upshot is that, despite a sizable + effort to the contrary, xv may very will have its + image window 'drift' on the screen as you resize it. This + option lets you specify correction factors to cancel out + the drift. If the window drifts down and to the right, + use negative values to cancel the drifting. If the window + drifts up and to the left, use positive values to cancel + the drifting.
+
(Resource name: driftKludge . Type: string)
+
 
+
-mfn font
+
Lets you specify the mono-spaced font used in the TextView + windows, and a few other places. Be sure you use a + mono-spaced font, or you may well get 'interesting' + effects.
+
(Resource name: monofont . Type: string)
+
 
+
-name string
+
Lets you change what string is displayed in the titlebar + of the image window. Normally, xv will display the + version number and the filename. If you're calling xv + from another program, you may prefer to have it print a + more descriptive string, or perhaps something like + '<click mouse to quit>' if you're also using the -quit + option.
+
(Resource name: <none>)
+
 
+
-/+viewonly
+
For use when calling xv from some other program. + Forces all user input to be ignored. This keeps the + untrained (or inquisitive) user from nosing around, + creating files, or just generally misbehaving. Also note + that there's no way for the user to quit the program. It + is up to the calling process to manually kill xv + when it feels that the image has been displayed long + enough.
+
(Resource name: <none>)
+
 
+
-/+grabdelay seconds
+
Sets the default 'grab delay' in the Grab dialog + box. See "The Grab + Command" .
+
(Resource name: <none>)
+
 
+
-/+poll
+
Turns file polling on. If enabled, xv will notice + when the currently displayed image file changes (due to + some other process rewriting it, or something like that), + and it will automatically reload the image file once it + appears to have settled down (once the file size stops + changing for a few seconds). See "Image Reloading" + for further details.
+
(Resource name: <none>)
+
 
+
-/+vsperfect
+
Normally, the visual schnauzer uses its own + private colormap. This is necessary in order to get a + good set of colors to display the image icons, and not + steal colors away from the actual image window. However, + you may find the colormap install/deinstall very + annoying. I do. You can specify this option ( +vsperfect + ) to turn the 'perfect' behavior off. If you do so, the visual + schnauzer windows will steal away a small (64-entry) + part of the colormap (unless you are in Use Std. + Colormap mode, in which case they will share the + standard colormap). The downside is that neither the + schnauzer nor the image will look as good.
+
(Resource name: vsPerfect . Type: boolean)
+
 
+
-/+vsdisable
+
Completely disables the visual schnauzer. This is + mainly so, if you have vsPerfect turned off, you + can disable the schnauzer and keep it from stealing any + colors from the image. In the default setting ( vsPerfect + is turned on), this option will have no useful effect.
+
(Resource name: vsDisable . Type: boolean)
+
 
+
-gsdev str
+
Sets the 'device' that the ghostscript package + will generate output for, which is used whenever you read + a PostScript file in xv. Currently, the default + device is ppmraw , which means all PostScript will + be converted to either a 24-bit color PPM file, an 8-bit + greyscale PGM file, or a 1-bit black- and-white PBM file, + as appropriate (based on the particular PostScript file + in question). Note that your copy of ghostscript + must be configured to support this device, and any other + values you may wish to set this option to. See the xv + Makefile for further information.

Also note: + Be very careful when using these options, as it's pretty + easy to have ghostscript generate enormous + data files. For example, for normal 8" by 11" + pages, at 72dpi, a PBM file will require ~60K per page, a + PGM file will require ~500K per page, and a PPM file will + require ~1.5M per page. If you have it generate images at + 300 dpi (see below), these sizes explode to roughly 1, 8, + and 24 megabytes per page. As such, you should forget + about viewing color pages at 300 dpi, and you may also + want to forget about viewing multi-page PostScript files + at 300 dpi.

+

(Resource name: gsDevice . Type: string)

+
+
-gsres res
+
Specifies the resolution of the page files generated by ghostscript, + in dots per inch. Defaults to 72 dpi. You can set it to + any value, but be careful about generating enormous + intermediate datafiles.
+
(Resource name: gsResolution . Type: integer)
+
 
+
-gsgeom geom
+
Sets the page size of the files generated by ghostscript. + Normally, this defaults to '612x792', which is the size + of 8" by 11" paper, as measured in 72nds of an + inch. Note that these numbers are in 72nds of an inch + regardless of the resolution (dpi) value set by gsResolution + .
+
(Resource name: gsGeometry . Type: string)
+
 
+
-/+nodecor
+
Turns off certain decorations on the xv image window's + frame, maybe. Works for mwm, at least. There is no + way to do this trick with olwm, and twm + doesn't need it. Anyway, if you turn off the titlebar and + such on the xv image window, it removes the minimum + size constraint/problem that I talk about in "Cropping" , + and elsewhere.
+
(Resource name: nodecor Type: boolean)
+
 
+
-RM
+
If specified, deletes all files specified on the xv + command line when xv exits. This can be handy if + you're using xv as an external viewer, and you'd + like to hand it a file, have it displayed, and then have + it go away.
+
(Resource name: <none>)
+
 
+
-DEBUG level
+
Turns on some debugging information. You shouldn't need + this. If everything worked perfectly, I wouldn't + need this.
+
(Resource name: <none>)
+
 
+
-
+
Specifying '-' all by itself tells xv to take its + input from stdin , rather than from a file. This + lets you put xv on the end of a Unix pipe.
+
+ +
+ +

+ + + + + + + +

+ + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/modifying-behavior-4.html xv-3.10a-jumbo20050501-1/docs/html/modifying-behavior-4.html --- xv-3.10a-jumbo20050501/docs/html/modifying-behavior-4.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/modifying-behavior-4.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,281 @@ + + + + + + + +XV: Modifying xv Behavior, part 4/4 + + + + +

+ + +

+ +

Color Editor Resources

+ +

You can set default values for all of the HSV and RGB +modification controls in the x v color editor window via X +resources. The easiest way to explain this is with an example.

+ +
    +
  1. Start xv and put it in the background by typing 'xv + &'.
    2. +
  2. Type the command 'cat >foo' in an active xterm + window
    3. +
  3. Bring the xv color editor window up.
    4. +
  4. Issue the Cut Resources command.
    5. +
  5. Click your middle mouse button in the xterm + window. A set of resource lines describing the current + state of the xv color editor controls will be + 'pasted' into the window.
    6. +
  6. You could type <ctrl-D> in the xterm + to complete the cat command, edit this file, and + put it in your .Xdefaults or .Xresources + file.
    7. +
+ +

The lines generated by Cut Resources will look like this:

+ +
+ 
xv.default.huemap1: 330  30  CW 330  30  CW
+xv.default.huemap2:  30  90  CW  30  90  CW
+xv.default.huemap3:  90 150  CW  90 150  CW
+xv.default.huemap4: 150 210  CW 150 210  CW
+xv.default.huemap5: 210 270  CW 210 270  CW
+xv.default.huemap6: 270 330  CW 270 330  CW
+xv.default.whtmap:  0 0 1
+xv.default.satval:  0
+xv.default.igraf: S 4 : 0,0 : 64,64 : 192,192 : 254,254
+xv.default.rgraf: S 4 : 0,0 : 64,64 : 192,192 : 254,254
+xv.default.ggraf: S 4 : 0,0 : 64,64 : 192,192 : 254,254
+xv.default.bgraf: S 4 : 0,0 : 64,64 : 192,192 : 254,254
+
+ +

These lines completely describe one state of the xv color +editor controls. There are five different states that you can +specify via X resources. The 'default' state (as shown) +holds the settings used whenever the program is first started, +and whenever the Reset command is used. You can also store +settings in one of the four xv presets (accessed via the 1, +2, 3, or 4 buttons in the xv color editor) by +changing the string 'default' in the above lines to 'preset1', +'preset2', 'preset3', or 'preset4' +respectively.

+ +

There are four types of resource described in these lines: huemap +, whtmap , satval , and graf .

+ +

Huemap Resources

+ +

The huemap resources describe the state of the hue +remapping dials. There are six huemap resources per state of the xv +color editor. These huemap resources are numbered 'huemap1', +through 'huemap6', and correspond to the '1'-'6' +radio buttons under the hue remapping dials.

+ +

Each huemap resources takes six parameters:

+ +
    +
  1. The 'starting' angle of the From range, in degrees + (integer).
    2. +
  2. The 'ending' angle of the From range, in degrees + (integer).
    3. +
  3. The direction of the From range. Either 'cw' + (clockwise) or 'ccw' (counter-clockwise).
    4. +
  4. The 'starting' angle of the To range, in degrees + (integer).
    5. +
  5. The 'ending' angle of the To range, in degrees + (integer).
    6. +
  6. The direction of the To range. Either 'cw' + or 'ccw'.
    7. +
+ +

Whtmap Resources

+ +

The whtmap resource describes the state of the white +remapping control. There is one whtmap resource per state of the xv +color editor controls. The whtmap resource takes three +parameters:

+ +
    +
  1. The hue to remap 'white' to, in degrees (integer).
    2. +
  2. The saturation to give to the remapped 'white', in + percent (integer).
    3. +
  3. A boolean specifying whether the white remapping control + is enabled. If '1', the control is enabled. If '0', the + control is disabled.
    4. +
+ +

Satval Resource

+ +

The satval resource describes the value of the +Saturation dial. There is one satval resource per state. The +satval resource takes a single integer value, in the range 100, +which specifies how much to add or subtract to the overall image +color saturation.

+ +

Graf Resources

+ +

The graf resources describe the state of the four +'graph' windows in the xv color editor window ( Intensity, +Red, Green, and Blue). The graf resources +can be in one of two formats, 'gamma' and 'spline/line'.

+ +

In 'gamma' format, the graf resource takes two parameters:

+ +
    +
  1. The letter 'G', specifying 'gamma' mode
    2. +
  2. A single floating point number specifying the gamma + value.
    3. +
+ +

In 'spline/line' mode, the graf resource takes a variable +number of parameters:

+ +
    +
  1. The letter 'S' specifying 'spline' mode, or the letter + 'L' specifying 'line' mode.
    2. +
  2. An integer number indicating the number of handles + (control points) that this graph window will have. (Must + be in the range 2-16, inclusive.)
    3. +
  3. For each handle, there will be a ':', and the x + and y positions of the handle, separated by a + comma. The x and y positions can be in the + range 0-255 inclusive.
    4. +
+ +

Other Resources

+ +
+
autoApply
+
A boolean resource that sets the default condition of the + Auto-Apply HSV/RGB Mods checkbox in the xv + color editor window.
+
 
+
displayMods
+
A boolean resource that sets the default condition of the + Display With HSV/RGB Mods checkbox in the xv + color editor window.
+
 
+
dragApply
+
A boolean resource that sets the default condition of the + Auto-Apply While Dragging checkbox in the xv + color editor window.
+
 
+
autoReset
+
A boolean resource that sets the default condition of the + Auto-Reset On New Image checkbox in the xv + color editor window.
+
 
+
saveNormal
+
A boolean resource that sets the default condition of Normal + Size checkbox in the xv save window.
+
 
+
pspreview
+
A boolean resource that sets the default condition of Preview + checkbox in the xv postscript window.
+
 
+
pscompress
+
A boolean resource that sets the default condition of Compress + checkbox in the xv postscript window.
+
 
+
print
+
A string resource that sets the default command that + shows up in the Print dialog box.
+
 
+
pspaper
+
A string resource that sets the default paper size + selected in the xv postscript window. Valid + settings are: 8.5x11, 8.5x14, 11x17, 4x5 35mm a3 a4 + b5
+
 
+
psorient
+
A string resource that sets the default image orientation + in the xv postscript window. Valid settings are: portrait + and landscape
+
 
+
psres
+
An integer resource that sets the default image + resolution in the xv postscript window. Valid + settings are in the range 10 through 720 dpi.
+
+ +

Window Classes

+ +

xv defines the following 'class' names for its various +top-level windows:

+ +
+
XVroot
+
for the xv image window
+
 
+
XVcontrols
+
for the xv controls window
+
 
+
XVdir
+
+
for the xv load and xv save windows
+
+
+
XVinfo
+
+
for the xv info window
+
+
+
XVcedit
+
+
for the xv color editor window
+
+
+
XVps
+
+
for the xv postscript window
+
+
+
XVjpeg
+
+
for the xv jpeg window
+
+
+
XVtiff
+
+
for the xv tiff window
+
+
+
XVconfirm
+
+
for all the pop-up windows
+
+
+
+ +

You may be able to use these class names to do something nifty +with your window manager. For instance, with mwm you can +control which controls you'll get in the window frame, on a +per-window basis. For example, to turn off all the mwm +doodads that normally are tacked onto the xv image window, +you could put this in your .Xdefaults file:

+ +
+

Mwm*XVroot*clientDecoration: none

+
+ +
+ +

+ + + + + + + +

+ + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/mouse-keyboard-usage.html xv-3.10a-jumbo20050501-1/docs/html/mouse-keyboard-usage.html --- xv-3.10a-jumbo20050501/docs/html/mouse-keyboard-usage.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/mouse-keyboard-usage.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,578 @@ + + + + + + + +XV: Mouse and Keyboard Usage + + + + +

+ + +

+ +

Mouse and Keyboard Usage

+ +

Mouse Usage in the Image +Window

+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
Modifier KeysButtonAction
 Button1draws a selection rectangle
 Button2display pixel values, measure distance, picks drawing + color
 Button3opens or closes the xv controls window
<Ctrl>Button1Zoom In
<Ctrl>Button2Pan (while zoomed in)
<Ctrl>Button3Zoom Out
<Shift>Button1draws a square selection rectangle
<Shift>Button2freehand drawing tool
<Shift><Ctrl>Button2line drawing tool
<Shift>Button3smudging tool
+ +
+
 
+
+ +

Mouse Usage in Selection Rectangle

+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
Modifier KeysButtonAction
 Button1moves selection rectangle
<Shift>Button1moves selection, constrains motion
 Button2'drag-and drop' cut and paste
<Shift>Button2'drag and drop' cut and paste, constrains motion
<Ctrl>Button2'drag and drop' copy and paste
<Shift> <Ctrl>Button2'drag and drop' copy and paste, constrains motion
+ +

Normal Keyboard +Equivalents

+ +

The following keyboard equivalents can be used in most xv +windows, including the xv image, xv controls, xv color +editor, and so on, but not the xv visual schnauzer.

+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
Key(s)Action
<Tab> or
+ <Space>		Next
<Return>reload currently selected image file
<Delete> or
+ <Backspace>		Prev
<Ctrl> lLoad
<Ctrl> sSave
<Ctrl> pPrint
<Ctrl> dDelete
<Ctrl> q
+ or q		Quit
<Meta> xCut
<Meta> cCopy
<Meta> vPaste
<Meta> dClear
nreset image to Normal size
mMax
MMaxpect
>Double Size
<Half Size
<Period>10% Larger
<Comma>10% Smaller
SSet Size
aRe-Aspect
44x3
IInt. Expand
tturn image 90 degrees clockwise
Tturn image 90 degrees counter-clockwise
hflip image horizontally
vflip image vertically
PPad
AText Annotation
cCrop
uUnCrop
CAutoCrop
rRaw
dDither
sSmooth
<Meta> 8toggle between 8-bit and 24-bit + modes
<Ctrl> v
+ or V		Visual Schnauzer
eColor Editor
iImage Info
<Ctrl> cImage Comments
<Ctrl> tText View
<Ctrl> gGrab
<Ctrl> aAbout XV
<Meta> bBlur
<Meta> sSharpen
<Meta> eEdge Detection
<Meta> mEmboss
<Meta> oOil Paint
<Meta> BBlend
<Meta> tCopy Rotate
<Meta> TClear Rotate
<Meta> pPixelize
<Meta> SSpread
<Meta> r or
+ R or
+ <Meta> 0		Reset command in xv color editor
<Meta> 1select preset #1 in xv color editor
<Meta> 2select preset #2 in xv color editor
<Meta> 3select preset #3 in xv color editor
<Meta> 4select preset #4 in xv color editor
<Meta> aApply command in xv color editor
+ +

Image Window Keys

+ +

The following keys can only be used inside the image +window.

+ + + + + + + + + + + + + + + + + + + + + + +
Key(s)Action
<Ctrl> <Up>crops 1 pixel off the bottom of the image
<Ctrl> <Down>crops 1 pixel off the top of the image
<Ctrl> <Left>crops 1 pixel off the right side of the image
<Ctrl> <Right>crops 1 pixel off the left side of the image
+ +

If you're viewing a multi-page document:

+ + + + + + + + + + + + + + + + + + +
Key(s)Action
popens a 'go to page #' dialog box
<PageUp>go to previous page
<PageDown>go to next page
+ +

If a selection rectangle is active:

+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
Key(s)Action
<Up>moves the selection rectangle up 1 pixel
<Down>moves the selection rectangle down 1 pixel
<Left>moves the selection rectangle left 1 pixel
<Right>moves the selection rectangle right 1 pixel
<Shift> <Up>shrink rectangle's height by 1 pixel
<Shift> <Down>expand rectangle's height by 1 pixel
<Shift> <Left>shrink rectangle's width by 1 pixel
<Shift> <Right>expand rectangle's width by 1 pixel
+ +

Visual Schnauzer Keys

+ +

The following keys can only be used in the visual schnauzer +windows.

+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
Key(s)Action
<Ctrl> dDelete File(s)
<Ctrl> nNew Directory
<Ctrl> rRename File
<Ctrl> sReScan Directory
<Ctrl> wOpen New Window
<Ctrl> uUpdate Icons
<Ctrl> gGenerate Icons
<Ctrl> aSelect All Files
<Ctrl> tText View
<Ctrl> qQuit XV
<Ctrl> cChange Directory
<Ctrl> fSelect Filenames
<Ctrl> eRecursive Update
<Esc>Close Window
<Return>load currently selected file(s)
<Space>load next file
<Shift> <Space>load next file, keeping previous file(s) selected
<Backspace>load previous file
+ +
+ +

+ + + + + + + +

+ + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/overview.html xv-3.10a-jumbo20050501-1/docs/html/overview.html --- xv-3.10a-jumbo20050501/docs/html/overview.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/overview.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,85 @@ + + + + + + + +XV: Overview + + + + +

+ + +

+ +

Overview

+ +

xv is an interactive image manipulation program for the +X Window System. It can operate on images +in the GIF, JPEG, TIFF, PBM, PGM, PPM, XPM, X11 bitmap, Sun +Rasterfile, Targa, RLE, RGB, BMP, PCX, FITS, and PM formats on +all known types of X displays. It can generate PostScript files, +and if you have ghostscript (version 2.6 or above) +installed on your machine, it can also display them.

+ +

xv lets you do a large number of things (many of them +actually useful), including, but not limited to, the following:

+ +
    +
  • display an image in a window on the screen
    • +
  • display an image on the root window, in a variety of + styles
    • +
  • grab any rectangular portion of the screen and turn it + into an image
    • +
  • arbitrarily stretch, compress, rotate or flip the image
    • +
  • crop or pad images
    • +
  • view files as ASCII text or hexadecimal data
    • +
  • magnify any portion of the image by any amount, up to the + size of the screen
    • +
  • determine pixel values and x,y coordinates in the image
    • +
  • adjust image brightness and contrast with a gamma + correction function
    • +
  • apply different gamma functions to the Red, Green, and + Blue color components, to correct for non-linear color + response
    • +
  • adjust global image saturation
    • +
  • perform global hue remapping
    • +
  • perform histogram equalization
    • +
  • run a number of image-processing algorithms on any + rectangular portion of the image
    • +
  • edit an image's colormap
    • +
  • reduce the number of colors in an image
    • +
  • dither in color and b/w
    • +
  • crop off solid borders automatically
    • +
  • convert image formats
    • +
+ +

Oddly enough, I'm still having a horrible time tracking down +some minor bug in the Automatic Checkbook Balancing +Module , and once again it fails to make it into the official +xv distribution.

+ +

The ghostscript distribution +is available via anonymous ftp from prep.ai.mit.edu +

+ +
+ +

+ + + + + + + +

+ + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/postscript-window.html xv-3.10a-jumbo20050501-1/docs/html/postscript-window.html --- xv-3.10a-jumbo20050501/docs/html/postscript-window.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/postscript-window.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,181 @@ + + + + + + + +XV: The PostScript Window + + + + +

+ + +

+ +

The PostScript Window

+ +

+ +

The xv postscript window lets you describe how your +image should look when printed. You can set the paper size and +the image size, position the image on the paper, and print in +'portrait' or 'landscape' mode.

+ +

The majority of the xv postscript window is taken up by +a window that shows a white rectangle (the page) with a black +rectangle (the image) positioned on it. You can position the +image rectangle anywhere on the page. The only constraint is that +the center of the image (where the two diagonal lines meet) must +remain on the page. Only the portion of the image that is on the +page will actually be printed.

+ +

The image can be (roughly) positioned on the page by clicking +in the image rectangle and dragging it around. As you move the +image, the "Top" and "Left" position displays +will show the size of the top and left margins (the distance +between the top-left corner of the page and the top-left corner +of the image).

+ +

You'll note that you have limited placement resolution with +the mouse. If you want to fine-position the image, you can use +the arrow keys to move the image around. The arrow keys will move +the image in .001" increments. You can hold them down, and +they will auto-repeat. You can also hold a <Shift> +key down while using the arrow keys. This will move the image in +.010" increments.

+ +

You can change the size of the printed image by adjusting the Width +or Height dials. Normally, the dials are locked together, +to keep the aspect ratio of the image constant. You can unlock +the dials by turning the off the checkbox located below the +dials. As you change the dials, the size of the image (when +printed) is displayed below, in inches and in millimeters. The +current resolution of the image is also displayed below. The +"Resolution" numbers tell you how many image pixels +will be printed per inch.

+ + + + + + +
One note on the 'Resolution' setting: I + get a fair number of complaints about the default of + '100% = 72 dpi'. Many folks wonder why they can't set the + resolution to 300 dpi, given that most PostScript + printers are 300 dpi. The answer, of course, is that they + can. While you are constrained to integral percentage + scaling factors, all the good resolutions (72, 75, + 100, 150, 300, and 600 dpi) are attainable with + appropriate settings of the scaling factors (100, 96, 72, + 48, 24, and 12%, respectively).
+ +

Now, one other thing to note is that, unless you are +printing a black-and-white (not greyscale) image, you almost +certainly do not want to print at 300 dpi (or whatever +your printer's resolution is). At this time, all but the most +enormous and expensive PostScript printers (> $20K) are +fundamentally bitonal. That is, they can either put a dot +at a certain position on a page, or not put a dot there. +They have no ability (or nearly none) to adjust the size or +darkness of the dot. As such, they cannot put an arbitrary 8-bit +shade of gray (or 24-bit RGB color) at each 300 (or 600) dpi +pixel position. They approximate grays (and colors) by dithering +over a larger area. For example, if you print at 75 dpi onto a +300 dpi printer, each arbitrarily colored pixel in your source +image will be represented by a 4x4 grid of bitonal dots on the +page. This is why you should print non-bitonal images at low +resolutions, such as 72 dpi. If you try to print them at higher +resolutions, you will lose shades of gray (or different colors).

+ +

Located below the 'page' rectangle are a set of radio buttons +that let you specify the current paper size (8.5"x11", +8.5"x14", 11"x17", A3, A4, B5, +4"x5", and 35mm), and orientation (Portrait and +Landscape).

+ +
+
+
This button will center the image on the page.
+
 
+
+
This button will align the bottom-left of the image with + the bottom-left of the page. (Which is the origin in the + standard PostScript coordinate system.) This may be + useful if you are generating Encapsulated PostScript + files for use in some desktop-publishing package.
+
 
+
+
This button will make the image as large as possible + (maintaining half-inch margins on all sides) without + changing the aspect ratio.
+
 
+
+
There are a pair of small buttons located next to the + "Left" and "Top" displays. Clicking + the "Left" one will cycle between displaying + the "Left" margin, the "Right" + margin, and the "Center X" position (the + distance from the left edge of the paper to the center of + the image).

Clicking the "Top" display's + button will cycle between displaying the size of the + "Top" margin, the size of the + "Bottom" margin, and the "Center Y" + position (the distance from the top edge of the paper to + the center of the image).

+
+
+
This checkbox lets you specify whether or not to include + a b/w preview of the image in the PostScript file. + Certain desktop publishing programs may make use of such + a preview.
+
 
+
+
Specifies whether or not to generate compressed 8-bit per + pixel PostScript. This is particularly handy if you're + generating color PostScript, and you are currently in 8-bit + Mode, as color PostScript files are normally three + times larger than their greyscale counterparts. + Compression can shrink these color PostScript files by a + factor of 4:1. It has a lesser effect on greyscale + images. It should be noted, however, that compressed + PostScript files may take 2-3 times longer to print than + uncompressed PostScript files. However, if you are + connected to your laser printer via a slow 9600 baud + serial line, the decreased transmission time due to + compression may make up for the increased execution time. + Also note that the 'compress' checkbox is not + available when you are in 24-bit Mode
+
+ +

Click the Ok button when you're done. If everything is +successful, the xv postscript and the xv save +window will both close. If xv was unable to write the +PostScript file, the xv postscript window will close, but +the xv save window will remain open, to give you a chance +to enter a different filename.

+ +
+ +

+ + + + + + + +

+ + + + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/release-notes.html xv-3.10a-jumbo20050501-1/docs/html/release-notes.html --- xv-3.10a-jumbo20050501/docs/html/release-notes.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/release-notes.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,83 @@ + + + + + + + +XV: Release Notes + + + + +

+ + +

+ +

Release Notes

+ +

The following is a short synopsis of the major features that +have been added to xv since Version 3.00. See the CHANGELOG +file in the xv source directory for complete details, and +up-to-the-minute information.

+ +
    +
  • Image cut and paste capabilities.
    • +
  • Minimal image editing (line drawing, text annotation, and + smudging).
    • +
  • Additional choices in the Algorithms menu. Also, + algorithms now operate on the selected region of the + image, if any.
    • +
  • Image padding.
    • +
  • Added a Print command.
    • +
  • Additional file formats: XPM files and 24-bit Targa files + can both be read and written, as can a variety of the + Amiga ILBM formats (commonly called 'IFF' files). xv can + read (but not write) the XWD (X Window Dump) format. + Also, xv can now read 16-bit greyscale 'pgmraw' + files, however, the low-order 8-bits will be discarded.
    • +
  • Much improved Grab command. It is now possible to + grab pull-down menus in other programs.
    • +
  • Much improved selection rectangle handling.
    • +
  • Image 'panning' when zoomed in.
    • +
  • Improved 24-to-8-bit algorithm.
    • +
  • Filename completion in the load and save + windows.
    • +
  • Changed command-line handling. All the 'flag' arguments + ('-perfect', '-smooth', etc.) are forced 'on' if you + start them with a '-', and are forced 'off' if you start + them with a '+'. (They used to toggle the state, which + could lead to unpredictable results.)
    • +
  • Support for 'gzip'ed files.
    • +
  • Sniffs out the 'best' visual type to use, rather than + simply using the default visual.
    • +
  • New versions of Sam Leffler's libtiff TIFF i/o + library (version 3.3) and the Independent JPEG Group's + JPEG i/o library (version 5a) have been merged in.
    • +
  • When viewing 24-bit images (in 24-bit mode) on an 8-bit + display, xv now uses a 4*8*4 standard RGB + colormap, rather than the 6*6*6 colormap it used in 3.00. + This colormap uses fewer colors, and produces better + looking results, on average.
    • +
  • Of course, there have been plenty of bug fixes and minor + enhancements. It would probably be safe to say that + there's some exciting new bugs, too!
    • +
+ +
+ +

+ + + + + + + +

+ + + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/rgb-hsv-colorspaces.html xv-3.10a-jumbo20050501-1/docs/html/rgb-hsv-colorspaces.html --- xv-3.10a-jumbo20050501/docs/html/rgb-hsv-colorspaces.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/rgb-hsv-colorspaces.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,130 @@ + + + + + + + +XV: RGB & HSV Colorspaces + + + + +

+ + +

+ +

RGB & HSV Colorspaces

+ +

Both the RGB and HSV Colorspaces define a method of uniquely +specifying colors via three numbers.

+ +

The RGB colorspace is the more commonly used of the two. For +example, most color monitors operate on RGB inputs. In RGB +colorspace, each color is represented by a three number 'triple'. +The components of this triple specify, respectively, the amount +of red, the amount of green, and the amount of blue in the color. +In most computer graphics systems (and in xv), these +values are represented as 8-bit unsigned numbers. Thus, each +component has a range of 0-255, inclusive, with 0 meaning 'no +output', and 255 meaning 'full output'.

+ +

The eight 'primary' colors in the RGB colorspace, and their +values in the standard 8-bit unsigned range are:

+ +
+ 
Black    (  0,  0,  0)
+Red      (255,  0,  0)
+Green    (  0,255,  0)
+Yellow   (255,255,  0)
+Blue     (  0,  0,255)
+Magenta  (255,  0,255)
+Cyan     (  0,255,255)
+White    (255,255,255)
+
+ +

Other colors are specified by intermediate values. For +example, orange is chromatically between red and yellow on +the color spectrum. To get an orange, you can simply +average red (255,0,0) and yellow (255,255,0) on a +component-by-component basis resulting in (255,127,0), which will +be some orange-ish color.

+ +

You can change the brightness of the colors by raising or +lowering all of their components by some factor. For example, if +(0,255,255) is cyan (it is), then (0,128,128) would be a dark +cyan.

+ +

Saturation of a color is a measure of how 'pure' the color is. +Desaturated colors will appear washed-out, or pastel, whereas +saturated colors will be bold and vibrant, the sort of colors +you'd paint a sports car. In the RGB colorspace, you can +desaturate colors by adding white to them. For example, if +you take red (255,0,0), and add a medium grey to it +(128,128,128), you'll get a shade of pink (255,128,128). +Note that the component values are 'clipped' to remain in the +range 0-255.

+ +

The HSV colorspace works somewhat differently. It is +considered by many to be more intuitive to use, closer to how an +artist actually mixes colors.

+ +

In the HSV colorspace, each color is again determined by a +three-component 'triple'. The first component, Hue, +describes the basic color in terms of its angular position on a +'color wheel'. In this particular implementation, Hue is +described in terms of degrees.

+ +

Unfortunately, since this document isn't printed in color, it +is not possible to show this 'color wheel' in any meaningful way. +Here is where the 'primary' colors live:

+ +
+ 
Red       0
+Yellow   60
+Green   120
+Cyan    180
+Blue    240
+Magenta 300
+
+
+ +

The colors appear in the same order that they do on a standard +color spectrum, except that they form a circle, with magenta +looping back to red.

+ +

As with the RGB space, in-between colors are represented by +in-between values. For example, orange would have a Hue +value of 30, being situated roughly halfway between red +and yellow.

+ +

The second component of the HSV triple is Saturation, +which, as described above, can be thought of as "how pure +the color is". In this implementation, saturation can range +between 0 and 100, inclusive. Colors with a saturation of 100 are +fully-saturated, whereas colors with a saturation of 0 are +completely desaturated (in other words, grey).

+ +

The third component of the HSV triple is Value , which +really should be called Intensity. It is a measure of how +'bright' the color is. In this implementation, Value can range +between 0 and 100, inclusive. A color with a Value component of +100 will be as bright as possible, and a color with a Value +component of 0 will be as dark as possible (i.e., black).

+ +
+ +

+ + + + + + + +

+ + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/save-window-1.html xv-3.10a-jumbo20050501-1/docs/html/save-window-1.html --- xv-3.10a-jumbo20050501/docs/html/save-window-1.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/save-window-1.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,195 @@ + + + + + + + +XV: The Save Window, part 1/2 + + + + +

+ + +

+ +

The Save Window

+ + + + + + +
Damned if it doesn't look suspiciously + like the xv load window! The xv save window + lets you write images back to disk, presumably after + you've modified them. You can write images back in many + different formats, not just the original format.

Warning! + Images are saved as they are currently shown! + (i.e. At the current size, with the current color + modification, rotation, cropping, etc. applied.) The only + exceptions to this rule are if you are displaying images + on a 1-bit B/W display, or displaying 24-bit images on a + non-24-bit display. The fact that such images have to be + dithered in order to be displayed doesn't count as + 'modification', and the file won't be saved 'as + displayed'. As such, you can manipulate and save color + images on a 1-bit display, and 24-bit images on any + type of display, even if you can't really see them 'as + they are'.

+
+ +

For the most part, the xv save window operates exactly +like the xv load window. (See "The Load Window" for details.) +Only the differences are listed here.

+ +

When the window is opened, it should have the filename of the +currently loaded file already entered into the text entry region. +If you click on a file name in the list window, this name will be +cleared and replaced with the new name. Likewise, the Format +and Colors selections will reflect the currently loaded +image. This behavior can be annoying if you are using xv +to do file format conversion, or are routinely typing the same +filename (a piped command, for instance).

+ +
+
+
The Prev Set button restores the Format and + Colors choices to the settings that were used the + last time a file was saved during this particular run of xv. +
+
 
+
+
Likewise, the Prev Name button restores the + filename string to the value it had the last time a file + was saved.
+
+ +

At the top of the window are a pair of pull-down menus, Format +and Colors . These menus let you choose the image file +format and color settings that will be used when you save the +image. Normally, they display the format that the current image +is already in. If you change formats, and your filename has a +recognized suffix (i.e., '.gif', '.GIF', '.pbm', etc.), the +suffix portion of your filename will be replaced with the new, +appropriate suffix for the selected format.

+ +

You can pipe output from xv to other programs by using +the xv save window. If the first character of the +specified filename is '!' or '|', the rest of the filename is +interpreted as a command to pipe output to, in the currently +selected image format. A fine use for this feature is directly +printing images to a PostScript printer by selecting 'PostScript' +in the formats list, and typing something like " | lpr +" as the filename. In this case, xv will create a +temporary file, write the PostScript to that file, and cat the +contents of that file to the entered command. xv will wait +for the command to complete. If the command completed +successfully, the xv save window will disappear. If the +command was unsuccessful, the window will remain visible. In any +event, the temporary file will be deleted.

+ +
+
+
Normally, when you save an image, it will be saved at the + current expansion (i.e., one screen pixel will map to one + image pixel in the saved file). Sometimes, however, it's + desirable to save an image at its original size. This is + particularly relevant when you're viewing images larger + than your screen. By default, xv will + automatically shrink images so that they fit on the + screen. If you save these images, you'll find that you've + lost a lot of data, that maybe you wanted to keep. That's + what this checkbox is here for. Note: certain operations, + most notably the Smooth and Dither + commands, only affect the 'displayed' image. If you + choose to save an image at its normal size, these effects + will not be in the saved image.
+
 
+
+
If you have a selection rectangle drawn on the image, + this control can be used. When enabled, only the contents + of the selection will be saved. This can be very useful + if you want to break parts of an image out into their own + files, as was done extensively to put together + this documentation. (i.e. I Grab'bed an xv + window, such as this save window, moved the + selection rectangle around so that it contained various + parts of the image (such as the 'Selected Area' button to + the left), and saved these parts in their own separate + files, for use with Microsoft Word.)
+
+ +

One important note: If your selection goes 'off-screen' +(beyond the boundaries of the xv image window), as can +happen when you zoom-in to fine-tune the position of the +selection rectangle, your selection will be cropped to the +window when you save it, unless you also turn on the Normal +checkbox. You can not save expanded areas of the image that are +not visible in the xv image window, as such areas don't +really exist (they aren't computed).

+ +

Color Choices

+ +

At the top of the xv save window there is the Colors +menu, which contains a list of possible color styles to use +when saving the image.. Most file formats support different +'sub-formats' for 24-bit color, 8-bit greyscale, 1-bit B/W +stippled, etc. Not all of them do. Likewise, not all 'Color' +choices are available in all formats.

+ +

In general, the choices in the Colors menu do the +following:

+ +
+
+
Saves the image as currently shown with all color + modifications, cropping, rotation, flipping, resizing, + and smoothing. The image will be saved with all of its + colors, even if you weren't able to display them all on + your screen. For example, you can load a color image on a + 1-bit B/W display, modify it, and write it back. The + saved image will still be full color, even though all you + could see on your screen was some B/W-dithered nightmare.
+
 
+
+
Like Full Color , but saves the image in a + greyscale format.
+
 
+
+
Like Full Color , but before saving the image xv + generates a 1-bit-per- pixel, black-and-white dithered + version of the image, and saves that, instead.
+
 
+
+
Saves the image as currently shown, with all color + modifications, cropping, rotation, flipping, resizing, + and smoothing. The image will be saved as shown on the + screen, with as many or few colors as xv + was able to use on the display. The major purpose of this + is to allow special effects (color reduction) to be + saved, in conjunction with the '-ncols' command line + option. You will probably never need to use this.
+
+ +
+ +

+ + + + + + + +

+ + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/save-window-2.html xv-3.10a-jumbo20050501-1/docs/html/save-window-2.html --- xv-3.10a-jumbo20050501/docs/html/save-window-2.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/save-window-2.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,281 @@ + + + + + + + +XV: The Save Window, part 2/2 + + + + +

+ + +

+ +

The Save Window

+ +

Format Notes

+ +
+
+
While xv can read both the GIF87a and GIF89a + variants of the GIF format, it will normally write + GIF87a. xv will only write a GIF89a file if there + are image comments to be saved (comment blocks being a + GIF89a extension).. This is in keeping with the GIF89 + specification, which states that if you don't need any of + the features added in GIF89, you should continue to write + GIF87, for greater compatibility with old GIF87-only + readers.

Since GIF only supports one format (up to 8 + bits per pixel, with a colormap), there will be no file + size difference between a Full Color and a Greyscale + image. A B/W Dithered image, on the other hand, + will be considerably smaller.

+

If you are currently in 24-bit mode , and you + are saving in any color mode other than B/W Dithered + , the currently selected 24->8 conversion algorithm + will be used to generate an 8-bit version of the current + image, and that image will be written. (See "The 24/8 Bit Menu" + for more info.)

+
+
+
One minor clarification: 'JPEG' is an image compression + algorithm, not an image file format. 'JFIF' is a + file format created by the fine folks at the Independent + JPEG Group for the storage and interchange of 'JPEG'-ed + image data. As such, it is the de-facto standard for + 'JPEG' images. So, technically, when folks talk about + 'JPEG' files, what they probably mean is 'JFIF' files, + but it's not necessarily so. Therefore, it is + possible to run across 'JPEG' files that xv can't + read, because they don't adhere to the 'JFIF' file format + standard. Just thought you'd like to know.

Full + Color images are written in a 24-bit RGB format, and Greyscale + images are written in an 8-bit greyscale format. B/W + Dithered images should not be used, as they + will probably wind up being larger than Greyscale + versions of the same images, due to the way JPEG works. + Note: You cannot write a Reduced Color JPEG file. + Trust me, given the method that JPEG uses to compress, + it's not in your best interest to save Reduced Color + JPEG files. If you attempt to do so, a Full Color + JPEG file will be saved.

+

+

When you save in the JPEG format, the dialog box shown + above will pop up and ask you for a quality setting and a + smoothing value. '75%' is the default quality value, and + really, it's a fine choice. You shouldn't have to change + it under normal circumstances. The lower you set the + quality, the higher the compression ratio will be (i.e., + the JPEG file will be smaller). Note that setting the + quality setting to '100%' will not result in + 'lossless JPEG' (i.e., the original and the JPEG'd images + will not be exactly the same, just very close).

+

The smoothing value is used to 'blur' images before + saving them. It's often a good idea to blur GIF (and + other 8-bit color) images before saving them, as you'll + get better compression that way, and it also may + partially undo the dithering that been done to many 8-bit + images. On the downside, you'll also get somewhat blurred + images. Something you have to decide for yourself.

+

Note: The JPEG support in xv is optional. While + it is normally enabled, it is possible that it may not be + enabled on your system (due to problems compiling the + JPEG library, or something). If this is the case, you + won't have a JPEG selection in the Format + menu. Please feel free to complain to whomever built the + binary that you're using.

+
+
+
Full Color and Reduced Color images are + written in a 24-bit RGB format, and Greyscale + images are written in an 8-bit greyscale format. B/W + Dithered images are written in a 1-bit B/W format.

+

When you save in the TIFF format, the dialog box shown + above will pop up and ask you which type of image + compression it should use. None, LZW, and PackBits + compression types are available for use with all the + Color modes. In addition, there are two B/W Dithered-only + algorithms, CCITT Group3 and CCITT Group4 . +

+

Note: The TIFF support in xv is optional. While + it is normally enabled, it is possible that it may not be + enabled on your system (due to problems compiling the + TIFF library, or something). If this is the case, you + won't have a TIFF selection in the Format + menu. Please feel free to complain to whomever built the + binary that you're using.

+
+
+
Full Color and Reduced Color images are + stored in a 24-bit RGB format, Greyscale images + are stored in an 8-bit greyscale format, and B/W + Dithered images are stored in a 1-bit B/W format.

xv + writes Encapsulated PostScript, so you can incorporate xv-generated + PostScript into many desktop-publishing programs. xv + also prepends some color-to-greyscale code, so even if + your printer doesn't support color, you can still print + 'color' PostScript images. These images will be three + times larger (in file size) than their greyscale + counterparts, so it's a good idea to save Greyscale + PostScript, unless you know you may be printing the file + on a color printer at some point.

+

Also, you should probably never need to generate B/W + Dithered PostScript, as every PostScript printer I've + ever heard of can print greyscale images. The only valid + cases I can think of are: A) doing it for a special + effect, and B) doing it to generate a much smaller + (roughly 1/8th the size) PostScript file.

+

Note: When you try to save a PostScript file, the xv + postscript window will pop up to let you specify how + you want the image printed. (See "The PostScript Window" + for details.)

+
+
+
Full Color images are saved in PPM format. Greyscale + images are saved in PGM format. B/W Dithered + images are saved in PBM format. Each of these + formats are tailored to the data that they save, so PPM + images are larger than PGM images, which are in turn + larger than PBM images.

In the raw variation of + the PBM formats, the header information is written in + plain ASCII text, and the image data is written as binary + data. This is the more popular of the two dialects of + PBM, as it produces considerably smaller image files.

+
+
+
Like PBM/PPM (raw), only the image data is written + as ASCII text. As such, images written in this format + will be several times larger than images written in PBM/PGM/PPM + (raw). This is a pretty good format for interchange + between systems because it is easy to parse. Also, since + they are pure, printable ASCII text, images saved in this + format can be mailed, without going through a uuencode-like + program.

Note that xv-created PBM files (both raw + and ascii variants) may break some PBM readers + that do not correctly parse comments. If your PBM reader + cannot parse comments, you can easily edit the PBM file + and remove the comment lines. A comment is everything + from a "#" character to the end of the line.

+
+
+
Saves files in the format used by the bitmap + program, which is part of the standard X11 distribution. + Since bitmap files are inherently 1-bit per pixel, you + can only select the B/W Dithered option for this + format.
+
 
+
+
New to xv version 3.10, you can now load and save + images in the XPM (X PixMap) format. Such files are best + suited to small-ish images with a small number of colors, + such as multi-color icons, and the like. One nifty + feature of this format is that images can be created and + edited using a text editor. All color choices work as + expected. One warning: xv will not write out an + XPM file with more than 256 different colors. If you are + viewing a 24-bit image and save it as an XPM file, xv + will first compute an 8-bit version of the image using + the current 24->8 conversion algorithm (see "The 24/8 Bit Menu"), + and then save that.
+
 
+
+
xv will write a number of different types of BMP + files depending on the 8/24 bit mode that you're in, the + number of colors in the image, and the current 'Colors' + choice.

If you are currently in 8-bit Mode, and + you select Full Color, Reduced Color, or Greyscale, + xv will write out an uncompressed 4- or 8-bits per + pixel BMP file, based on the number of different colors + in the current image.

+

If you are in 24-bit Mode and you select Full + Color, the program will write out an uncompressed + 24-bits per pixel image.

+

If you are in 24-bit Mode and you select Greyscale, + an uncompressed 8-bit per pixel BMP file will be written.

+

If you select B/W Dither, a 1-bit per pixel BMP + file will be written.

+
+
+
Full Color and Reduced Color images are + stored in a 24-bit RGB format, Greyscale images + are stored in an 8-bit greyscale format, and B/W + Dithered images are stored in a 1-bit B/W format.
+
 
+
+
If you select Full Color or Reduced Color , + the program will write a 24-bit image. Otherwise, it will + write out an 8-bit image.
+
 
+
+
Another new format added to xv version 3.10. xv + can now read and write 24-bit uncompressed Targa files. + As such files are about the only reason folks still use + the Targa format, this shouldn't be a problem. The color + choices will do what you'd expect, but given that xv + only reads/writes 24-bit Targa files, saving anything but + Full Color would be a waste.
+
 
+
+
Saves images in the FITS format, a greyscale-only format + used primarily by astronomers.
+
 
+
+
Note: This format is was developed at Penn, and is rarely + seen outside of Penn. If you don't know anything about + it, trust me, you don't want to.

Full Color + images are saved in the 3-plane, 1-band, PM_C format. Greyscale + and B/W Dithered images are both saved in the + 1-plane, 1-band, PM_C format. As such, there is no size + advantage to saving in the B/W Dithered format.

+
+
+
This is not an 'image file format' at all, which is why + it appears separate from the rest of the formats in the Format + menu. Instead of saving the current image, what this + does is save a list of all the filenames in the xv controls + window file list. This file list can be used in + conjunction with the '-flist' option. See "Modifying + xv Behavior" for more details.
+
+ +
+ +

+ + + + + + + +

+ + + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/textview-window.html xv-3.10a-jumbo20050501-1/docs/html/textview-window.html --- xv-3.10a-jumbo20050501/docs/html/textview-window.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/textview-window.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,164 @@ + + + + + + + +XV: The TextView Window + + + + +

+ + +

+ +

The TextView Window

+ +

+ +

Overview

+ +

xv now has the ability to display arbitrary text data. +While there are several different ways to cause a TextView +window to appear, (such as opening an unrecognized type of file, +using the Text view command in the Visual Schnauzer, +or the TextView, Comments, or License +commands in the xv controls window) all of the windows +behave the same.

+ +

The TextView window has two primary modes of operation. It can +display data as ASCII text, or it can display data in hexadecimal +format.

+ +

There are a total of two TextView windows available. One is +reserved for the Comments command. The other is used for +all other text data.

+ +

As you might suspect, you can scroll the TextView windows by +using the mouse in the scroll bars (as described in "Operating a +List Window"). Likewise, you can scroll the window +around using the arrow keys on your keyboard, the <PageUp> +and <PageDown> keys (sometimes labeled <Prev> +and <Next> ) and the <Home> and <End> +keys. It behaves as you would expect.

+ +

You can switch modes by pressing the nice friendly Ascii +and Hex buttons. Close (or pressing <Esc>) +will close the TextView window.

+ +

ASCII Mode

+ +

This is the default mode for the TextView windows. It will +display text of any width and length. The only limitation is that +all of the text must fit into memory. If it doesn't, you'll get +an appropriate error message, and the text will not be displayed.

+ +

TextView windows are resizable. When you change the size of +the main window, the inner text display window will change size +appropriately, and display more (or less) data. While the default +size of all TextView windows (except for the Comments +window) is 80 characters wide by 24 lines high, there is nothing +magical about these numbers. They're only chosen out of a sense +of tradition.

+ +

When in ASCII mode, the TAB character (ctrl-I) and the NL +character (ctrl-J) are interpreted as is normal on a UNIX system +(e.g. tab stops every 8 characters, NL marks end of line). The CR +character (ctrl-M) is not displayed.

+ +

All other control characters (characters with an ASCII value +less than '32') are displayed with a caret (^) and the +appropriate upper-case letter. For example, character number 17 +(decimal) will be displayed as '^Q'.

+ +

All characters with an ASCII value greater than 127 are +displayed as octal numbers with a leading backslash. As an +example, character number 128 (decimal) will display as '\'.

+ +

All other characters are displayed with the appropriate +standard glyph.

+ +

Hex Mode
+

+ +

This mode is useful for displaying binary data. In fact, if +you have some binary data to display, you might want to start up xv +just to display it, as this mode beats the heck out of using the +standard UNIX command 'od -ha'.

+ +

The data is shown 16 bytes to a line. The first number on each +line is the offset (in hex) from the beginning of the file. This +is followed by 16 bytes, shown in hex, and then in ASCII. Bytes +which have a value less than 0x20 or greater than 0x7f are shown +as a '.' in the ASCII section.

+ +

While you can resize the window while in Hex mode, +changing the width will not be of any use, as the output is +formatted for an 80 character wide TextView window. Making the +window wider will just put unused space on the right side. Making +the window narrower will just enable the horizontal scroll bar. +Changing the height of the window may prove useful, however.

+ +

The Comment Window

+ +

The xv comments window (opened by the Comments +command in the xv controls window) operates in exactly the +same way as the TextView window. You can even display image +comments in Hex mode, though that doesn't sound all that +useful.

+ +

The xv comments window displays any comments found in +the currently-loaded image file. If there are no comments, the +window will be empty. Note that only certain image formats +support comment fields (GIF89, JPEG, TIFF, and PBM/PGM/PPM are +the most likely formats to have comments).

+ +

Whenever a new image is loaded, the xv comments window +is updated to reflect the new image comments, or lack thereof.

+ +

Whenever you save an image in a format that supports comments, +the comments from the last loaded image will be written out as +well. This lets you read a file (say a GIF) which has comments, +and write it out in another format (say, JPEG) preserving the +comments.

+ +

Currently, xv does not give you a way to +directly edit the image comments. Given how few images actually +have comments in them, it seemed like a lot of work for very +little gain. (Yeah, I know, if something actually let you edit +the comments, perhaps people would start entering some...) +Whatever. Seems likely enough that this feature will make it into +a future version of xv. Of course, that's exactly what I +said in the 3.00 documentation, a year and a half ago, so you may +want to take that statement with a grain of salt...

+ +

Until then, if you really want to add or edit the +comments in an image file, write it out as a PBM/PGM/PPM file. +This format has a plain-text header (comments simply begin with a +'#' character, which is not part of the comment), and you can +edit it very easily with emacs, or any other reasonable +text editor. Once that's done, you can use xv to convert +the file back into the desired format.

+ +
+ +

+ + + + + + + +

+ + + + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/visual-schnauzer-1.html xv-3.10a-jumbo20050501-1/docs/html/visual-schnauzer-1.html --- xv-3.10a-jumbo20050501/docs/html/visual-schnauzer-1.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/visual-schnauzer-1.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,246 @@ + + + + + + + +XV: The Visual Schnauzer, part 1/2 + + + + +

+ + +

+ +

The Visual Schnauzer

+ +

+ +

What's a Visual Schnauzer?

+ +

Hint: it's not a smallish seeing-eye dog of Germanic descent.

+ +

Probably the most exciting new feature in Version 3.00 was the +Visual Schnauzer, and while it hasn't changed dramatically +in Version 3.10, it's still plenty exciting. The Visual +Schnauzer gives you a visual interface to the UNIX file +system. It lets you view tiny 'thumbnail' representations of your +image files, directories, and other files. It lets you create +directories, rename files, move and copy files to different +directories, delete files, view image files, view text files, and +just generally nose around.

+ +

In short, it's cool, and it should be of some use for those of +us who have large numbers of GIF and JPEG files with +non-descriptive MS-DOS-style '8+3' filenames.

+ +

Note: Unlike most xv windows, schnauzer windows are +resizable. You can decide how many (or few) icons you'd like +displayed by changing the size of the schnauzer window. It also +should be pointed out that there are more command buttons +available than are shown at the default schnauzer size. If you +make the window larger, you will be given additional command +buttons. All the commands are always available from the Misc. +Commands menu.

+ +

Operating the Schnauzer

+ +

Click on the Visual Schnauzer button in the xv +controls window, or type a <Ctrl> v inside any +active xv window. This will open a schnauzer window. The +window will display the contents of the directory that you were +in when you started xv. (Though this behavior, like so +many things, can be overridden. See the description of the '-dir' +command-line option in "Miscellaneous +Options".)

+ +

The first time you open an image directory with the schnauzer, +you'll find that your image files are not displayed as +spiffy little thumbnail icons, but instead are shown as generic +icons showing the file format used. This is because the icons +need to be generated from the image files. Displaying a thumbnail +icon would normally require loading the entire image, compressing +it down to a small 80x60-ish image, and dithering it with +some set of colors. This is a very time-consuming operation. To +avoid doing this every single time you open a schnauzer window, xv +lets you do this operation once, and it maintains the results in +a hidden subdirectory ('.xvpics') for each directory. +This subdirectory contains one small (2k) file for each file in +the parent directory. The icons are in an 8-bit per pixel format, +pre-dithered with a 332 RGB colormap.

+ +

So, assuming that there are some image files in the current +directory, the first thing you should do is generate some icons. +(If there aren't any image files in the current directory, exit xv +and start it again from a directory that does have image +files. We'll discuss navigating via the schnauzer later.)

+ +

Generating Image Icons

+ +

To generate icons for all the images in the current directory, +issue the select All files command from the Misc. +Commands menu. All the icons in the current directory should +'light up' in some way to signify that they are selected, with +the possible exception of the <parent> directory.

+ +

Next, issue the Generate icons command from the Misc. +Commands menu. xv will begin the process of generating +icon files for the selected files. This process can be quite +time-consuming, particularly if you have a large number of files +in the directory, or the image files are in the JPEG format. +During this time, xv is effectively 'out-to-lunch', as it +will not be paying attention to any X events. There isn't any way +to stop it either, though if you kill the xv +process from another window, you will succeed in stopping the +icon generation. You will not lose any computed icons by +doing this, as icon files are written out as they are computed, +so it's perfectly safe to stop the generation via this method.

+ +

Also, you'll note that xv displays a bar-graph +'progress meter' at the top of the schnauzer window while it's +doing this, so you can gauge roughly how long it will take. Icons +will be displayed as they are generated, in an attempt to make +the process as entertaining as possible.

+ +

Changing Directories

+ +

The name of the current directory is displayed in a button at +the top-center of the schnauzer window. You can change to any +higher-level directory in the current path by pulling down this +menu button. The names of the parent directories will be shown in +the pull down menu.

+ +

You can also go up one level by double-clicking on the <parent> +directory icon.

+ +

You can go down to any subdirectory by double-clicking on the +appropriate subdirectory icon.

+ +

The Change Directory command gives you a more direct +route: you just type the pathname of the directory you'd like to +go to.

+ +

Scrolling the Schnauzer

+ +

You can scroll the schnauzer by operating the vertical scroll +bar, which operates exactly as described in "Operating a +List Window" .

+ +

You can also scroll the window a page at a time by using the <PageUp> +and <PageDown> keys on your keyboard (which may be +labeled <Prev> and <Next> on some +keyboards). The <Home> and <End> keys +will take you to the beginning and end of the list, respectively. +(If your keyboard doesn't have Home and End keys, <Shift> +<PageUp> and <Shift> <PageDown> +may also work.) You can scroll the list a line at a time by using +the up and down arrow keys. Note, however, that the arrow keys +move the indicator that shows the currently selected file. +Likewise, the left and right arrow keys move the selection +indicator left and right, wrapping at the edges of the window.

+ +

Also, if you type a normal, alphabetic character into the +schnauzer window, it will attempt to scroll the window so that +the first file beginning with that character will be visible. +Note that this behavior keeps you from typing normal xv +keyboard equivalents into this window, so don't even try it.

+ +

Selecting Files

+ +

Double-click on an image file's icon. The image should be +loaded, and the full path name of the image should be added to +the bottom of the xv controls window's name list. You can +also double-click on text files to view them in a TextView +window. (See "The TextView +Window" for more information.)

+ +

It is possible to select more than one file at a time. The +easiest way to do so is to hold down the <Shift> key +and click on icons. When the <Shift> key is held +down, any icons clicked on are simply toggled between being +selected, and being not selected. All other files remain +as they were. If you type <Shift> <Space>, xv +will keep all currently 'lit' files lit, and light (and load) the +file after the last lit file it finds. This can be useful +for building up a big list of files to delete by <Shift> +<Space>-ing your way through the list, and manually +unselecting any files you want to keep.

+ +

You can also select files by drawing a rectangle around icons +that you want selected. To do so, simply click in the space in +between the icons, and drag. A rectangle will be drawn, and all +icons that are inside (or partially inside) the rectangle will be +selected. Note that if you drag the rectangle off the top or +bottom of the window, the window will automatically scroll. Also, +if you hold down the <Shift> key while you draw a +rectangle, any previously selected icons will continue to remain +lit.

+ +

Finally, you can also select files by using the select All +files command from the menu (or by typing a <Ctrl> a) +to select all the icons in the current directory. If you want most +of the files selected, it might be easiest to select all the +files, hold down the <Shift> key, and selectively +turn off the ones you don't want selected.

+ +

If you double-click on a selected file while there are +multiple files selected, the clicked-on file will be displayed, +and all selected filenames will be copied into the xv +controls window's list.

+ +

File Management

+ +

Once you have some files selected, you can move them to other +directories by clicking on a lit icon and dragging it into one of +the subdirectories. When you press the mouse button, the cursor +will change to a 'files' cursor to indicate that you are +potentially moving files around. If you move the cursor near the +top or bottom edge of the window, the window will scroll up or +down accordingly. Necessary, as the subdirectory folders are +always shown at the top of the window. When you move the cursor +on top of a folder (either the <parent> directory, +or one of the subdirectories), the folder will light up to +acknowledge your selection. If you release the mouse button while +a folder is lit, all currently selected files (and folders) will +be moved into the lit folder.

+ +

Note that, using only one schnauzer window, it's only possible +to move files up or down one directory level. If you want to move +files to completely unrelated directories, you can easily +accomplish this by opening a second schnauzer window (via the open +new Window command in the menu, or <Ctrl> w). +Get the second schnauzer window aimed at the desired destination +directory, and simply drag the files from the first window into +the second window.

+ +

Also, when you drag files around, xv normally 'moves' +the files from one directory to another. If you'd like, you can +copy files instead of moving them. Just press (and hold down) the +<Ctrl> key while dragging the files. The 'files' +cursor will change to display 'CPY' as well, to signify that you +are copying files instead of moving them.

+ +

The remaining file-management commands (renaming files, +deleting files, and creating subdirectories) are discussed below.

+ +
+ +

+ + + + + + + +

+ + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/visual-schnauzer-2.html xv-3.10a-jumbo20050501-1/docs/html/visual-schnauzer-2.html --- xv-3.10a-jumbo20050501/docs/html/visual-schnauzer-2.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/visual-schnauzer-2.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,185 @@ + + + + + + + +XV: The Visual Schnauzer, part 2/2 + + + + +

+ + +

+ +

The Commands

+ +

There are more commands available in the schnauzer than are +normally displayed in the buttons at the bottom of the window. +The additional buttons will be displayed if you make the window +larger.

+ + + + + + +
Alternately, all commands are always + available via the Misc. Commands menu shown to the + left.

Note that the keyboard equivalent for all + commands that have one is listed in the menu, next to the + command. ('^' means <Ctrl> )

+

Also note that the bottom two commands, Show hidden + files , and Select files, do not appear as + buttons, ever. They're only accessible via the Misc. + Commands menu.

+
+ +
+
+
Pops open a dialog box that prompts you for a directory + name to cd to. This can be handy if the directory + you want to go to is far away in the directory tree.
+ Keyboard Equivalent: <Ctrl> c
+
 
+
+
This command can only be issued when one or more files + (or directories) are selected. It will pop up a + confirmation box to make sure you didn't accidentally + issue the command. At the confirmation box, you can type <Ctrl> + d a second time to say Ok , or press <Esc> + to Cancel the deletion. (Of course, you can just + click on the appropriate button, as well.) Also, note + that if you delete a subdirectory, all files and + directories in that subdirectory will be recursively + deleted. Finally, note that you can't delete the <parent> + directory... for your own protection.
+ Keyboard Equivalent: <Ctrl> d
+
 
+
+
When you issue this command you'll be prompted for a + plain filename for the new directory. You can only create + subdirectories in the current directory.
+ Keyboard Equivalent: <Ctrl> n
+
 
+
+
This command can only be used when a single file (or + subdirectory) is selected. You'll be prompted for the new + name. Also, note that you can't rename the <parent> + directory, again, for your own good.
+ Keyboard Equivalent: <Ctrl> r
+
 
+
+
Rescans the current directory. Since other programs may + be creating or deleting files in the current directory, + the contents shown in the schnauzer may not always be + up-to-date. Use the ReScan command to re-read the + current directory.
+ Keyboard Equivalent: <Ctrl> s
+
 
+
+
Like the ReScan command, but more serious about + it. In addition to re-reading the current directory + contents, it will also look for files that don't have + icons created (or files that have later modification + times than their associated icon files) and generate + icons for them. After that, it will look for icon files + that no longer have associated image files (which can + happen if you delete the image files without using the + schnauzer), and deletes them. Note that this command is not + limited to the selected files, unlike the Generate + icon(s) command listed below.
+ Keyboard Equivalent: <Ctrl> u
+
 
+
+
Opens a new schnauzer window, up to a maximum of 4. The + new schnauzer opened will display the same directory that + the opening- schnauzer was displaying.
+ Keyboard Equivalent: <Ctrl> w
+
 
+
+
Unconditionally generates icons for all the currently + selected files. As such, you can only issue this command + when one or more files are selected.
+ Keyboard Equivalent: <Ctrl> g
+
 
+
+
Selects all files in the current directory.
+ Keyboard Equivalent: <Ctrl> a
+
 
+
+
Displays the currently-selected file in a TextView + window. This command can only be used when there is + exactly one file currently selected. Note that if you + double-click on a file in an unrecognized format, xv + will automatically display it in a TextView window. This + command lets you view recognized image files in text + mode.
+ Keyboard Equivalent: <Ctrl> t
+
 
+
+
Recursively walks its way down a directory tree, starting + from the current directory, and does an Update + command in each subdirectory. It will follow symbolic + links, if you have any, and it's smart enough to avoid + circular links. It gives you a nifty way to generate + icons for an entire hierarchy of image files. It can also + take a Good Long Time, depending on your particular + situation, so it pops up an annoying "Are You + Sure?" dialog box before it starts working its + magic.
+ Keyboard Equivalent: <Ctrl> e
+
 
+
+
Exits the xv program.
+ Keyboard Equivalent: <Ctrl> q
+
 
+
+
Closes this particular schnauzer window.
+ Keyboard Equivalent: <Ctrl> c
+
 
+
+
Toggles whether or not 'hidden' files (in Unix, files + that have a '.' as their first character) should be + displayed.
+ Keyboard Equivalent: <none>
+
 
+
+
Opens a dialog box that lets you select files by name. + Wildcards are accepted. It does not clear any + previously selected files.
+ Keyboard Equivalent: <Ctrl> f
+
+ +
+ +

+ + + + + + + +

+ + diff -u -p -r --new-file xv-3.10a-jumbo20050501/docs/html/x-resources.html xv-3.10a-jumbo20050501-1/docs/html/x-resources.html --- xv-3.10a-jumbo20050501/docs/html/x-resources.html 1969-12-31 16:00:00.000000000 -0800 +++ xv-3.10a-jumbo20050501-1/docs/html/x-resources.html 2005-05-03 13:58:42.000000000 -0700 @@ -0,0 +1,597 @@ + + + + + + + +XV: X Resources + + + + +

+ + +

+ +

X Resources

+ +

Simple Resources

+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
NameTypeDescription
2xlimitbooleanAllow image window to be twice the size + of the screen.
aspectstringSets the default aspect ratio used by + the Aspect command.
auto4x3booleanIssue 4x3 command when an image + is loaded.
autoApplybooleanSets initial setting of Auto-Apply + HSV/RGB mods checkbox in xv color editor + window.
autoClosebooleanAutomatically close xv windows + when image window is iconified.
autoCropbooleanIssue an AutoCrop command when an + image is loaded.
autoDitherbooleanAutomatically do a Dither command + when an image is loaded.
autoHFlipbooleanIssue a 'horizontal flip' command when + image is loaded.
autoHistEqbooleanIssue a HistEq command when image + is loaded.
autoNormbooleanIssue Norm command when image is + loaded.
autoRawbooleanIssue a Raw command when image is + loaded.
autoResetbooleanSets initial setting of Auto-reset on + new image checkbox in xv color editor window.
autoRotateintegerRotate image when it is loaded.
autoSmoothbooleanAutomatically Smooth image on + initial load.
autoVFlipbooleanAutomatically do a 'vertical flip' + command when image is loaded.
backgroundstringSets the background color.
best24booleanUse the 'best' (read: slowest) 24-bit to + 8-bit color algorithm.
blackstringSets the 'black' color used in B/W + dithering.
borderWidthintegerSets the border width of the windows.
ceditGeometrystringSets the initial position of the xv + color editor.
ceditMapbooleanAutomatically open the xv color + editor on startup.
ceditColorMapbooleanInstall image's colormap in the xv + color editor window.
clearOnLoadbooleanClear window to avoid 'rainbow' effect + on PseudoColor displays.
commentGeometrystringSets the initial position and size of + the xv comments window.
commentMapbooleanAutomatically open the xv comments + window on startup.
ctrlGeometrystringSets the initial position of the xv + controls window.
ctrlMapbooleanAutomatically open the xv controls + window on startup.
cursorintegerSets the cursor used in the image + window.
defaultPresetintegerMakes specified preset number the + default preset.
displayModsbooleanSets initial setting of Display with + HSV/RGB mods checkbox in xv color editor + window.
dragApplybooleanSets initial setting of Auto-Apply + while dragging checkbox in xv color editor + window.
driftKludgestringKludge to keep image window from + 'drifting' around screen.
expandstringAutomatically expand or contract images + by the given factor.
fileListstringLoads a list of image filenames from a + file.
fixedbooleanSets 'fixed aspect ratio' mode.
force8booleanLock xv into 8-bit Mode .
force24booleanLock xv into 24-bit Mode .
foregroundstringSets the foreground color.
geometrystringSpecifies initial size and position of + image window.
gsDevicestringType of file ghostscript should + produce.
gsGeometrystringSize of page ghostscript should + produce, in 72nds of an inch.
gsResolutionintegerResolution of file ghostscript + should produce, in dpi.
hsvModebooleanPuts the colormap editing dials into HSV + mode.
highlightstringSets the 'highlight' color used by the + buttons.
iconGeometrystringSpecifies position of icon when run in -iconic + mode.
iconicbooleanStarts up xv with the image + window iconified.
infoGeometrystringSpecifies initial position of xv info + window.
infoMapbooleanAutomatically open xv info window + on startup.
loadBrowsebooleanKeep the xv load window open + until deliberately closed.
lowlightstringSets the 'lowlight' color used by the + buttons.
monobooleanDisplay all pictures in greyscale.
monofontstringMono-spaced font used in TextView + windows.
ncolsintegerSpecifies maximum number of different + colors to use.
ninstallbooleanDon't 'install' colormaps. Have the WM + do it for us.
nodecorbooleanDon't put decorations on xv image + window frame.
nolimitsbooleanTurn off all 'maximum size' limitations + on the image.
noposbooleanDon't automatically position the xv + windows.
noqcheckbooleanSuppress quick-check when doing 24->8 + bit algorithms.
nostatbooleanSpeed up directory changing in load/save + windows.
ownCmapbooleanAlways use and install a private + colormap.
perfectbooleanUse and install a private colormap if + necessary.
printstringSets default 'print' command (ie, + "lpr").
pscompressbooleanSets initial setting of compress + button in xv postscript window.
psorientstringSets initial setting of Orientation + in xv postscript window. ( landscape portrait + )
pspaperstringSets initial setting of Paper Size + in xv postscript window. ( 8.5x11 8.5x14 11x17 + 4x5 35mm a3 a4 b5 )
pspreviewbooleanSets initial setting of preview + button in xv postscript window.
psresintegerSets initial setting of Resolution + in xv postscript window.
quick24booleanUse the quickest 24-bit to 8-bit color + algorithm.
resetrootbooleanClear root when going back to 'window' + display mode.
reversebooleanReverses RGB values when image is + loaded.
rootBackgroundstringRoot background color, used on some root + display modes.
rootForegroundstringRoot foreground color, used on some root + display modes.
rootModeintegerUse specified display mode when using + root window.
rwColorbooleanUse read/write color cells for faster + color editing.
saveNormalbooleanSets default setting of Save at + normal size checkbox in xv save window.
searchDirectorystringSets the initial directory for the visual + schnauzer and xv load windows.
slow24booleanUse the 'slow' 24->8 bit algorithm.
textviewGeometrystringInitial position and size for TextView + window.
useStdCmapbooleanUse Standard Colormap.
visualstringUse a non-default visual of your X + display.
vsDisablebooleanDisable Visual Schnauzer.
vsGeometrystringInitial size and position for Visual + Schnauzer windows.
vsMapbooleanAutomatically open a Visual Schnauzer + window on startup.
vsPerfectbooleanPrevent Visual Schnauzer from + installing its own private colormap.
whitestringSets the 'white' color used in B/W + stippling.
+ +

Color Editor Resources:

+ +

The xv color editor resources take the general +form:

+ +
+

xv.state.item: val

+
+ +
+
where state is:
+
'default', 'preset1', 'preset2', + 'preset3', or 'preset4'
+
 
+
and item is:
+
'huemap1', 'huemap2', 'huemap3', + 'huemap4', 'huemap5', 'huemap6', + 'whtmap', 'satval', 'igraf', 'rgraf', + 'ggraf', or 'bgraf'
+
+ +

Pad Command Resources

+ +

You can change the contents of the 'shortcut' menus in the Pad +command dialog box using the following resource format:

+ +
+

xv.pad.menu.slot

+
+ +

Where menu is one of 'color', 'bggen', 'load', and slot +is 'val0' .. 'val9', or 'name0' .. 'name9'. The 'val's are string +resources that hold the actual 'shortcut text' that is entered +when you select this menu choice. The 'name's are optional, and +are the short descriptions listed on the menus.

+ +

For instance, to add the items 'yellow', and 'blue' to the +'color' menu, stick these lines in your .Xdefaults (or .Xresources) +file:

+ +
+ 
xv.pad.color.name0:   yellow
+xv.pad.color.val0:    255 255 0
+xv.pad.color.name1:   blue
+xv.pad.color.val1:    0 0 255
+
+ +
+ +

+ + + + + + + +

+ + \ No newline at end of file diff -u -p -r --new-file xv-3.10a-jumbo20050501/Makefile xv-3.10a-jumbo20050501-1/Makefile --- xv-3.10a-jumbo20050501/Makefile 2005-05-03 14:43:41.000000000 -0700 +++ xv-3.10a-jumbo20050501-1/Makefile 2005-05-03 15:28:17.000000000 -0700 @@ -1,12 +1,12 @@ # Makefile for xv # your C compiler (and options) of choice -CC = cc +#CC = cc #CC = gcc -ansi # note that -ansi kills __USE_MISC (gcc 2.95.3), which (at least in Linux) # determines whether stdlib.h includes prototypes for mktemp(), random(), etc. # (i.e., if you use it, you will get unnecessary compiler warnings) -#CC = gcc +CC = gcc # use this if you're using 'cc' on a DEC Alpha (OSF/1) or MIPS (Ultrix) system: # CC = cc -std1 -Olimit 750 @@ -18,10 +18,10 @@ CC = cc # -Wuninitialized -Wparentheses -CCOPTS = -O +#CCOPTS = -O # these are the usual optimization and warning options for gcc; all such # warnings but one (mktemp() use) have been eliminated (at least on Linux): -#CCOPTS = -O3 -Wall +CCOPTS = -O3 -Wall # for the next step up in gcc noise, try adding -W (but note that it adds a # huge number of unused-parameter and signed/unsigned comparison warnings): #CCOPTS = -O3 -Wall -W @@ -41,13 +41,14 @@ CLEANDIR = cleandir ### Installation locations -PREFIX = /usr/local +#PREFIX = /usr/local +PREFIX = $(DESTDIR)/usr/X11R6/ BINDIR = $(PREFIX)/bin MANDIR = $(PREFIX)/man/man1 MANSUF = 1 -DOCDIR = $(PREFIX)/doc/xv-3.10a -LIBDIR = $(PREFIX)/lib/xv -SYSCONFDIR = $(PREFIX)/etc +#DOCDIR = $(PREFIX)/doc/xv-3.10a +LIBDIR = $(PREFIX)/lib/ +SYSCONFDIR = $(DESTDIR)/etc DESTDIR = @@ -200,7 +201,7 @@ PDS = -DDOPDS ### for LINUX, uncomment the following line -#MCHN = -DLINUX -L/usr/X11R6/lib +MCHN = -DLINUX -L/usr/X11R6/lib # For SCO 1.1 (UNIX 3.2v2) machines, uncomment the following: @@ -242,7 +243,7 @@ PDS = -DDOPDS # if your machine has the usleep() function, uncomment the following line: # if it doesn't, or you're not sure, leave this line alone. -#TIMERS = -DUSLEEP +TIMERS = -DUSLEEP # if XV locks up whenever you click on *any* of the buttons, the Timer() @@ -353,14 +354,20 @@ clean: xvclean install: all - cp xv bggen vdcomp xcmap xvpictoppm $(DESTDIR)$(BINDIR) - cp docs/xv.man $(DESTDIR)$(MANDIR)/xv.$(MANSUF) - cp docs/bggen.man $(DESTDIR)$(MANDIR)/bggen.$(MANSUF) - cp docs/xcmap.man $(DESTDIR)$(MANDIR)/xcmap.$(MANSUF) - cp docs/xvp2p.man $(DESTDIR)$(MANDIR)/xvpictoppm.$(MANSUF) - cp docs/vdcomp.man $(DESTDIR)$(MANDIR)/vdcomp.$(MANSUF) - cp docs/xvdocs.ps* $(DESTDIR)$(LIBDIR) # or $(DESTDIR)$(DOCDIR) - #cp xv_mgcsfx.sample $(DESTDIR)$(SYSCONFDIR)/xv_mgcsfx + install -d -o root -g root $(BINDIR) + install -d -o root -g root $(MANDIR) + install -d -o root -g root $(DOCDIR)/usr/share/doc/xv-doc/html + install -o root -g root -s xv bggen vdcomp xcmap xvpictoppm $(BINDIR) + install -o root -g root -m 0644 docs/xv.man $(MANDIR)/xv.$(MANSUF) + install -o root -g root -m 0644 docs/bggen.man $(MANDIR)/bggen.$(MANSUF) + install -o root -g root -m 0644 docs/xcmap.man $(MANDIR)/xcmap.$(MANSUF) + install -o root -g root -m 0644 docs/xvp2p.man $(MANDIR)/xvpictoppm.$(MANSUF) + install -o root -g root -m 0644 docs/vdcomp.man $(MANDIR)/vdcomp.$(MANSUF) + install -o root -g root -m 0644 docs/xvdocs.ps $(DOCDIR)/usr/share/doc/xv-doc/ + cp -a docs/html/* $(DOCDIR)/usr/share/doc/xv-doc/html/ + uudeview -i -o -c -p $(DOCDIR)/usr/share/doc/xv-doc/html/images -m -f $(DOCDIR)/usr/share/doc/xv-doc/html/images/*.uue; \ + chown -Rh 0:0 $(DOCDIR)/usr/share/doc/xv-doc/html + chmod -R a=rX,u+w $(DOCDIR)/usr/share/doc/xv-doc/html tar: # tar only local jpeg and tiff dirs, not user's or system's copies:

+ + +

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